American Symphony

2022 was the best of times, the worst of times for Jon Batiste and Suleika Janouad.

Both. Everywhere. All at once. In every moment.

It was the year the couple married. It was the year Jon left his high-profile gig leading the band on The Late Show with Steven Colbert. He would go on to win five Grammys, including the coveted Album of the Year, which hadn't been won by a Black artist in more than a decade.

Although Suleika's bestselling "Between Two Kingdoms: A Memoir of a Life Interrupted" would be acclaimed as one of the best books of the 2022, she would spend most of the year in hospital beds, receiving chemotherapy, a bone marrow transplant and other treatments for the recurrence of acute myeloid leukemia, a rare condition that had first stricken her a decade earlier.

On September 22 of that year, Jon Batiste premiered his "American Symphony" in Carnegie Hall. His wife was in the audience.

These events provide the framework for Matthew Heineman's powerfully affecting documentary that shares the title of Batiste's musical creation. Its Higher Ground production company was created by Michelle Obama and her husband in 2018 with the goal of lifting diverse voices in the entertainment industry. It's playing on Netflix.

It feels meant to be, writing about "American Symphony" after recent blogs reviewing "Maestro" and "American Fiction." They have a lot in common. Like "Maestro," it presents a loving marriage of creative giants, the husband fulfilling his artistic genius, the wife beset by setbacks and pain beyond belief.

Like "American Fiction," it focuses on a brilliant Black artist staking his creative claim in a society built on a foundation of the enslavement of his race. (The similarity of the films' titles is unfortunate, confusing and diluting each's powerful impact during this awards season.) Except, unlike the other two films, "American Symphony" doesn't have actors. It has the actual people. They're not acting, they're living their lives.

Filmmaker Heineman is the third member of their marriage, capturing an intimacy that rarely makes its way to the screen. He's there with them in their bedroom or her hospital bed, as they grapple with everything coming their way. In one light-hearted interlude, Suleika takes Jon to the snow. He has never sledded before. We ride down the hill with them, lost for a moment in giddy, silly escape.

But not for long.

Pain, isolation and discomfort are givens in Suleika's illness. What's not expected is the resilience, philosophical strength and occasional bursts of humor she finds to face them. In her bed she starts painting giraffes. They quite good, actually.

By her side supporting her, Jon is also up against a different set of challenges. Scion of a New Orleans musical dynasty, his gifts transported him to Juilliard en route to a rarified place in the musical hierarchy where fame itself may become his greatest danger.

Heineman - and his three co-cinematographers - transport us into his brain, recording telephone sessions with Jon's therapist flowing into voice-over commentary that unflinchingly probes his artistic process, and the insecurities besetting artists no matter how much acclaim they achieve.

The documentary was filmed in the time of Covid, but finds endless expressiveness in its characters' eyes. When they remove their masks, their faces are visually striking element in the film's grand design. Jon's smile is sunshine; his dance moves are joy itself.

The creation of Batiste's symphony provides a plot of sorts, as he mines deep ore in all the cultures that have produced "America," beginning with the Indigenous people who were here when the Whites arrived, bringing the Blacks in chains a short time later. He melds their sounds into a musical masterwork that defies labels - classical, jazz, roots, blues, bebop, hip-hop and a hundred others - because it's them all.

But the film's real symphony isn't just the music. It's the two people/ at the center of the story, bravely leading us on this wondrous journey into their souls.

Creating a great work of art is very much like creating a heartfelt, loving relationship. Both take work and commitment, both in good times and bad. The challenges can be difficult, but the rewards can be incalculable. Learning how to successfully maneuver through them, as well as how to strike a harmonious balance that keeps both ventures moving forward, is a skill that takes an array of abilities and aptitudes s to master, but, as documentary filmmaker Matthew Heinenman's latest so deftly illustrates, it's an attainable goal, the prevailing highs and lows notwithstanding. The film follows the extraordinary year experienced by musician/composer Jon Batiste and his wife, best-selling author Suleika Jaouad. In 2022, they came face to face with both ends of the spectrum of life. Batiste, an artist with an impressive musical range and repertoire, was reaching new heights in his career, winning five Grammy Awards while serving as band leader on The Late Show with Stephen Colbert and seeking to complete work on an ambitious composition aimed at reflecting the breadth of our national music, diversity and culture, American Symphony. At the same time, though, Jaouad suffered a recurrence of the cancer she battled a decade earlier, an illness she chronicled in writings that would come to launch a career; now, after a 10-year remission, she was facing a second, potentially risky bone marrow transplant to treat her condition, not to mention an uncertain future. With such seemingly polar opposite fates befalling them, Batiste and Jaouad struggled to get through their respective challenges while keeping their love and art alive, putting their successes into perspective in light of what they were up against otherwise. This intimate, heartstring-tugging documentary gives viewers a candid, up-close look at what a truly loving couple can experience under such diverse, trying and bittersweet circumstances, but without becoming manipulative or melodramatic. This beautifully photographed story provides an unfiltered depiction of the range of emotions that each partner goes through, particularly when it comes to its depictions of the philosophical insights observed by each of the spouses. It also showcases Batiste's wide-ranging musical styles, both in his performances and in his composition process. Admittedly, a few of this offering's sequences meander a bit, but the overall production is skillfully edited and sensitively portrayed. "American Symphony" is a beautifully moving film, one that reinforces what matters most in life and what makes it worth living, during both good times and bad, as long as we have each other to make our way through it, bringing new meaning to what our marriage vows are ultimately all about.

This film was our pick for a recent Sunday matinee and was a good choice for a sunny afternoon with bad air quality. It was a documentary about the super-talented Jon Batiste and his creation of a symphony to be performed at Carnegie Hall. But it was also about the unexpected recurrence of his partner's (and now wife's) cancer from a decade ago. I love movies about the artistic process and how artists and musicians create their work, and this didn't disappoint in any regard. Batiste is a joyful, uplifting person no matter what they're going through and the love and compassion they have for each other is truly inspiring.

This is from the Obamas' production company, Higher Ground, and you can see their spirit if not their hand in the finished product. We weren't sure if we were going to enjoy this as we thought it would be sad, but it was ultimately beautiful, touching, and insightful. It's a bummer it didn't get a Best Documentary Oscar nom but I definitely recommend it, playing on Netflix.

Musician Jon Batiste is composing a symphony while his wife/writer Suleika Jaouad undergoes cancer treatment. This is a documentary. I know Jon Batiste only through "The Late Show with Stephen Colbert". My surface take on him is radical positivity. It's more than being Ed McMahon. He seems like a guy who reacts with a smile no matter what the situation. This movie lets the audience a peek inside the curtains. There are moments. There are big moments of anxiety and doubt and depression. It may be small little peeks, but they are enough to paint a picture of the man and his relationship with his wife. Those extra paint colors really sets off the climatic musical performance.

Jon Batiste was first imprinted in my mind during Covid when The Stephen Colbert Show closed for the night. The undeniable positive, creative energy. A beautiful human who heals souls. I am not a religious person but now and again you come across humans who are just that.

Clearly the documentary shows you the other side and the very real struggle to not only helplessly stand by while your partner suffers but everything else. Eternal hope and realism and pure love.

This was my first introduction to Suleika. What a force and gorgeous artist. She makes me want to pick up my paint brushes again.

They are making quite an imprint in this world. Individually and ultimately together.

Thank you for making this movie. Kleenex thanks you too.