Macbeth

Was actually really looking forward to seeing this 2015 film version of 'Macbeth'. The play is one of Shakespeare's best, most famous and most quotable and has leant itself to film, with Roman Polanski, Orson Welles and Akira Kurosawa all giving it splendid treatment. The cast is a talented one, having often admired Michael Fassbender, Marion Cottilard and David Thewlis and ever since seeing him in 'The Borgias' Sean Harris struck me as one to watch.

Not to mention the great reviews. Was a little worried though too, seeing that it was directed by Justin Kurzel who directed the big misfire and huge waste of potential that was 'Assassins Creed'. Luckily, this 'Macbeth' lived up to expectations on the whole if not exceeding them. It is not the definitive version of the play, either on film or filmed production, and did have room for improvement, but for all its flaws the film on the whole surprisingly impressed me.

This 'Macbeth' isn't perfect. It is agreed not always easy to understand the dialogue, which didn't need to be as hushed or as muttered. While the film a vast majority of the time looked absolutely great, there is a gratuitous overuse of slow-motion.

Especially in the first 10 minutes or so, which were more sluggish than arresting. There are cuts and some of the omissions do affect the drama where the storytelling becomes less coherent.

For all those drawbacks, there are a lot of positives with this 'Macbeth'. Other than the slow motion, it is quite an amazing looking film, with hugely atmospheric and grandiose visuals (from the suitably myterious fog early on right up to the boldly bloodthirsty climax). The photography to me was some of the best of that year, especially in the act and those locations are hugely effective in their atmosphere, uncompromising but also oddly beautiful and dark without taking it to extremes. The music is still haunting and Kurzel's direction is bolder and less muddled than it was in 'Assassins Creed' from the following year.

Moreover, although it would have been nice if it was more consistently intelligible, Shakespeare's text is still powerful and hard to forget. The story takes time to get going but does get more compelling and remarkably ambitious, at its most emotionally investable from the point where Macduff learning of his family's murder (which has always been a very moving part of the plot) up to the end. The action is both exciting and ferociously harrowing, pulling no punches without being too unnecessarily over the top (seeing as 'Macbeth' is already a dramatically brutal play).

Some interesting changes here. Really did like that the witches weren't portrayed in a way that was too reliant on witch cliches, and were spooky underneath their deceptive exteriors. Lady Macbeth is still an effective and steely manipulator but it was interesting to see a more conflicted side to her (very different as it is not what the play indicates) rather than her being completely villainous. This is not going to work for some, but to me it was interesting. The performances were on the whole great from all, Fassbender is searingly fierce in the title role without being too brutish and Cotillard contrasts with him effectively as a steely and imperious Lady Macbeth. Paddy Considine's Banquo is suitably noble and Harris proved in 'The Borgias' that he could do creepy but also tortured, and he is very moving here as Macduff. It is somewhat sad that Duncan's role in the play is not bigger because Thewlis, while perhaps a touch young, commands the part extremely well.

In conclusion, intriguing and well done but there are better versions of 'Macbeth' around. 7/10

Well it was certainly very artistic and certain parts were just gorgeous. However there is not much more to recommend Macbeth. The worst part to me was how the dialogue was spoken, or not spoken since it was mostly whispers and mumbles. Just mumbles and mumbles. Shakespeare's prose just begs to be enjoyed but here I couldn't understand what they were saying half the time.

Also they seemed to have no idea what to do with the talking parts and just tried to invent weird action scenes to go with them that felt out of place. Too theatrical is how I would describe this film. It tries to be realistic and set in historical times, but it just makes the theatrical stick out more in awkward ways.

Performance wise there is nothing to complain about as everyone did a great job. Overall there are sparks of brilliance here but I just get the feeling that the makers gave up before reaching the goal and the final product is hence mediocre.

As the shortest, sharpest and most stormily violent of William Shakespeare's tragedies, "Macbeth" may be the most readily cinematic: The swirling mists of the Highlands, tough to fabricate in a theater, practically rise off the printed page. So it's odd that, while "Romeo and Juliet" and "Hamlet" get dusted off at least once a generation by filmmakers, the Scottish Play hasn't enjoyed significant bigscreen treatment since Roman Polanski's admirable if tortured 1971 version. The wait for another may be even longer after Justin Kurzel's scarcely improvable new adaptation: Fearsomely visceral and impeccably performed, it's a brisk, bracing update, even as it remains exquisitely in period. Though the Bard's words are handled with care by an ideal ensemble, fronted by Michael Fassbender and a boldly cast Marion Cotillard, it's the Australian helmer's fervid sensory storytelling that makes this a Shakespeare pic for the ages — albeit one surely too savage for the classroom.

William Shakespeare's famous tragedy is brought to the screen on a large scale. Full of his intricate and unique style of writing, this play focuses on Macbeth. .... What I did not expect to see is that the landscape of Scotland becomes not just the scenery background but one of the main storytelling streams. One sees too many modern adaptations of Japanese interpretation of Macbeth that one seems to forget where the story came from in the first place. Truly magnificent cinematography in this version of Macbeth and it really lives up to bloodbath on the battlefields as stated in the Bard' s words. One of the best movies in 2015

I recently saw Macbeth with Michael Fassbender and Marion Cotillard and directed by Justin Kurzel and is easily my number 1 film of the year so far. While the Shakespearean dialogue may be hard to follow at times, it doesn't matter as this film is a visual masterpiece and not only i the way of shot types but also in the use of colour (which the end scene uses in a truly jaw dropping sequence). The cinematography in Macbeth is truly something to marvel at and is perfectly accompanied by magnificent performances from the 2 leads and also the rest of the cast. Fassbender was born to play this role and portrays Macbeth in a powerful and emotionally engrossing way and Cotillard is a beautiful and faultless Lady Macbeth (she has a great monologue in one scene which gave me goosebumps). Another element that I loved was the score, wonderfully haunting and powerful and matches the scenery and setting of the film. Overall, Do. Not. Miss. This. It is spectacular and I've probably hyped it up too much now but what ever its great. If I had to fault it I would saw that there are some iconic lines from the original play that aren't used in the film which was disappointing but it probably wouldn't have fit with the tone so maybe it was for the best.