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Netflix acquired worldwide rights for the film out of the Toronto International Film Festival for $7 million.

In a 2024 interview with Script magazine, Azazel Jacobs spoke about shooting on film and the unexpected dramatic results: "We knew shooting film that the chances are it's gonna be beautiful. It's very hard to mess up the look of film. So, you can get away with a certain amount of lack of lights. But it also has its own mind. So, there's certain scenes that you're just going, like the big fight scene, we don't know exactly why that turned out so particularly yellow, or at least I don't - maybe Sam Levy does. But I do know that it was completely right for that mood. I'm seeing a monitor, which is just a reference point, but you're not really seeing the footage until the next day. It just had a vibrancy that made sense for that particular scene. Ultimately, we get it enhanced in the color correction and make sure that we're embracing what was naturally given to us. There was a lot more lighting than you could imagine. There was a lot more bounces to shape light. Everybody in there, crew-wise, was very experienced, especially for a film of this size and at this budget. But at the same time, everybody was there to figure out how can we work with the elements that we have and make it a benefit?"

Filmed in 17 days.

The first film to star Elizabeth Olsen that was not part of the Marvel Cinematic Universe since Kodachrome in 2018.

The pig Latin Carrie Coons and Elizabeth Olsen speak is used by Natasha Leone and Marissa Tomei in Slums of Beverly Hills.