IMDb रेटिंग
4.6/10
2.5 हज़ार
आपकी रेटिंग
इंटरपोल के लिए एक जटिल योजना बनाकर, एक अधिकारी अपने पूर्व प्रेमी कला चोर को फंसाने का फैसला करती है.इंटरपोल के लिए एक जटिल योजना बनाकर, एक अधिकारी अपने पूर्व प्रेमी कला चोर को फंसाने का फैसला करती है.इंटरपोल के लिए एक जटिल योजना बनाकर, एक अधिकारी अपने पूर्व प्रेमी कला चोर को फंसाने का फैसला करती है.
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
फ़ीचर्ड समीक्षाएं
This is a movie for those that are curious about international productions that are presented in order to appeal the majority of spectators. It has a style that I'd compare to many American projects; that is, it is cinematic, contains a few action scenes, and has a score that elevates the final product. Taking place Istanbul and Prague, the viewer gets to discover multiple landscapes, different sets, and is immersed in a fictional universe that transports you from the comfort of your home to these cities. I'd recommend this to those that are opened to embrace what international markets have to provide cinematically.
Where do I even begin? Buckle up, dear reader, because Love of Art is a cinematic train wreck I wouldn't wish on my worst enemy.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
The movie claims to be a romantic comedy but there is literally no romance or humor to be found. The characters, both individually and as a couple, lack development, making it difficult to invest in their relationship. There's zero foundation for their connection or emotional journey. They just throw these two actors together with a revolving door of hair styles/colors and skimpy outfits (most with absolutely no relevance to the plot, by the way), Plus, they throw in random smooches with no build-up, no emotional depth, just a slapdash attempt to fulfill some quota.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
The only good thing about the movie was the locations in which the movie was shot. Otherwise, it is a cheap, low budget and tasteless movie. The plot is wafer-thin, the story inconsistent and the climax non-existent. The acting was bad and the direction was amateurish at best. The direction focuses more on cheap, gross and tasteless stuff than the actual story line.
The lead actress has been gradually building her stature in industry with solid roles like those in Ataturk, Dirilis: Ertugrul and Ramo, and had been building an aura of grace, beauty and solid acting. This role ruins this image completely. The role focuses on cheap, distasteful and vulgar stuff, rather than any opportunity to demonstrate acting skills. The role suits more to a desperate B-grade movie star, rather than an A list actor. In my opinion, this role will hurt the stature and reputation of the lead actress in the long run.
Overall, an utter and sheer disappointment on all fronts.
The lead actress has been gradually building her stature in industry with solid roles like those in Ataturk, Dirilis: Ertugrul and Ramo, and had been building an aura of grace, beauty and solid acting. This role ruins this image completely. The role focuses on cheap, distasteful and vulgar stuff, rather than any opportunity to demonstrate acting skills. The role suits more to a desperate B-grade movie star, rather than an A list actor. In my opinion, this role will hurt the stature and reputation of the lead actress in the long run.
Overall, an utter and sheer disappointment on all fronts.
The storyline stolen from the classic "The Thomas Crown Affair". Its not an adaptation. No credit to original story writer. There are two versions; one with Steve Mcqueen and Faye Dunaway made in 68 and the other one made in 1999 with Pierce Brosnan and Rene Russo. They're both decent, good time movies. I can not say the same thing about this one.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
क्या आपको पता है
- साउंडट्रैकDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- The Art of Love
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- ध्वनि मिश्रण
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