Tyler Perry's Duplicity

Super slow moving unbelievable, literally impossible, plot, so NOT great crime, couldn't happen in a million years, like a high schooler's 1st attempt at a crime novel, with a ton of gaping holes, great actors and actresses but the script drags on and it looks like the actors themselves are having trouble figuring out which part of the plot they are in, the reactions don't always match the storyline. The last 2 minutes did have one great scene where the summary of how we should as a society face police shootings was a great line. So, wait for the movie to be free and watch the last 2 minutes; you will get the point I'm sure Tyler Perry had in mind. Following the storyline also makes the viewer have to struggle to put it together, because it's a puzzle of plots that don't quite fit, like struggling to put together a puzzle and realizing it's a collage of mismatched images with several plots, not interconnected, a puzzle with several images within one. LIke a story written by several different people who didn't know for sure what the other writers were going to write.

So Marley and her private investigator husband live in this really nice house. One day she gets mad at her husband and when he gets home, she's downstairs with a blanket and she informs him that he has to sleep on the couch. The only problem is that just by looking at the house, you know there absolutely has to be at least one additional bedroom in that house. Prior to this scene, he had made Marley some breakfast and told her "it's not much, but I made it with love". See, people don't actually talk like this in real life but I'm not sure if Tyler knows this. It's pretty cringe when Tyler tries to write using expletives and there's a little bit of that here. And TP knows absolutely nothing about nuance. He'll write dialogue like: "don't think I forgot that you faked that slip and fall 5 years ago and got that $32,000 settlement". Like bro...you've made a ton of money and I'm sure there's far more talented writers who just need an opportunity. How about you give them that opportunity?

Tyler once said he writes his scripts in a week and from this film.. we can see. There were so many plot holes, and although the plot twists were good it just left me with more questions. After the movie, I had to rewind to the beginning to see if I was just stupid or if he really just did not take enough time to write a full and complete story. I love supporting black people but Tyler what the hell?? I shouldn't need a thorough explanation video after watching a Tyler Perry movie... The scene where the white woman says she doesn't want to talk to the attorney anymore and she just turns around and the camera is still on her will be ingrained in my brain forever. We need you to spend more time writing Tyler, I just don't understand.

Interesting Amazon original movie.

It is a modest police thriller, in some ways also with a fairly predictable ending, which however has the greatest merit of addressing, in a fairly clear and understandable way, also some socially burning and politically always very current issues, namely the training techniques of police officers, the superficial and approximate way of closing certain legal cases through plea bargaining, the domestic violence and, above all, the racism.

Aesthetically, the work is very good, filmed in 4K, it is practically free from criticism.

In my humble opinion, it is worth seeing, provided that one has a certain indulgence towards certain glaring interpretative errors (even on the part of the protagonists, unfortunately). It is certainly not a boring movie, even if, as already mentioned, it lacks originality.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.

For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.

The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.

Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **