Christmas on Cherry Lane

For the first twenty minutes of this movie, before the commercial break I was lost. Or maybe disinterested is a better term. Then it closes before the break and says that the three stories we were watching are all actually happening on different timelines. Great, sounds fun. No. It's a slog. The stories are interconnected through the house the ALL live (or lived) in, but it doesn't really come together until the final five minutes of the movie, which left me a lot of time to wonder why I should keep watching. For a movie with Jonathan Bennett, I thought we'd see some funny moments, but no, it was all serious future-dad, fancy dinner chef drama. John Brotherton and Erin Cahill could have just had the whole movie to themselves and we'd have all been better off for it. And another thing, you don't keep having to mention "high oil prices" to tell us the year the events are taking place. We get it . . . Oil crisis. We just don't care.

I didn't pay enough attention to the trailer that preceded this film's release during the week. This is one Hallmark film where the ending doesn't matter as much as what happens in each of the three stories. This film has sweet and relatable stories, and as is the way with Hallmark, love still takes center stage. Note: If you're a bit drowsy or are overly distracted, perhaps wait till you're not to watch, otherwise you'll likely miss the smattering of clues to help you understand what's going on with each of the three stories. With a large stellar cast, this film is not your typical Hallmark movie. Love that Hallmark is working hard to ensure ensure representation in story lines as well in casting.

This is another great movie and Hallmark is really hitting home with some of their recent releases.

The only thing is you really have to be paying attention or re-watch the movie.

There are three families across three different time periods (the 70's the late 90's and current time 2023). The time periods and families are not shown sequentially (since their connection is more than sequential).

The connections to the other families and time periods is more than just the home, it's in the people themselves and their connection to each other, but that's not the focus of the story. Even though these people's lives have some connection or overlap, they each independently have life changing events occurring and the struggles that go with dealing with these events. As they overcome or accept these life changes they find strength in the people around them and the viewer sees connections that are hinted at but slowly revealed as the story progresses.

I wish the changes between the time/families had been a little more clear, but do like the way it was showing the families and the overlapping storyline.

I was a huge Good Witch fan (I wish more of those were being made) and I love Catherine Bell and James Denton, which is why I was excited to see them together in a Hallmark holiday film. So, I came for the two of them...but found myself enjoying quite another storyline instead, that of John Brotherton (John Hamilton) and Erin Cahill (Lizzie). John and Lizzie play a couple who have just moved into their first home, expecting a new baby, money is tight, they haven't unpacked, and Lizzie's big family descends on them for Christmas when they expect to have a quiet Christmas Eve just themselves. Funny and real with each other, this was definitely the story at the heart of this film.

Cleverly the writers tied three stories in three different time periods together in the same house...and with some of the same people, like their neighbor on Cherry Lane played exceptionally by the same actress in all three time periods.

There were some inaccuracies with their time frames, but they did try to throw in some time period specific notes...like the oil crisis and a hallmark keepsake Christmas ornament. I appreciated having a foster child pay it forward and make another foster kid's Christmas special. That was a really nice touch.

This wasn't really a romance, but it was a family drama. If you like holiday family dramas then this might be for you.

I enjoyed this movie. It's well constructed and acted with good performances all round in particular I liked Vincent Rodriguez III as Jonathan Bennett's long-suffering carol singing partner. The 3 story lines weave seamlessly if somewhat confusingly together and there is a heartwarming end. What more could you want from a Hallmark LGBT inclusive Christmas movie? Well, I for one would like to see Hallmark (and others) push just a little further. For all its diversity credit, this film is still wholeheartedly about the conformity of the family ideal. The gay men are cute with the children. The adopted girl is set firmly on the path to become a little princess. Religion rears its secular head through the singing of carols. None of this bothered me too much - but one detail did. The gay kiss. This was very much a 'no sex please we're hallmark' movie. No shirtless reveal. No steamy shower scene, and the kiss between the two men is blink-and-you'll-miss-it brief, and shot carefully to be out of sight of the child. A pity.