Blood Punch

Groundhog Day meets John Dies at the End. OK the plot was nothing like JDatE, but the tone really reminded me of that film.

Refreshing (if not entirely original) premise with characters that grew to be likeable after a rocky start.

Mostly good acting and great cinematography.

Ultimately pretty silly, but well worth giving your time to if you are in the mood for a light hearted horror evening.

Rock'n'Roll type of time loop movie. Thrills and spills, action, blood, violence, snappy cool lines and attitude, a lot of crossing and double-crossing, like a mix of Breaking Bad, The Transporter, and Groundhog Day.

Most time loop movies tend to be grim affairs, the characters struggling to cope, all about learning something about themselves or life from the experience, guiding them toward a realization about love or betterment, and such. While Blood Punch does have a depth of its own, it's just geared differently to be more of an action/adventure fun/gorefest entertainment ride. The characters struggle to cope, they change due to the experience, but it's not over-dramatized and ponderous.

There isn't a race against time/events that has characters try to change things before the next loop, but a situation where a small group of people don't trust each other and are trying to get out of the loop alive. The way the film is edited, kind of narrated and unchronological, adds to that rock'n'roll action movie feeling, but also makes it a little more confusing than it needed to be, where details about the loop aren't explained or demonstrated well -- specifically, why some people do and some don't remember the loop. It's a key piece of information that would help audiences understand why there is a shift in the story and character allegiances.

The one area I felt could've made this story better was if there were other loop sequences of different people teaming up and other loop sequences of every man for himself, as it would have further highlighted the untrustworthy situation they were all in together, and allowed for other scenes of high stakes cat and mouse games going on.

If those things had played a bigger part in this film, it would've pushed my rank higher and higher. As it is tho, it's still a great time loop movie not to miss.

Kind of tiresome time loop flick. This entire cast is from New Zealand (OK, there's one Australian), and it is obvious from the get-go. I had to look it up less than 10 minutes in, because it was so distracting. The girl who played Skyler was the worst offender of slipping into her native tongue. Here's an idea: Have a movie with New Zealand accents. Plenty of great movies come from New Zealand! I understand this was an American production, filmed in California... But why the entire cast has to do accents they're obviously uncomfortable with... It's baffling. Also, this movie serves as a 105-minute commercial for smoking. It's so ridiculous it becomes comical. They tried REAL hard to be stylish on what appears to be a shoestring budget. That gets an extra star.

After being caught cooking meth, a teen is sent to rehab. It is here that he meets a young beautiful girl who offers him a job. They go to a remote cabin with her boyfriend and third partner in their little drug scheme. Things go a little wrong for them when they begin to turn on each other. Things go from bad to worse when they find themselves caught in an old Native American curse. Now they must find a way to break free, or forever be dammed.

I was given this little indie flick by my uncle, who surprisingly sang its praises. So I went in with modest expectations and came out with a smile on my face, a sense of disappointment and a feeling of "I've seen this done better before".

Blood Punch has one aspect about the film that I would love to talk about, but feel that it would ruin the surprise. So I'm at odds here because this happens in the first act and the rest of the movie is wrapped around this plot device. It's nothing new or original, in fact it's been done to 'death'. Yet it's the inspired direction from Paxson that really gives Blood Punch a sense of accomplishment. The drama in the beginning takes a turn to black comedy once we arrive at the cabin. The film tries a balancing act and works for the most part, it's just that I didn't really find it too funny.

The genres this film mixes a fast and furious. There is even a action heavy shoot-out for crying out loud. This might make it seem like the film doesn't know what it wants to be, but I believe Paxson and crew knew exactly what they were doing here. An ode to some crazy Raimi/Coen Brothers hybrid of a film.

While interesting enough to keep my attention, bizarre enough for me to want to find out more. This is a film that I can't really see myself watching again anytime soon. I can't place my finger on it. The acting is serviceable to the story. The direction above what one can expect from a low-budget indie black comedy flick and the blood effects will make the horror fan smile. It simply feels like a precursor to something more, something bigger, something better down the road for the career of Paxson, if anything.

Breaking Bad never made murder this much fun! This innovative, intelligent thriller dark comedy with a dash of sci fi traps its characters in a never ending story full of false leads and false endings that takes the audience along for the ride. In a story that's nothing but twists, the audience finds itself trapped in the same puzzle as its characters, and even ways out are not what they seem.

The clever premise is misleadingly straightforward: Femme fatale Skyler gets herself sent to rehab to recruit a crystal meth cook, where she meets college boy chemistry student Milton who got busted for running his own meth lab. Skyler has her hands on 100 lbs of pseudoephedrine and has one day to make it into meth for a multimillion dollar payday. Well actually, her boyfriend Russell has the pseudo. And Russell's psychotic. With trust issues. But on the plus side, he has a plan to break them out and a secluded cabin for the cook. Yet it turns out that making the meth is easy. Getting back out and cashing in on the payday--that's the hard part, a dilemma the characters struggle endlessly to resolve.

What makes the storytelling so much fun is that the audience knows from the beginning that in this somewhat conventional storyline, nothing is what it seems, sharing in the characters' bewilderment to figure out what's really going on. The story starts on the morning of the cook, where Milton finds a video he's already made to explain to himself what's really going on. As he unravels the mystery of his own circumstances, the characters are trapped together and the audience is trapped with them.

Filmmakers Paxson (director) and Guzelian (writer) are a husband-and-wife team who've built their resumes in Los Angeles developing Disney entertainment. They wanted to make a movie of their own and for it to be a departure. They met the cast in New Zealand while filming a season of the Power Rangers. A group collaboration from the beginning, Guzelian wrote the story with input from Paxson, specifically for their New Zealand friends. Filmed in three locations around Los Angeles, the film has an indy feel, limited budget but professionally produced with substance (story and characters) over flash. Tennet plays Skyler with layers of subtlety, and Cawthorne portrays Milton's evolving confusion convincingly, a nerd who's made bad life decisions. Boyland can't quite portray Russell to be as deeply psychotic as he's supposed to be; the actor seems like just too nice of a guy. Special mention to Holloway who took the over-the-top Archer and even went beyond that.