Rak ti Khon Kaen

A young woman sings to her lover in public, ancient kings use the energy of sleeping soldiers to fight battles and figurine princesses come to life and discuss things like skin-tone and how much they appreciate offerings. Such characters and scenes are not brought about through computer animation, elaborate costumes or thrilling action sequences, but mundane and leisurely compositions.

The film follows Jen and Keng, local women who voluntarily visit and help care for soldiers in a remote and tiny hospital. The soldiers seem to be under the sway of a spell or perhaps dreams and thoughts of their own making. Keng is a psychic and has the ability to communicate to the soldiers in their sleep. The whole film is something of a meandering daydream or series of magic spells, which is both good and bad. It is cerebral, loosely organized and full of depth. It is a kaleidoscope of Thai culture, lawn ornaments, colored lights, dreams and figures from the past, present and future, among other things. According to the TIFF catalog the film blends "neuroscience, Khmer animism, meditations on war and death, and the quotidian details of everyday life in a small village." They mention this, of course, just in case you caught too much Khmer animism and neuroscience in previous films. Seen at the Toronto International Film Festival 2015.

When this film ended, I wasn't sure if I had watched it or slept through most of it. Either way, somewhat pleasant...

Cemetery of Splendour is a serene and mystical meditation on spiritual connection and dreaming. But Weerasethakul's first feature since 'Uncle Boonmee' will not be for everyone - it will either send you into deep spiritual contemplation, or send you to sleep.

The setting is a makeshift hospice in Thailand for soldiers with Narcalepsy; a sleeping condition in which patients are almost always asleep. Jen, a middle-aged woman with a physical impairment, is assigned to look after one of the soldiers as a volunteer. She rubs cream into his muscles, and takes him out for meals when he is awake. But beneath the ebb and flow of life at the hospice, there are other spiritual forces at play; talk of an ancient cemetery, and the spirits of kings and goddesses.

The film is shot beautifully. The camera stays fixed in wide angle - each scene being a window through which the characters enter and connect, reminiscent of the work of Bela Tarr. I think the camera moved twice the entire film.

Cemetery of Splendour is most definitely a slow burner. I'd go as far as to say that it doesn't really reach any heights of dramatic or narrative tension. The film is much more of an experiential, moody piece that lingers and floats like light sleep. I didn't quite understand it, and I almost fell asleep, but if the film is exploring Narcolepsy, then I think that's the point...

A truly meditative experience sure to leave you helplessly vulnerable into succumbing to eternal slumber as the soldiers in this film. That's a blessing and a curse for Cemetery of Splendor. But visually, this is a work of art. The colors light up the screen majestically. Everyone and everything in this film seems to be shifting in and out of a deep sleep. This is cinema in a catatonic state.

In Thailand, an elementary school has been turned into a clinic to care for soldiers suffering from a mysterious sudden sleeping sickness. Jenjira is a housewife volunteer at the clinic. She takes more interest in one particular patient Itt. Whenever he wakes, she befriends him. Others claim the school was built on an ancient Royal cemetery and the soldier's energy are being drained to fight battles in the other world. Jenjira befriends medium Keng who claims to be able to be possessed by the comatose men.

The camera style is very static. The camera is set up in one position and the scene unfolds without any edits. These scenes last as long as a minute or two. It has a hypnotic feel at first but it does get boring after awhile. The central mystery keeps one's interest but it gets more and more perplexing. It becomes an exercise in surreal storytelling. There are some head-scratching things going on and sometimes I wonder if they are dreams. Also why are they digging up the field? It would be more compelling if the visuals could be more surreal. They need to be more imaginative and crazier. The movie needs to explain better or be completely inexplicable.