अपनी भाषा में प्लॉट जोड़ेंA former DEA agent and a former undercover operative revisit their romance during a fateful weekend in Taipei, unaware of the dangerous consequences of their past.A former DEA agent and a former undercover operative revisit their romance during a fateful weekend in Taipei, unaware of the dangerous consequences of their past.A former DEA agent and a former undercover operative revisit their romance during a fateful weekend in Taipei, unaware of the dangerous consequences of their past.
Lun-Mei Gwei
- Joey
- (as Gwei Lun-Mei)
Patrick Pei-hsu Lee
- Bolo
- (as Patrick Lee)
Chung-Hua Tou
- Deputy Liu
- (as Tsun-Hua Tuo)
फ़ीचर्ड समीक्षाएं
Marketed as a "throwaway" foreign action film with veteran action/thriller star Luke Evans, I went in with low expectations. To my surprise, this was a better than expected action flick with great action sequences.
What with an assassin-like lead in a foreign country, with heavy family theme overtones, the movie had heavy Taken vibes. Similarly, prominent car action sequences in a foreign country - including Fast and Furious regular Sung Kang by the way - clearly gave off Fast and Furious vibes.
The first and last quarter of the movie had top-notch edge of your seat action, gratifyingly up to the standards of legendary co-writer and co-producer Luc Besson.
The middle 50 percent of the movie, unfortunately, does get bogged down in complicated relationship entanglements between Evans, the bad guy Kang, and Kang's wife. In an almost James Bond-ian, if not Gilda-esque, plot point, the -ex of the good guy is now the wife of the bad guy - which is always a problem.
The movie relies heavily on a series of massive and incredulous coincidences and contrivances, yet, to be honest, I was willing to overlook these flaws in deference to the overall entertainment value of the flick.
If you're looking for a light action flick, perhaps only a notch below a Jason Statham flick, then you will like this movie.
What with an assassin-like lead in a foreign country, with heavy family theme overtones, the movie had heavy Taken vibes. Similarly, prominent car action sequences in a foreign country - including Fast and Furious regular Sung Kang by the way - clearly gave off Fast and Furious vibes.
The first and last quarter of the movie had top-notch edge of your seat action, gratifyingly up to the standards of legendary co-writer and co-producer Luc Besson.
The middle 50 percent of the movie, unfortunately, does get bogged down in complicated relationship entanglements between Evans, the bad guy Kang, and Kang's wife. In an almost James Bond-ian, if not Gilda-esque, plot point, the -ex of the good guy is now the wife of the bad guy - which is always a problem.
The movie relies heavily on a series of massive and incredulous coincidences and contrivances, yet, to be honest, I was willing to overlook these flaws in deference to the overall entertainment value of the flick.
If you're looking for a light action flick, perhaps only a notch below a Jason Statham flick, then you will like this movie.
The visuals - Colour, Composition, Editing - Were beyond my expectations for a simple action movie. At times the scenes resemble paintings, and the respect for emphasis and symmetry is endearing to see on the big screen.
The audio work was similarly very thrilling, and the soundtrack, while not melodic or memorable, was very accurate and worked well with the tone of the visuals. The textures of certain parts are very lovingly rough and reminiscent of the sound of car engines and tires scraping the floor, which compliments the central theme of driving well.
If there were one thing that could be so repulsive that it shoots down the rating from a Nine or Ten star, it would wholly be the writing. The dialogue is dry and surface-level, almost child-like, and not for any aesthetic purpose. It is childlike because it struggles to enter the minds of the characters that push the story forward. The way events are structured are almost ridiculous, and the motivations for the antagonist are so flimsy I almost caught myself talking out loud, to the two other people in the cinema. As if a kind of Ironic "Divine Joke" from god itself, the only place where the Child-Like writing ability is appropriate is... The child actor himself. Frankly, the only saving grace for this film is if modern technology could remove the dialogue in it's entirety, perhaps it will even earn itself an extra star!
In summary: To enjoy the film in it's entirety requires an extensive lobotomy.
The audio work was similarly very thrilling, and the soundtrack, while not melodic or memorable, was very accurate and worked well with the tone of the visuals. The textures of certain parts are very lovingly rough and reminiscent of the sound of car engines and tires scraping the floor, which compliments the central theme of driving well.
If there were one thing that could be so repulsive that it shoots down the rating from a Nine or Ten star, it would wholly be the writing. The dialogue is dry and surface-level, almost child-like, and not for any aesthetic purpose. It is childlike because it struggles to enter the minds of the characters that push the story forward. The way events are structured are almost ridiculous, and the motivations for the antagonist are so flimsy I almost caught myself talking out loud, to the two other people in the cinema. As if a kind of Ironic "Divine Joke" from god itself, the only place where the Child-Like writing ability is appropriate is... The child actor himself. Frankly, the only saving grace for this film is if modern technology could remove the dialogue in it's entirety, perhaps it will even earn itself an extra star!
In summary: To enjoy the film in it's entirety requires an extensive lobotomy.
The director and producer Luc BESSON still stands for French genre cinema that aims to reach a global audience. This is also the case with this English-language WEEKEND IN TAIPEI, which BESSON produced with his company EUROPACORP.
It all begins with a Taiwanese Holly Golightly, who treats herself to breakfast at Ferrari and turns out to be an excellent racing driver (Lun-mei GWEI as Joey). At the same time, an undercover agent (Luke EVANS) in Minneapolis uncovers a drug ring based in Taiwan and run by Joey's nasty husband (Sung KANG). What connects these three people becomes clear during a weekend trip to Taiwan. And then there is Joey's precocious teenage son (Wyatt YANG), who will learn a lot about his family.
Fast-paced action, solid shots from an exotic location! This is how the GERMAN ADVENTURE FLICKS worked 60 years ago in the tradition of the KOMMISSAR X films with Tony KENDALL and Brad HARRIS. And like in the films of the Roman CINECITTA, an English-speaking B-star was hired to appeal to a global audience. The fact that the plot is not particularly original doesn't hurt either. After all, the film is primarily intended to lure a teenage audience into the cinema seats. But the film is certainly fun, even if it's better to switch off your brain.
The French film industry of the Paris CINECITE, especially in the form of Luc BESSON, manages to produce a genre film every year that has what it takes to appeal to young moviegoers and to work in cinemas around the world.
It all begins with a Taiwanese Holly Golightly, who treats herself to breakfast at Ferrari and turns out to be an excellent racing driver (Lun-mei GWEI as Joey). At the same time, an undercover agent (Luke EVANS) in Minneapolis uncovers a drug ring based in Taiwan and run by Joey's nasty husband (Sung KANG). What connects these three people becomes clear during a weekend trip to Taiwan. And then there is Joey's precocious teenage son (Wyatt YANG), who will learn a lot about his family.
Fast-paced action, solid shots from an exotic location! This is how the GERMAN ADVENTURE FLICKS worked 60 years ago in the tradition of the KOMMISSAR X films with Tony KENDALL and Brad HARRIS. And like in the films of the Roman CINECITTA, an English-speaking B-star was hired to appeal to a global audience. The fact that the plot is not particularly original doesn't hurt either. After all, the film is primarily intended to lure a teenage audience into the cinema seats. But the film is certainly fun, even if it's better to switch off your brain.
The French film industry of the Paris CINECITE, especially in the form of Luc BESSON, manages to produce a genre film every year that has what it takes to appeal to young moviegoers and to work in cinemas around the world.
I don't mean to hate on this movie so much so I'll make a compliment sandwich. I think this movie has some seriously well made action scenes and visually stimulating cinematography. The drama in this felt so cheesy like drenched a fondue pot.
Ultimately it's a spy movie, and they really spent a bunch of money in the right place on this movie, except maybe find someone else to do a score, because my god, can someone arrest the man who scored this movie. I swear every action scene was scored with something that managed to make no sense with what was happening at all. The only scene where the music felt ok was when it was diegetic.
It was hard to pay attention to much else once you notice how off the music is compared to what's happening on screen. The romance was cute and I appreciate that it was an older, matching aged couple. But it wasn't a strong story line. The few moments that sparkled didn't stand out against the rest of the bland film.
Overall an okay watch with some fun action scenes and poor music.
Ultimately it's a spy movie, and they really spent a bunch of money in the right place on this movie, except maybe find someone else to do a score, because my god, can someone arrest the man who scored this movie. I swear every action scene was scored with something that managed to make no sense with what was happening at all. The only scene where the music felt ok was when it was diegetic.
It was hard to pay attention to much else once you notice how off the music is compared to what's happening on screen. The romance was cute and I appreciate that it was an older, matching aged couple. But it wasn't a strong story line. The few moments that sparkled didn't stand out against the rest of the bland film.
Overall an okay watch with some fun action scenes and poor music.
Years ago, committed DEA agent John Lawlor (Luke Evans) fell in love with Joey Kwang, a Taipei-based transport driver working in the criminal underworld, but was forced to flee due to tragic circumstances. Now, the duo reunites when Lawlor blows his cover as a chef and takes an off-the-books weekend mission to Taipei to bring down a billionaire drug kingpin (Sun Kang)... who just so happens to be Joey's (Lun-Mei Gwei) new husband. There John will rediscover a past that he thought he had left behind 15 years ago. Pack for a long weekend !. From the creators of Taken and The Transporter, Weekend in Taipei hits theaters this November 8th !.
After their time in the 'Fast and Furious' saga, Luke Evans and Sung Kang share the lead roles on screen again in another adrenaline-fueled film, in this violent thriller of action and high-voltage romance. Resulting to be an over-the-top and nail-biting thriller that will leave you emotionally and and physically drained due to constant fights, car chases and violent shootings. Intriguing and suspenseful thriller about a three attractive roles who become involved into a triangular drama, including a a brave son in the middle. There's also a charming love story in which the two main roles revisit their romance during a fateful weekend in Taipei, unaware of the dangerous and fateful consequences of their past.
The trio of protagonists give decent performances. Luke Evans is acceptable as John Lawlor, a drug agent who heads to Taipei with the objective of tracking down Kwang - well played by Sung Kang - the leader of the drug cartel in Taiwan, along with t.he Taiwanese star Lun-Mei Gwei as the third in discord and cause of dispute .
Lavishly produced by Luc Besson, winner of the Cesar for best director for 'The Fifth Element', and the script is by Besson himself together with the film's director George Huang. Although professionally directed by George Huang (Trojan War, Swimming Sharks, How to make a monster, The Invisible Man), this film is clearly a work of Luc Besson, as evidenced by his usual trademarks and ordinary visual pyrotechnics, such as: unstoppable action, luxurious sets, exotic environments, twisted romances and clever crime dramas. Besson often features fully enclosed sets with no natural lighting and typically, during the opening-titles, the camera moves towards something important for the movie, but looks down until the important part of credits was shown, then swings up, now looking at a place or character. Luc often casts Jean Reno and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Lucy¨, ¨Malavita¨, "The lady¨,¨The extraordinary aventures of d'Adèle Blanc-Sec¨, "Arthur and the Minimois¨, ¨Valerian and the City of a Thousand Planets ¨, ¨Anna¨ and , of course , ¨Nikita¨, among others . Rating Weekend in Taipei (2024) 6/10 . Well worth watching . The pic will appeal to action movies fans.
After their time in the 'Fast and Furious' saga, Luke Evans and Sung Kang share the lead roles on screen again in another adrenaline-fueled film, in this violent thriller of action and high-voltage romance. Resulting to be an over-the-top and nail-biting thriller that will leave you emotionally and and physically drained due to constant fights, car chases and violent shootings. Intriguing and suspenseful thriller about a three attractive roles who become involved into a triangular drama, including a a brave son in the middle. There's also a charming love story in which the two main roles revisit their romance during a fateful weekend in Taipei, unaware of the dangerous and fateful consequences of their past.
The trio of protagonists give decent performances. Luke Evans is acceptable as John Lawlor, a drug agent who heads to Taipei with the objective of tracking down Kwang - well played by Sung Kang - the leader of the drug cartel in Taiwan, along with t.he Taiwanese star Lun-Mei Gwei as the third in discord and cause of dispute .
Lavishly produced by Luc Besson, winner of the Cesar for best director for 'The Fifth Element', and the script is by Besson himself together with the film's director George Huang. Although professionally directed by George Huang (Trojan War, Swimming Sharks, How to make a monster, The Invisible Man), this film is clearly a work of Luc Besson, as evidenced by his usual trademarks and ordinary visual pyrotechnics, such as: unstoppable action, luxurious sets, exotic environments, twisted romances and clever crime dramas. Besson often features fully enclosed sets with no natural lighting and typically, during the opening-titles, the camera moves towards something important for the movie, but looks down until the important part of credits was shown, then swings up, now looking at a place or character. Luc often casts Jean Reno and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Lucy¨, ¨Malavita¨, "The lady¨,¨The extraordinary aventures of d'Adèle Blanc-Sec¨, "Arthur and the Minimois¨, ¨Valerian and the City of a Thousand Planets ¨, ¨Anna¨ and , of course , ¨Nikita¨, among others . Rating Weekend in Taipei (2024) 6/10 . Well worth watching . The pic will appeal to action movies fans.
क्या आपको पता है
- ट्रिवियाLuke Evans and Sung Kang have appeared in the Fast and Furious franchise, both in The Fast and Furious 6 movie.
- गूफ़The salesman at the car dealership says that the Ferrari is a "488 Pista Spider", but the car is a 488 GTB, as shown on the dashboard in the car.
- कनेक्शनFeatures House of Flying Daggers (2004)
- साउंडट्रैकPaint It, Black
(Mick Jagger (as Michael Phillip Jagger): Keith Richards)
Performed by Nini Music
Courtesy of ABKCO Music Inc.
Publishings Promopub B.V.; Westminster Music Ltd
Courtesy of BMG Rights Management (France) Europacorp
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Weekend in Taipei?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Misión en Taipei
- फ़िल्माने की जगहें
- ताइवान(city of main events)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $6,08,034
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,80,057
- 10 नव॰ 2024
- दुनिया भर में सकल
- $29,87,898
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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