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Chhaava

  • 2025
  • UA 16+
  • 2 घं 41 मि
IMDb रेटिंग
7.3/10
36 हज़ार
आपकी रेटिंग
लोकप्रियता
2,558
215
Vicky Kaushal in Chhaava (2025)
Teaser [OV] देखें
trailer प्ले करें1:13
5 वीडियो
34 फ़ोटो
एक्शन एपिकऐतिहासिक महाकाव्यकॉस्ट्यूम ड्रामाट्रेजेडीपीरियड ड्रामामहा गाथावन-पर्सन आर्मी एक्शनइतिहासएक्शनड्रामा

छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।

  • निर्देशक
    • Laxman Utekar
  • लेखक
    • Laxman Utekar
    • Rishi Virmani
    • Kaustubh Savarkar
  • स्टार
    • Vicky Kaushal
    • Akshaye Khanna
    • Rashmika Mandanna
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    36 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    2,558
    215
    • निर्देशक
      • Laxman Utekar
    • लेखक
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • स्टार
      • Vicky Kaushal
      • Akshaye Khanna
      • Rashmika Mandanna
    • 664यूज़र समीक्षाएं
    • 40आलोचक समीक्षाएं
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    • पुरस्कार
      • 3 कुल नामांकन

    वीडियो5

    Teaser [OV]
    Trailer 1:13
    Teaser [OV]
    Chhaava
    Trailer 3:08
    Chhaava
    Chhaava
    Trailer 3:08
    Chhaava
    Most Popular Indian Movies of 2025 So Far
    Clip 3:36
    Most Popular Indian Movies of 2025 So Far
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Clip 11:53
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Most Anticipated Indian Movies of 2024
    Clip 1:41
    Most Anticipated Indian Movies of 2024

    फ़ोटो34

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार59

    बदलाव करें
    Vicky Kaushal
    Vicky Kaushal
    • Chhatrapati Sambhaji Maharaj
    Akshaye Khanna
    Akshaye Khanna
    • Aurangzeb
    Rashmika Mandanna
    Rashmika Mandanna
    • Yesubai Bhonsale
    Ashutosh Rana
    Ashutosh Rana
    • Hambir Rao
    Divya Dutta
    Divya Dutta
    • Soyrabai
    Vineet Kumar Singh
    Vineet Kumar Singh
    • Kavi Kalash
    Neil Bhoopalam
    Neil Bhoopalam
    • Akbar
    Diana Penty
    Diana Penty
    • Zeenat
    Pradeep Singh Rawat
    Pradeep Singh Rawat
    • Yesaji Kank
    Santosh Juvekar
    Santosh Juvekar
    • Rayaji
    Kiran Karmarkar
    Kiran Karmarkar
    • Annaji
    Balaji Manohar
    • Mhaloji
    Neelkantee Patekar
    Neelkantee Patekar
    • Dharau
    Anil George
    Anil George
    • Mukkarab Khan
    Sarang Sathaye
    Sarang Sathaye
    • Ganoji
    Suvrat Joshi
    Suvrat Joshi
    • Kanhoji
    Ankit Anil Sharmaa
    • Santaji
    • (as Ankit Anil Sharma)
    Ashish Pathode
    • Antaji
    • निर्देशक
      • Laxman Utekar
    • लेखक
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं664

    7.335.7K
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    सारांश

    Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    8reelEsh-tundor

    Good subject with good motive with a use of contemporary "grand action hit" technical Formula

    The cinematography in this movie is nothing short of spectacular.

    . Art direction is superb.

    . Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.

    . Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.

    . But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!

    Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.

    . It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.

    Best movie of this year yet.

    So I suggest to everyone to watch this to know the history of forgotten heroes.
    6mohitchandwani-07928

    WHY RASHMIKA?

    The movie was good; the acting from everybody was top-notch except for Rashmika; every time she's on the screen, you'd wanna scroll through Instagram reels instead of watching her. Best thing about this movie is Akshay Khanna as Aurangzeb. Vicky's casting as ShambhaJi was Excellent too but his voice wasn't to the mark for the role, he lacked heaviness and bass in his voice which makes his dialogues a little less energetic and enthusiastic. Over-all it was one time kinda watch. CLIMAX WAS EXCELLENT THO. But expected way too much from this movie, I dont think it'd leave a mark on People's heart. Plus it'd have been better if the director had casted someone else instead of Rashmika. She's just awful. She can't act. She shouldn't be in bollywood or maybe she shouldn't do roles that require ACTING cause she can't act.
    7raghavkantbhardwaj

    Vicky Kaushal does 200%, Disappointed by A R Rahman

    Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.

    The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
    9mithados

    This is a very nice Movie

    At its core, Chhaava is not just about a warrior-it's about the idea of resilience, sacrifice, and legacy. It's about what it means to fight for something greater than oneself. The film leaves the audience not just with admiration for Sambhaji Maharaj but with a deep respect for the ideals he stood for. It is a rare historical film that manages to entertain, educate, and inspire all at once. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch.
    6agarwal-shubham2710

    Why Chhaava Didn't Work for Me

    First, let me clarify - I'm not undermining the efforts of the actors. Vicky Kaushal is an absolute delight to watch, and he truly looks the part. There's no doubt he has completely embodied the essence of the character - he feels like fire, water, earth, and air all at once. His portrayal is exactly what this role needed.

    However, here's what didn't work for me:

    • Lack of Memorable Characters - Apart from Kavi Kalash (played brilliantly by Vineet Kumar Singh), there aren't any other standout characters. The film needed more people we could connect with and care about.


    • Casting of Yesubai - Rashmika Mandanna might visually fit the role, but let's be honest-this character should have been played by a Marathi actress. The fact that the makers chose a non-Hindi (let alone non-Marathi) speaking actor suggests they prioritized mass appeal over authenticity and storytelling.


    • Background Score - I didn't even realize A. R. Rahman composed the music until I heard his signature cooing mid-film. And honestly, that realization left me disappointed. The background score wasn't always impactful, and at times, it was so loud that it drowned out the dialogues.


    • Guerilla Warfare Strategy? - When Sambhaji Maharaj discusses his guerrilla tactics against the Mughals, the scene feels more like exaggerated jingoism rather than actual strategic planning. Was there really no better historical documentation to flesh out this sequence with more authenticity? Instead, whatever the characters predict in that scene unfolds exactly over the next 40 minutes, making the whole sequence feel simplistic and underdeveloped.


    - Dialogue & Screenplay Issues - For a good portion of the film, I barely felt there were any dialogues! It was mostly background music filling in the gaps, seemingly covering up weak writing. The first 120 minutes felt like a prolonged setup, leading to the torture sequence - which, while impactful, doesn't make up for the lack of depth in the earlier part of the movie.

    Final Thoughts

    Brilliant acting, but that's about it. I felt the same way after watching Sam Bahadur - where key moments of strategy and planning were rushed through a poorly placed song. Instead of truly experiencing the peak of the story, we're only shown it from a distance and told, "This is where we're going," but never actually taken there. That's Chhaava in a nutshell-visually striking, but ultimately unsatisfying.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
    • गूफ़
      The prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
    • भाव

      Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!

    • इसके अलावा अन्य वर्जन
      The film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.

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