छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।
Ankit Anil Sharmaa
- Santaji
- (as Ankit Anil Sharma)
सारांश
Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
फ़ीचर्ड समीक्षाएं
The movie was good; the acting from everybody was top-notch except for Rashmika; every time she's on the screen, you'd wanna scroll through Instagram reels instead of watching her. Best thing about this movie is Akshay Khanna as Aurangzeb. Vicky's casting as ShambhaJi was Excellent too but his voice wasn't to the mark for the role, he lacked heaviness and bass in his voice which makes his dialogues a little less energetic and enthusiastic. Over-all it was one time kinda watch. CLIMAX WAS EXCELLENT THO. But expected way too much from this movie, I dont think it'd leave a mark on People's heart. Plus it'd have been better if the director had casted someone else instead of Rashmika. She's just awful. She can't act. She shouldn't be in bollywood or maybe she shouldn't do roles that require ACTING cause she can't act.
This movie is based on the life and adventure of Chhatrapati Sambhaji Maharaj (also popularly known as Chhaava), who fought valiantly against the Mughal Emperor Aurangzeb. It invigorates the fights and the valor of Chhava and portrays who he fought to save his kingdom and subjects.
However, my main gripe with this film is that it is a tad too long. By the climax scene, I was so tired that I almost dozed off. The scene itself is great, and the actor portrayed the scenes of torture in a heart-wrenching way. But before that, the fight scenes continued for almost one hour without much relief. This saturates the minds of the audience, and they may get bored while reaching the climax of the scene.
Other than that, this movie does a good job of portraying these historical characters and the dynamics between them. If you are a history buff, I would definitely recommend you watch this at least once.
However, my main gripe with this film is that it is a tad too long. By the climax scene, I was so tired that I almost dozed off. The scene itself is great, and the actor portrayed the scenes of torture in a heart-wrenching way. But before that, the fight scenes continued for almost one hour without much relief. This saturates the minds of the audience, and they may get bored while reaching the climax of the scene.
Other than that, this movie does a good job of portraying these historical characters and the dynamics between them. If you are a history buff, I would definitely recommend you watch this at least once.
One of the strongest aspects of Chhaava is its screenplay, which balances action with emotion. The dialogues are impactful, filled with the weight of history and the fire of revolution. There are several moments where the intensity of the dialogues alone sends shivers down the spine, particularly in confrontations between Sambhaji Maharaj and his adversaries. The supporting cast deserves a special mention-each character plays a crucial role in shaping the hero's journey. The women in the film, especially the portrayal of Sambhaji Maharaj's mother and his wife, add depth to the story, showcasing their influence and resilience in a world dominated by war and politics. The music
.
And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
I want to ask the makers? Why not choose Ajay Atul instead of a jewel thief Rehman?
Were you deaf when he composed music in electric guitar to raise emotions, romantic scene in piano? Where is the folk Maharashtrian music? Most of the times I felt like I'm watching Braveheart by Mel Gibson.
Climax though conceptualized in best way but not going with facts.
If a person reads Chaava novel, there are myriad facts that are missing.
Director was very careful to keep a secular angle.
Vicky National award fix. Guirella warfare was not properly graphed. Only one who have the read the book would understand the nuances.
Were you deaf when he composed music in electric guitar to raise emotions, romantic scene in piano? Where is the folk Maharashtrian music? Most of the times I felt like I'm watching Braveheart by Mel Gibson.
Climax though conceptualized in best way but not going with facts.
If a person reads Chaava novel, there are myriad facts that are missing.
Director was very careful to keep a secular angle.
Vicky National award fix. Guirella warfare was not properly graphed. Only one who have the read the book would understand the nuances.
Anmol Jamwal's Most Anticipated Movies of 2025
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क्या आपको पता है
- ट्रिवियाThe speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
- गूफ़The prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
- भाव
Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!
- इसके अलावा अन्य वर्जनThe film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $48,00,000
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $17,90,000
- 16 फ़र॰ 2025
- दुनिया भर में सकल
- $82,19,603
- चलने की अवधि2 घंटे 41 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39:1
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