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Chhaava

  • 2025
  • UA 16+
  • 2 घं 41 मि
IMDb रेटिंग
7.3/10
35 हज़ार
आपकी रेटिंग
लोकप्रियता
549
78
Vicky Kaushal in Chhaava (2025)
Teaser [OV] देखें
trailer प्ले करें1:13
5 वीडियो
34 फ़ोटो
Action EpicCostume DramaEpicHistorical EpicOne-Person Army ActionPeriod DramaTragedyActionDramaHistory

छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।छत्रपति शिवाजी महाराज के पुत्र छत्रपति संभाजी महाराज के जीवन पर आधारित एक ऐतिहासिक नाटक।

  • निर्देशक
    • Laxman Utekar
  • लेखक
    • Laxman Utekar
    • Rishi Virmani
    • Kaustubh Savarkar
  • स्टार
    • Vicky Kaushal
    • Akshaye Khanna
    • Rashmika Mandanna
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    35 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    549
    78
    • निर्देशक
      • Laxman Utekar
    • लेखक
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • स्टार
      • Vicky Kaushal
      • Akshaye Khanna
      • Rashmika Mandanna
    • 656यूज़र समीक्षाएं
    • 40आलोचक समीक्षाएं
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    • पुरस्कार
      • 3 कुल नामांकन

    वीडियो5

    Teaser [OV]
    Trailer 1:13
    Teaser [OV]
    Chhaava
    Trailer 3:08
    Chhaava
    Chhaava
    Trailer 3:08
    Chhaava
    Most Popular Indian Movies of 2025 So Far
    Clip 3:36
    Most Popular Indian Movies of 2025 So Far
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Clip 11:53
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Most Anticipated Indian Movies of 2024
    Clip 1:41
    Most Anticipated Indian Movies of 2024

    फ़ोटो34

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    + 27
    पोस्टर देखें

    टॉप कलाकार59

    बदलाव करें
    Vicky Kaushal
    Vicky Kaushal
    • Chhatrapati Sambhaji Maharaj
    Akshaye Khanna
    Akshaye Khanna
    • Aurangzeb
    Rashmika Mandanna
    Rashmika Mandanna
    • Yesubai Bhonsale
    Ashutosh Rana
    Ashutosh Rana
    • Hambir Rao
    Divya Dutta
    Divya Dutta
    • Soyrabai
    Vineet Kumar Singh
    Vineet Kumar Singh
    • Kavi Kalash
    Neil Bhoopalam
    Neil Bhoopalam
    • Akbar
    Diana Penty
    Diana Penty
    • Zeenat
    Pradeep Singh Rawat
    Pradeep Singh Rawat
    • Yesaji Kank
    Santosh Juvekar
    Santosh Juvekar
    • Rayaji
    Kiran Karmarkar
    Kiran Karmarkar
    • Annaji
    Balaji Manohar
    • Mhaloji
    Neelkantee Patekar
    Neelkantee Patekar
    • Dharau
    Anil George
    Anil George
    • Mukkarab Khan
    Sarang Sathaye
    Sarang Sathaye
    • Ganoji
    Suvrat Joshi
    Suvrat Joshi
    • Kanhoji
    Ankit Anil Sharmaa
    • Santaji
    • (as Ankit Anil Sharma)
    Ashish Pathode
    • Antaji
    • निर्देशक
      • Laxman Utekar
    • लेखक
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं656

    7.334.6K
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    सारांश

    Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
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    फ़ीचर्ड समीक्षाएं

    5zhyusuf-925-960315

    Glorification of festruction and chaos.

    It is sad to see political activists pandering to hatred and nationalism of the masses by glorifying destruction and chaos in films for the selective rewriting of history of late; Whereas it is pretty evident throughout history whether it was ancient India through the empires or a present day super power, that men regardless of their geography or the time they exist in, have no honor. It would do the viewers everywhere a world of good to understand that narratives of hatred and division never win hearts. Poor are leaders who despite having power, money and influence cannot understand that life's about bringing people together not apart.
    6unawaneprasad

    MUSIC TURNS THE WHOLE EPIC DRAMA DOWN

    I want to ask the makers? Why not choose Ajay Atul instead of a jewel thief Rehman?

    Were you deaf when he composed music in electric guitar to raise emotions, romantic scene in piano? Where is the folk Maharashtrian music? Most of the times I felt like I'm watching Braveheart by Mel Gibson.

    Climax though conceptualized in best way but not going with facts.

    If a person reads Chaava novel, there are myriad facts that are missing.

    Director was very careful to keep a secular angle.

    Vicky National award fix. Guirella warfare was not properly graphed. Only one who have the read the book would understand the nuances.
    7raghavkantbhardwaj

    Vicky Kaushal does 200%, Disappointed by A R Rahman

    Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.

    The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
    7tempallesridhar

    Good movie, but could have been much better

    While the movie is based on the book, the events could have been portrayed with a much better screenplay and some better music. Overall the movie is good but there were many parts that could have been acted well.

    Screenplay suffers in many areas before and after interval where it slows down the pace of thw film. Dialogue should have been strong enough and music should have elevated the actions performed by the actors. But Rahman added much of the regular average music to this movie with some romantic music to some songs that is generally given to romantic movie songs.

    It was the best opportunity he could have used to come back with equal or greater music composition on par with Jodha Akbar that he gave. But it falls much below average. Directors needed to focus more on editing and screenplay skills. Story telling was quiet good. The movie elevated well from the moment he had to fight and get captured till the very end.

    It was directed more like a TV serial budget direction. Movies will need much better skills to make it a perfect cut.
    7yadavjyotid

    Lacks a bit in storytelling, otherwise a grand masala movie to earn

    One of the strongest aspects of Chhaava is its screenplay, which balances action with emotion. The dialogues are impactful, filled with the weight of history and the fire of revolution. There are several moments where the intensity of the dialogues alone sends shivers down the spine, particularly in confrontations between Sambhaji Maharaj and his adversaries. The supporting cast deserves a special mention-each character plays a crucial role in shaping the hero's journey. The women in the film, especially the portrayal of Sambhaji Maharaj's mother and his wife, add depth to the story, showcasing their influence and resilience in a world dominated by war and politics. The music .

    And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.

    . The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
    • गूफ़
      The prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
    • भाव

      Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!

    • इसके अलावा अन्य वर्जन
      The film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.

    टॉप पसंद

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