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Terrifier 3 is decking the halls with a triumphant celebration that’s horrifying for all the right reasons and snaps into focus what it is that Leone does singularly well. That may or may not win people over, but it shouldn’t lose any repeat customers.

The gleeful nastiness will be too much for many. Fans, meanwhile, will rejoice as Art wraps intestines around a Christmas tree like tinsel.

It’s not for everyone, but for gorehounds this film delivers and then some.

Primarily a vehicle for inventive and wince-inducing practical effects that best anything to be found in a 1980s-era Italian gorefest or the Saw franchise, Terrifier 3 continues the series’s trend of dotting a sparse and sinuous thread of plot with mini-masterpieces of cinematic ultraviolence.

This is a movie that sets out on its own dark mission, and accomplishes that mission with a skill that is undeniable.

Terrifier 3 is a bounty of practical effects riches that cannot be denied, but its storytelling is scattershot in ways that hold the sequel back.

Yes, it's still rare for a horror film to be longer than two hours, but it's especially rare for a horror film of that length to feel rushed. Terrifier 3 progresses to its climactic living nightmare too fast to be properly processed; this is likely to mirror Sienna's mental state in that moment, but it is still in dire need of an extra couple of beats to build tension before all hell breaks loose.

Managing to go further over-the-top and pushing more offence buttons than you think possible, this is recommended only for the strong of stomach and hard of heart.

The budget might have ballooned to ten times what Terrifier had, and the kills have gotten far more gruesome, yet Terrifier 3 is still the same mixed bag that this franchise has always been.

Terrifier 3 is a juvenile splatterfest with an ignorable plot, and its performances veer from the competent (LaVera and Thornton) to the inept (most everyone else).