अपनी भाषा में प्लॉट जोड़ेंA master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.
Noel Gugliemi
- Hector
- (as Noel G.)
फ़ीचर्ड समीक्षाएं
High Rollers is a film that suffers from numerous technical flaws. First, the screenplay structure is weak and disjointed. As the story progresses, logical errors and inconsistencies become increasingly apparent. The film's framework fails to generate the necessary momentum to captivate the audience. The plot's irregularities and implausible developments distract from the experience, making any attempts at drama feel redundant. In particular, the characters' decision-making processes lack clarity, and their dialogue often feels unnatural.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
If you want a reason to gouge your eyes out, watch this movie. Horrible plot and corny acting. A horrible soap opera. Literally would rather sit on a plane with a screaming baby puking next to me. I am questioning how someone could make this horrible of a movie. Staring at a wall is more entertaining. I would rather drink toilet water than watch this movie. Waste of time and money. I think a kindergarten musical would be a better use of time. I strongly advise that you avoid watching this movie again all costs. An experience I wish I could forget. How could this movie be so horrible within the decent cast? I don't know.
After narrowly escaping a whirlwind of a heist, mastermind Mason (John Travolta) has retired from the criminal world with his gang of thieves and the love of his life, Decker (Gina Gershon). Their happy days are short lived when Decker is kidnapped by the notorious Salazar, bent on extracting revenge on Mason. Mason has no choice but to execute a risky heist inside a luxurious South American casino, putting him and his crew on a collision course with rivaling criminal syndicates and the FBI
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
This is a highschool production, right? RIGHT!? I've seen toddlers in Christmas plays act better and I've seen homeless hobos write better and I've seen dogs direct better. Don't waste your finite, limited and priceless time watching this 'movie'.
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
I feel like Travolta's peak was Pulp Fiction, after that he just keeps pumping out forgettable movies every year. This is probably the worst, this Part1 to this movie Cash Out was nothing special and this PArt 2 or sequel is laughable, acting was so unwatchable, everything felt like they were just following a script, nothing flowed or made the movie interesting. Travolta could be a good actor that his peers would respect if the right script was given to him, these heist, action type movies that he keeps getting involved as a 75 year old are not for him. At least he stopped wearing wigs and toupees in these movies but he needs to change the types of movies he accepts.
क्या आपको पता है
- ट्रिवियाFilm reunites John Travolta and Gina Gershon who previously starred together in "Face/Off" (1997).
- गूफ़At the beginning of the movie at approximately 13:30 Mason and the team is at a Pool and he say they have to jump and "We've got 12' feet of water" ""Just skim" But you can clearly see the 4' marker on the Tile across the pool.
- साउंडट्रैकNonstop
Written By James Thacker and John L Pearson
Produced by James Thacker and John L Pearson
Courtesy of Kazen Music Group
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is High Rollers?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 41 मि(101 min)
- रंग
- पक्ष अनुपात
- 2.39:1
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