Pamyo

"Exhuma" emerges as a bold tapestry of horror, weaving together an array of tropes that challenge the boundaries of the genre. Its narrative is a complex interplay of classic horror elements, grave digging, psychological twists, demon hunting, and unexpected comedy, creating a cinematic experience that is as unsettling as it is innovative. The overlay of the history of the Japanese occupation adds a layer of moral complexity. While some cultural symbolism may be lost on international audiences, the film's deliberate pacing cultivates a tension that transcends cultural barriers, culminating in a climax that is both disorienting and impactful. "Exhuma" may not prioritize narrative clarity, but it compensates with a visceral journey through the macabre, leaving viewers with a lingering sense of unease and contemplation long after the credits roll. The film's commitment to a slow-burn approach rewards patient viewers with a thought-provoking exploration of horror that refuses to be confined by conventional expectations.

Exhuma was a movie I was looking forward to seeing and had avoided learning anything about before I saw it.

I was mainly hopeful because of the cast.

It starts pretty strongly with a feeling of class from the acting to the production values.

The story wasn't clear at first but then I got my hopes up as the first grave is dug up.

However this part of the story seems to be wrapped up quite quickly with the cremation scene and it then delves into Korean and Japanese history with strong anti Japanese feeling.

Now I'm not familiar with the history of these countries to a great extent so maybe a bit of this stuff wasn't for me as an Englishman.

But I completely understood it, It was just an unexpected turn of the story and then the film devolves into some weird thriller full of special effects (admittedly well done) that would fit into more of a comic book style horror.

It's incredibly disjointed.

If anyone compares this film favourably with The Wailing, ignore them. The wailing is far far superior.

This film is worth a watch but don't expect a classic horror movie.

Good movie and good acting. The part I liked was the depiction of the culture and the part I didn't like was that it wasn't scary. The potential of this movie is amazing and can be made even scarier. It's nice to be able to follow a neat and structured storyline. I had to endure going to the toilet so I wouldn't miss a scene. However, when I saw the ghost, I thought I was seeing the enemy of Resident Evil. For psychics and fengshui experts this movie is okay to watch. Thank you for making such a good movie, for me this is more of a semi-horror drama movie. Let's make a scarier movie. Happy watching.

"Exhuma" is a horror gem that demands your attention, despite its seemingly long runtime. Trust me; the payoff is worth every minute.

The movie cleverly unfolds in distinct chapters, each packing its own mini-climax. This approach, rather than overwhelming us with a convoluted plot, allows for a detailed and engaging exploration of "smaller" stories. I found myself invested in every chapter, thanks to the intriguing mysteries woven into each one. The storytelling is top-notch, blending visual and narrative clues seamlessly, ensuring that even the casual viewer can follow along.

What sets "Exhuma" apart for me is its refreshing take on horror. Instead of relying on cheap jumpscares, the film opts for atmospheric horror that keeps you on edge while pulling you deeper into the story. It's a balance of terror and curiosity that's executed brilliantly.

Now, to be fair, there are moments where the narrative feels a tad disjointed, making it a bit challenging to follow. Yet, the film's redeeming quality lies in its refusal to bombard you with ghosts every second. It takes its time, allowing the story to breathe and unfold naturally.

In the end, "Exhuma" isn't just another horror flick; it's a journey that respects your time and delivers a story worth experiencing. So, ignore the runtime concerns, and let this movie grip you with its unique blend of chills and storytelling finesse.

For a long time now, South Korea has been impressing audiences around the world with very well produced and executed horror features, and "Pamyo" (2024) is no exception. This promising project stands out in all aspects, being above average.

The initial premise, involving voices of help when you close your eyes, sounds scary and intense, although the story develops into more complex plots throughout the first act. The cast and performances are a highlight of the film, with very convincing performances, especially in scenes involving rituals. Despite having impeccable photography, the most interesting element of the film is the plot, surrounded by symbolism and a rich mythology. The story develops differently from Western works, opting for few explanations, which requires the viewer's full attention to understand a good part of the work. Although the antagonist is not particularly memorable, he has a great design and delivers tense moments.

Jang Jae-hyun, director of the project, had already demonstrated his aptitude and commitment to the genre in "Sabaha" (2019), another horror production with excellent results. "Pamyo" once again confirms the director's skill, consolidating him as a director of great talent in his filmography.