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For way too long have Korea, Thailand and Japan dominated the Asian market as far as ghost movies go. And it is really, really nice to see Hong Kong make a mark for itself in the ghost genre. Director Juno Mak has really managed to put together a really unique movie here.

Unlike other Asian ghost movies, then this is not a stereotypical ghost movie with a dead girl in a white dress and having her long, black hair covering her face. No, this is way beyond that. Sure it has that element as well, but it just takes it to the next step. And as if that isn't enough, then "Rigor Mortis" also throws in the element of the Chinese vampire mythology into the mix. Odd? Perhaps. Does it work? Oh yeah it does!

"Rigor Mortis" is a very visual and graphic movie, which is rather unlike most Asian ghost movies, and it is a much needed and most welcomed contribution to the genre.

However, a word of warning, "Rigor Mortis" is not just for everyone, especially not if you are set in the way of the traditional Asian ghost movies. But enter this movie with an open mind and leave yourself open to the impressions, but visual and subliminal.

The story in "Rigor Mortis" is about a troubled man who comes to an old and rundown building, where he rents room 2442 - a room with a dark and troubled past. Set out to take his own life and end his torment, it becomes clear that the entire building is a locale of haunts, gruesome tales, and dark magic.

Effects-wise, then "Rigor Mortis" is a visual treat, eye candy if you will. Why? Well, because the CGI effects were realistic and came off a believable, and really helped augment the story and the flow of the movie. And it was nice to see some Asian ghost aside from that stereotypical girl in white dress with her hair covering her entire face.

If you enjoy Asian horror movies, or perhaps ghost movies in particular, then you should without a doubt take a look at Juno Mak's movie, because it is rather amazing. Great entertainment, good story, nice effects and a great change of pace in this particular genre.

Being picked for the Toronto International Film Festival's Midnight Madness Series with your first ever feature film is an achievement unto itself. But that is exactly what Hong Kong pop star-turned-director, Juno Mak finds himself with his first film, Rigor Mortis.

Described as a tribute to the horror-comedy series Mr. Vampire, Rigor Mortis takes its audience to an apartment complex where aging actor Chin Sui-Ho finds himself moping after the loss of his wife and son. Ghosts and spirits are already known to loiter the halls of the building, but when a grieving resident attempts a ritual to bring her husband back from the dead the residents are forced to confront the evil of the supernatural including a vampire like creature that terrorizes the residents.

Filled with some remarkable effects complimenting the very dark and dreary setting of the depraved building, Rigor Mortis is pea soup thick with atmosphere. Asian cinema has always been the front runners in bringing ghost stories to the masses (Dark Water, Ju-on, Ringu), and director Juno Mak has surrounded himself with a top effects team to bring his creatures to life.

Unfortunately, the visuals are not enough to save the film from the mediocrity pool. The script is slow in getting to the goods and its complexity reminded us of Timur Bekmambetov's Night Watch – a glorious looking film that got lost among its effects. The indulgence is particularly evident in the film's finale which includes a wonderful fight between our protagonist, the vampire like creature and two ghostly twins.

Fans of the Mr. Vampire series may end up scratching their heads wondering where the comedic punch from their series has gone as Rigor Mortis has hardly two laughs to share from credits to credits. It's as serious as a heart-attack even if the EKG indicates it only to be a mild one. Suicides, rape and even the placement of harm's way of a small boy are some of the serious overtones that engulf the moods of the film. Usually such melancholy is exactly what the horror doctor orders, but Rigor Mortis plays more like a psychedelic bad dream than a viable horror film worthy of our recommendation.

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How could one not enjoy this visual feast thoroughly is beyond me. It's a sad state of affair that this movie doesn't rate higher on IMDb. Granted, the narration is rather obscure, the ending a bit botched (hence not a 10/10 for me).

Once you let go and you stop trying to understand every second of it, this movie becomes like watching the most fantastic nightmare you've ever seen. Visually, sound-wise, music-wise, it's simply mind-blowing. It's extremely poetic and disturbing rather than terrifying, which might explain some ratings. It's Murnau's Nosferatu meets Ring meets Kung Fu Hustle.

The Japanese horror elements are there but carefully blended with Chinese folklore and shooting style, so the movie remains original. The story ends up making sense overall if you're patient enough, even though some elements of it remain a bit fuzzy. Watching this movie is like getting a shot of something strong, getting slapped in the face and kissed by a beautiful woman (my wife) all at the same time.

One of the most enjoyable - if puzzling at times - movies in a long, long time.

Director Juno Mak brings us a horror HK movie like nothing else, a story about a former actor who makes his new home at a creepy, dark and depressed-looking Hong Kong public housing tower. There, he encounters a slew of ghosts and zombies.

It was nice to see a brand new horror movie from Hong Kong that pays homage to the classic Mr. Vampire and other ghost genre movies of the 1980s-1990s. Actors from the original Mr. Vampire series reunited to star in this film, including Chin Siu Ho, Anthony Chan, Billy Lau, Chung Fat and Richard Ng. They, including others in the movie, gave a very powerful and dramatic performance in their respective roles. Lai-yin Leung and Philip Yung wrote a very moody, dark and eerie story that, despite being a homage, provided a huge departure to the Chinese vampire/ghost movies of the 80s and 90s. The usual lighthearted humor and slapstick comedy seen in those movies were sorely absent in this film.

The darkness and gloomy atmosphere that surrounded this movie almost made it seem that the heydays of those classic ghost/vampire movies were long gone. Still, though, the setting and cinematography were a nice touch and it accentuated the horror and solemn drama felt in the film.

The plot goes at a fairly fast pace, keeping you engaged and intrigued. The main vampire in the film was executed very well and all the events leading to its appearances provided enough creepiness and terror to make the hair raise behind your neck.

While a pretty scary and intriguing movie, many of the plot points are confusing and the special effects team relied too heavily on CGI. The two female ghosts portrayed in the film seemed like a rip-off of The Grudge and the hopping vampire didn't really hop much - just gliding from place to place with heavy CGI influence. In addition, the bloody gore and adult themes were done overboard.

Overall, it's not a horrible movie. I prefer watching the Chinese vampires movies of the 80s and 90s, but this one is worth the watch at least once for a good scare and reminiscing.

Grade C-

"Rigor Mortis" is Hong Kong's call-back to new resurgence of horror/fantasy. Billed as a feature film inspired by a popular the popular Vampire films of the 80's. this movie gives us a dark, wondrous nightmare. Starring Anthony Chan, Siu-Ho Chin, Kara Hui, Hoi-Pang Lo, Richard Ng, and Hee Ching Paw. The plot revolves around an ex actor on a downward spiral, longing for death, who moves into an apartment tower where realm of supernatural and humanity are entwined.

"Rigor Mortis" offers a fantastical fantasy world of horror, drama and Hong Kong action. The story is multi-layered with lives tangled in a hellish fate. There are elements of melodrama and gore that move in a wonderful ballet of emotion and carnage. I feel that the story works as a modern retelling of some ancient Chinese fable, the concepts and character development seem so complex and powerful that it just screams of morality wisdom from the past. Either way it is a tale that embraces both the old supernatural beliefs and contemporary style that proves Hong Kong's dominance over this blended fantasy/horror genre.

The special effects and soundtrack utilized in "Rigor Mortis" is top notch. The sounds are creepy, often creating a dark atmosphere of desperation scene after scene. The sets where depressing, lifeless tombs of fading lives that would send chills up Takashi Shimizu and Clive Barker's backs. "Rigor Mortis" uses some pretty spectacular CGI and practical effects for the fantasy and horror elements. Epic visual moments weave into the film in true whimsical opulence while the blood soaked gore combined with the chilling horror scenes create a nightmare fantasy that captivates and entertains. Just based on "Rigor Mortis" as an independent entity untethered from it's inspiration, homages and such I found this to be one of the best horror/fantasy films that I have ever seen. "Rigor Mortis" is Juno Mak's masterpiece and a must see film!