Tuhan, Izinkan Aku Berdosa

One of the must-watch shows this year. This film broadens the understanding and perspective of Islam itself, unveiling the pure evil of how a pious and devout figure is actually full of deceitful hypocrisy, using their power to engage in dirty dealings with someone to fulfill they desire.

The audience is made to feel a whirlwind of emotions with every scene presented. We share Kiran's anguish as she fights for her life, feel her heartbreak from being betrayed, and experience satisfaction when she exacts her revenge.

The film also opens the viewers' eyes to the fact that those in high positions who appear to be good may not truly be good. There is always some evil hidden behind the carefully crafted image.

Have yet to read the novel, but I'm sure some changes are necessary if it's about to be brought over to the big screen. That said, I don't know whether or not the tonal shift in the latter act really happened in the novel. Overall the movie was still kinda believable up until that point where afterwards I no longer feel the movie was still realistic. I don't mind it at all though, cause a good story is a good story.

The non linear plot also served a nice contrast to Kiran before and after her transformation. I'm quite confident some accolades are in order for this movie, especially some acting nods for Aghniny Haque. Kinda surprising to have her reunite with Djenar Maesa Ayu so soon after Pemandi Jenazah though.

Adapted from the viral novel in 2000s. The original novel, which I read back when it first became popular, was inspired by a true story and was quite eye-opening, as it revealed some dark truths about an Islamic organization. Its realistic portrayal was powerful because it aligned with common rumors about the private lives within such groups that I always heard back then.

Unfortunately, the film version falls far short of expectations. Hanung's ( The director ) approach to exploring the story turns what could have been a gritty, realistic narrative into an over-dramatic, unrealistic and theatrical piece. His direction fails to capture the raw essence of the original novel, instead making it feel like an exaggerated stage play rather than a serious film that aims to uncover hidden truths.

Once again, Hanung struggles to deliver a truly inspirational movie. The film is made unnecessarily darker, with characters reacting in ways that seem melodramatic and artificial, which strips the story of its authenticity. It's disappointing to see how such a compelling novel with great potential was turned into a disjointed mess. This is by far the weakest film I've seen from Hanung, especially given its origins from a well-regarded and impactful novel.