Riff Raff

I don't typically write a lot of reviews, but looking at the comments, it seems that a lot of people found the beginning to be boring which soured their opinion of the movie. I don't quite understand that.

The characters are quirky and the repertoire was phenomenal. There's a lot of nuance in the characters you'd miss in the dialogue if you weren't paying attention. It's almost like a more crass Aaron Sorkin script.

That being said it's not Aaron Sorkin, but it's definitely not boring when it comes to character development. It's one of the few movies where the film timeline moves slowly, BUT you a great amount of character development. This would an amazing TV show.

This is kind of a farcical, black comedy. The characters have some life to them, but little depth or context It is reminiscent of a Fargo type story with the banal, the ordinary, sharing the story with extreme violence.

Because of the substantial lack of EARNED back story, most of the characters flat. Surprisingly, Ed Harris' new family dynamic comes across as flat and hollow. Jennifer Coolidge and Lewis Pullman steal the show with their performances. Bill Murray gets honorable mention...because he's Bill Murray, and I'd watch him read the dictionary. But, he's not that funny here, and is trying to play a straight character...who is put into black comedy situations.

If you're going to see a "Bill Murray movie" then you're going to be disappointed on many levels. But, it's not a complete waste. Although, I'm not sure it was worth his gonzo promotion campaign that included eating super hot chicken wings on First We Feast (although that interview was pretty good).

After watching this movie I was left with a few questions. One of them being what kind of movie was this supposed to be? The bio says comedy/crime, but I thinks it fell short of that goal. Secondly, how could such a star studded cast come across as an average movie?

I'm not sure if was a script issue, casting issue, editing issue, or the director just didn't get the script, but I suppose my highest problem with the movie was that I had zero attachments to any one particular character. If anything Jennifer Coolidge stole the whole show, and gave it some semblance of a minor comedy.

It's almost as the movie was suffering from some type of identity crisis, in terms of not being one or the other. The trailer did its job enough for me to give it a watch, and the movie did have some great scenes, but I don't think the vision came out the way it was intended. It's an average movie at best, but given the cast, I was expecting something with a lot more to it. No meat, and all potatoes.

Riff Raff (2024) has many good qualities, but also a few gaps. Acting is solid, with credible performances by Ed Harris, Bill Murray, Pete Davidson, and other less familiar actors. The plot offers layers of complexity. Production values are adequate for a mid-budget film. It's watchable, but not thoroughly enjoyable. I liked Ed Harris's Vincent, but couldn't identify with him. It was nice to see Bill Murray playing against type. However, I never truly identified with or cared about any of the characters.

Some scenes seemed familiar and predictable. There was possibly an overreliance on flashbacks. It seemed a bit awkwardly politically correct with an interracial romance that laced passion. The ending was a bit noir, but spoiled by a Hollywood denouement and a climatic scene that seemed contrived and improbable. The filmmakers offer exposition on family that doesn't quite fit the action, but leave the viewer wondering what it all meant.

I went into this movie blind, having only seen the cast list and description. No Trailer. But a dark comedy with a great ensemble cast? Yes Please!

But the movie is sparse with comedy. Some light chuckles here and there. Some characters are just sad, like Coolidge. Everyone portrayed their characters very well though.

The story does a lot flash backs and time jumps. Almost everything is a cut away. It's not a novel story, it's actually very familiar. Actors play their usual tropes. Ed Harris moves on from his troubled past until it catches up to him.

Good use of scenery and music.

It's all well acted, well shot, but meanders without comedy. It was an entertaining watch. But a better script would have given the great cast more to do.

6.5*/10*

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