Baby John

Baby John is the kind of film that makes you question why certain stories still make it to the big screen. It's a loud, brain-numbing mess that recycles the same old masala formula, sprinkled generously with over-the-top slow-motion action sequences that feel more like filler than flair. Not a single punch, be it in dialogue or combat, lands with any real impact.

Keerthy Suresh, despite her undeniable talent, is reduced to a forgettable prop, adding zero charm or depth to the narrative. On the flip side, Wamiqa Gabbi emerges as the film's only silver lining, effortlessly holding her ground and adding a dash of charisma in an otherwise dull affair. The child actor is another unexpected gem, delivering a surprisingly heartfelt performance that momentarily lifts the film out of its monotony. And then there's Jaggu Da, who slips into his role with his usual effortless brilliance.

But if there's one thing that truly tests your patience, it's the background score, a relentless, ear-piercing racket that makes you wonder how anyone survived this in a cinema hall. And just when you think the nightmare is over, in walks Salman Khan during the end credits, hammering the final nail into the coffin of what's now possibly the most cringeworthy cinematic universe ever attempted.

Baby John isn't just avoidable, it's a straight-up endurance test. Watch it only if you enjoy cinematic torture.

The same old storyline once again repackaged with different actors, different director, different camera angles. While watching this film reminded me of that song from one of SRK's old film Phir Bhi Dil Hai Hindustani, in that there is a line that says 'thodi ham mein sachchai hai thodi hai baimaani, kabhi naye packet mein bechein tumko chiz puraani".

I watched this film only because I have slight bias for Varun Dhawan. I find him slightly likeable amongst all the current lot of mediocre mainstream actors. But even he brings nothing new to the film. Full of clichés such as hero helping blind beggars, heroine singing aartis on baby shower. Villain derailing heroes life, then hero coming back to take revenge.

I can guarantee you that you will keep feeling that you have watched this film before because hundreds of films have been made with the exact storyline and exact formula.

I gave three stars for Keerthi Suresh and Wamiqa for looking damn good, the little girl who was the only savior because of her cuteness and Jaggu Dada for being a good actor even till now.

This is a good movie to relax and just watch ,remake of theri which was released years ago, the world suits in that movie but in baby John somethings seems outdated and overwhelming VARUNDHAVAN-it suits him , in massy scenes he was top notch in some scenes he went lil too much but okay .. better than his other movies but his best will be still badlapur.. action wise it's good .. the title track is awesome but .. songs in the first half and one in the second half really breaks the continuity of the movie and the songs are also not that great ,RAJPAL YADAV-in a new AVATAR .. keerthy Suresh felt like she was copying Samantha from the original movies THERI ..overall just be tension free and watch the movie JACKIE SHROFF-was good but could be better to conclude good entertainer but the cinephiles would not enjoy this movie much.

Baby John (2024), directed by Kalees, is a remake of Atlee's 2016 Tamil blockbuster Theri. Starring Varun Dhawan in the titular role, alongside Keerthy Suresh (in her Hindi film debut), Wamiqa Gabbi, and Jackie Shroff, the film follows Sathya Verma, a former cop who goes undercover as Baby John to protect his daughter from a dangerous enemy. With high-octane action sequences, a star-studded cast, and a runtime of 2 hours and 45 minutes, the film promises thrills but struggles to deliver a cohesive experience.

From the outset, it's clear that Baby John heavily leans on choreographed action and song sequences, visually impressive but loosely strung together by a weak and uninspired storyline. The screenplay and editing, crucial elements for a gripping narrative, falter significantly, leaving the film feeling disjointed. As the captain of the ship, the director shoulders much of the blame for allowing these technical snags to slip through.

The superhero-like heroism in the fight and dance sequences stretches believability, often pulling the audience out of the experience. While some moments provide spectacle, they fail to maintain the emotional crescendo necessary to sustain the film's momentum. The predictable climax, punctuated by Salman Khan's tired cameo, ends the roller-coaster ride on a disappointingly flat note.

The performances, however, stand as the film's saving grace. Varun Dhawan, Jackie Shroff, and the rest of the cast give it their all, doing justice to their roles despite the lackluster material. Keerthy Suresh's Bollywood debut is commendable, though her talent feels underutilized in this setup.

Ultimately, Baby John feels like a missed opportunity-an action-packed visual extravaganza that fails to resonate emotionally or narratively. The film's reliance on spectacle over substance leaves it feeling hollow, making it a challenging watch for audiences expecting more than just surface-level thrills.

Rating: 2/5 stars - Baby John offers brief moments of visual entertainment but suffers from a weak storyline and missed opportunities, making it a forgettable addition to the action thriller genre. Watch it for the cast's earnest performances, but don't expect much beyond that.

The Hindi remake of Theri struggles to capture the essence of the original, despite a few strong performances. Varun Dhawan, though solid in the latter parts of the film, overacts in the early scenes, particularly with forced dialogue like "Mere jaise bahut aaye honge, but main pehli baar aaya hoon." His emotional depth is average, but a standout moment comes during an intense scene involving Nanaji's son.

Keerthy Suresh, in a role made iconic by Samantha, could have delivered more. Though she holds her own, her performance lacks the emotional intensity needed. The supporting cast shines, with Sheeba Chaddha adding charm to her role, and Jackie Shroff stealing the show as the antagonist. Wamiqa Gabbi, despite a promising character as an undercover agent, feels underused.

The film's pacing suffers due to an overabundance of songs, which slow down the narrative, though the background music does add intensity. The direction is competent but lacks the emotional depth that could have elevated the film. While the plot follows the original, the inclusion of Wamiqa's subplot doesn't feel fully integrated.

Overall, the remake is an average watch-solid performances from some, but it fails to leave a lasting impact.