अपनी भाषा में प्लॉट जोड़ेंWhen a down-on-her luck video editor takes on a mysterious, well-paying job cutting snuff films, she is haunted by visions of the people in her videos.When a down-on-her luck video editor takes on a mysterious, well-paying job cutting snuff films, she is haunted by visions of the people in her videos.When a down-on-her luck video editor takes on a mysterious, well-paying job cutting snuff films, she is haunted by visions of the people in her videos.
फ़ीचर्ड समीक्षाएं
As above, it's clearly a small indie film but the character's position as a young freelance trying to make it is highly relatable.
Believable acting, solid sets and effects, and good casting. I liked the little bits of mystery and the reveals were actually satisfying.
On one hand I liked how a fair amount of time was given to expanding on the main character's life and interactions with people such as with at the coffee shop. Overall I'd recommend it as an example of what a small budget indie film can be. Although I personally find things to drag just a little here and there and believe several shots could have been tightened up / dream sequences being redundant.
7/10 refreshing, indie thriller.
Believable acting, solid sets and effects, and good casting. I liked the little bits of mystery and the reveals were actually satisfying.
On one hand I liked how a fair amount of time was given to expanding on the main character's life and interactions with people such as with at the coffee shop. Overall I'd recommend it as an example of what a small budget indie film can be. Although I personally find things to drag just a little here and there and believe several shots could have been tightened up / dream sequences being redundant.
7/10 refreshing, indie thriller.
The idea behind this movie was a good one and the performances are pretty good considering what they were given to work with, which wasn't much. This just didn't deliver at all. It's not scary , creepy, suspenseful or anything else. Some things happen and are never explained. The logic behind some of the lead actress's decisions in the film are absurd. There are scenes that add nothing to the film and some of these go on way too long. It also was a gigantic failure when it came to these supposedly disgusting snuff films she was editing as they weren't disgusting or believable. If she's supposed to be so repulsed by what she is editing, some money should have spent on actually making them look real and repulsive. I really wanted to like this because the idea that someone would take on a job that would end up haunting them was a good one, but this film doesn't succeed at all in portraying that.
Just watched this, was hoping for so much better, overlong, dragged out and just gets more and more tedious, started off ok and just kind of fizzled out, so boring, would have been better if at least the main character was more engaging, just a drab uninteresting role, could and should of been much better but the sheer length and drudgery of the film made me completely lose interest, the twist or whatever was no surprise, the small cast ensemble tried their best with such a stodgy uninspired story to work with, I mean I have seen a lot worse but they could easily have made this 30 minutes shorter with more bite and interest.
John Balazs' Freelance is a remarkable achievement in independent filmmaking-a bold, stylish, and deeply atmospheric psychological thriller. As someone who understands the challenges of indie productions, it's inspiring to see a film so meticulously crafted, with no evidence of the usual budget-driven compromises in production or performance. Instead, Freelance feels highly polished, confidently standing among psychological thrillers while carving out its own unique identity.
At the centre of this film is Nicole Pastor's unforgettable performance as Katie, a video editor whose descent into obsession and paranoia is as mesmerising as it is chilling. Nicole brings incredible nuance to the role, layering her performance with subtle touches that mirror Katie's unraveling state of mind. Even small details-like Katie's haircut, symbolising her fractured psyche-feel deliberate and poignant. What impressed me most was Nicole's ability to navigate Katie's slow descent, sprinkling in moments of vulnerability and obsession before plunging the audience into the chaos of her madness.
The film is also a testament to the creative vision of John Balazs. The cinematography, lighting, and sound design create a palpable tension throughout, pulling the audience deeper into Katie's fractured world. Influences like David Fincher's precision and the vivid stylisation of The Neon Demon can be felt, yet Freelance maintains its own voice, refusing to feel derivative.
Independent filmmaking is often a delicate balancing act, with limited resources making it difficult to achieve the full scope of a director's vision. But with Freelance, John Balazs and his team have crafted a film that feels rich, cohesive, and uncompromising in its ambition. Huge congratulations to Nicole, John, and the entire cast and crew for creating something truly special. It's a reminder of what's possible when passion and talent converge-and I, for one, can't wait to see what comes next from this team.
At the centre of this film is Nicole Pastor's unforgettable performance as Katie, a video editor whose descent into obsession and paranoia is as mesmerising as it is chilling. Nicole brings incredible nuance to the role, layering her performance with subtle touches that mirror Katie's unraveling state of mind. Even small details-like Katie's haircut, symbolising her fractured psyche-feel deliberate and poignant. What impressed me most was Nicole's ability to navigate Katie's slow descent, sprinkling in moments of vulnerability and obsession before plunging the audience into the chaos of her madness.
The film is also a testament to the creative vision of John Balazs. The cinematography, lighting, and sound design create a palpable tension throughout, pulling the audience deeper into Katie's fractured world. Influences like David Fincher's precision and the vivid stylisation of The Neon Demon can be felt, yet Freelance maintains its own voice, refusing to feel derivative.
Independent filmmaking is often a delicate balancing act, with limited resources making it difficult to achieve the full scope of a director's vision. But with Freelance, John Balazs and his team have crafted a film that feels rich, cohesive, and uncompromising in its ambition. Huge congratulations to Nicole, John, and the entire cast and crew for creating something truly special. It's a reminder of what's possible when passion and talent converge-and I, for one, can't wait to see what comes next from this team.
It wasn't really my cup of tea, judging by the other reviews I may be a minority here. In all honesty, I would probably put it close to 'smiley' in the horror film rankings.
The main character is very hard to like. She has the personality of an angsty teenager, always seems to have this 'if you cant handle me at my worst, screw you' mentality. Every decision is like watching a child make it, maybe if I scream at my landlord when im several months behind on rent things will work out, maybe if I take this strangers thousands of dollars and do what he says for 1 night its perfectly legal.
The 'twist' was overhyped in my opinion, by like 30 or 40 mins in you can get a pretty good feel for where the story is heading, and how its most probably going to end.
The main character is very hard to like. She has the personality of an angsty teenager, always seems to have this 'if you cant handle me at my worst, screw you' mentality. Every decision is like watching a child make it, maybe if I scream at my landlord when im several months behind on rent things will work out, maybe if I take this strangers thousands of dollars and do what he says for 1 night its perfectly legal.
The 'twist' was overhyped in my opinion, by like 30 or 40 mins in you can get a pretty good feel for where the story is heading, and how its most probably going to end.
क्या आपको पता है
- ट्रिवियाExecutive Producer Adam La Rosa of La Rosa Productions was offered the role of the Detective but never got back to director John Balazs about it, so subsequently he missed out on the role.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $1,15,000(अनुमानित)
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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