Saturday Night

This movie depicts the run up to the first performance of Saturday Night Live. The run up is shown as chaotic, frenzied, and disorganized, with no final list or ordering of sketches and the set still under construction. Creator/Director Lorne Michaels darts frantically between the cast, crew, writers, network executives, and special guests. All the frantic activity becomes tiring, but the 139-minute movie still manages to drag in a few places.

I wasn't there, but several events depicted seem to be of dubious historical accuracy, such as when Michaels wanders out of the building shortly before showtime. This makes me wonder if the chaos was created by the screenwriter and the director.

The most enjoyable part of the movie was watching the portrayals of the original cast members, although the portrayals of John Belushi and Chevy Chase seem exaggerated. Being familiar (or becoming familiar in advance) with the original cast members is helpful for getting the most out of Saturday Night. Overall, the movie is entertaining and occasionally funny but falls short of the high bar set by the original production.

Elton John may have sung that "Saturday night's alright for fighting," but it turns out it's even better for comedy-at least that seems to be part of the thinking behind the creation of Saturday Night Live. Though, let's be honest, that was low on the list of reasons.

This film about the very first episode of SNL might not be the most accurate depiction of history, but it sure knows how to entertain. Despite featuring paper-thin characters, ludicrous moments (seriously, no comedy writer gets hired five minutes before a show starts-I'm calling BS on that), and yes, even a cameo involving Milton Berle's penis (Not joking), it somehow manages to pull it all off.

Uh, that is pull the movie off, not Milton.

I enjoyed Saturday Night, but not as much as I hoped. It was a little repetitive that Lorne Michaels was having so many problems on the show. There were good laughs and convincing performances of all the main characters/actors we watched, but there could've been a little more to it then the final 2 hours or so before the show aired it's first episode. I would've liked to know where Lorne Michaels had the idea of Saturday Night Live and what he produced before. It was mostly entertaining with good laughs, but kind of claustrophobic being in a sound stage almost always with a few scenes outdoors.

As someone who grew up with Saturday Night Live (SNL) on in the background most Saturday nights, thanks to my parents, it's no surprise I've developed a deep affection for the show. Over the years, the format and talent involved just kept improving. While I'm part of the era with names like Seth Meyers, Jimmy Fallon, and Tina Fey, I've always looked back on classic episodes with fondness. There are sketches from decades past that I still revisit because they're just that iconic. Naturally, all of this made me curious about the film Saturday Night, now in theaters. And if you're a fan of the show, particularly those old enough to have experienced the original cast in the 1970s, here's why you should definitely check this one out.

Most people see Saturday Night Live as a lighthearted, easy watch, a way to get a few laughs late at night. But what many don't realize is how chaotic and stressful it was to actually get the show on air, especially in the early days. The film dives into the behind-the-scenes madness leading up to the premiere episode on October 11th, 1975. Ninety minutes before going live, the set was still unfinished, people were being fired, mistakes were being made left and right. It was a whirlwind of confusion and stress, and the film places you right in the middle of it. From the moment you're thrown onto the set, there's an undeniable energy as everyone scrambles to get things ready. It's a thrilling ride without a single dull moment.

Directed by Jason Reitman, Saturday Night feels like his best work since 2009's Up in the Air. His direction injects the film with a kinetic, almost frantic energy, perfectly capturing the chaos of a live production on the verge of collapse. The cast delivers outstanding performances, each of them embracing the high-octane tone Reitman clearly set. Dylan O'Brien nails his portrayal of Dan Aykroyd, Cory Michael Smith captures the essence of Chevy Chase, and Nicholas Braun impressively balances two distinct characters throughout the film. However, the standout by far is Gabriel LaBelle as Lorne Michaels, the mastermind behind it all. LaBelle, who was solid in Spielberg's The Fabelmans, truly shines here, delivering a breakout performance that anchors the entire film. His portrayal of Michaels is captivating, he shoulders the film almost entirely, with only a few scenes where he's not the focal point.

Now, while Saturday Night excels in capturing the essence of its characters and infusing humour to keep audiences laughing, it does have one notable flaw: it stretches the believability of how all of this could have unfolded in just 90 minutes. Though the film isn't meant to showcase sketches from SNL itself, I couldn't help but feel that the story ends a bit abruptly. I expected the conclusion, but still, it felt like a few more beats could've been hit before the credits rolled. That feeling of "is that it?" holds the film back slightly for me.

In the end, Saturday Night isn't a masterpiece, but it's an energetic, fun film that captures the frantic spirit of creating live television. It made me laugh a lot, and the energy was infectious. Despite its imperfections, I had a great time watching it.

This year, 2025, Saturday Night Live turns 50. I remember clearly what I was doing in 1975, with a promotion and new job, but with kids in the house watching SNL was not a priority. Did I see that first episode in 1975? I don't remember but probably not.

This movie runs just over 90 minutes and it examines the final 90 minutes leading up to the very first live telecast. In essence the movie follows a similar time line of the initial episode.

I found the whole thing fascinating, a live comedy show like this had never been done. Down the halls and backstage rehearsals were still going on as the minutes ticked by. The "schedule" was a series of notes tacked onto a cork board. Not everyone there was sure they would actually go on. Acts that had prepared for 5 minutes were asked, right before the show, to cut them down to 3 or even 2 minutes. What is depicted here was chaos and the show runner was even being encouraged, right up to the last minute, to postpone it for a week to be better prepared. He didn't.

Now I suspect some, maybe much, of the content of this movie was either fictionalized or at least exaggerated for purposes of entertainment. In fact some of the original cast have spoken out in recent days, saying that things were running much smoother than the movie purports.

Regardless, I found it to be totally entertaining. I watched it on DVD from my public library. My wife skipped.