आलोचक समीक्षाएं

Sunlight is delightful, dramatic, and deep all at once. The pacing is excellent, and the screenplay is clever. Conti and Allen bring a great deal of sweetness and vulnerability to their respective roles. The ending is about as perfect as conclusions get. Please watch this as soon as possible, you won’t be disappointed.

Nina Conti’s delightfully crude and disarmingly heartwarming directorial debut, “Sunlight,” adds an intriguing hook to the two-wayward-souls-on-a-road-trip subgenre.

If Sunlight worked even a quarter as well as it does, the movie would still have been something of a miracle.

While I wish the movie's tone and story were a little more even, there's definitely enough here for many to enjoy.

A mostly-smooth, sometimes-uneasy blend of pitch-black drama and absurdist comedy, Sunlight may follow the age-old “road-trip movie” structure, but it fully commits to an offbeat, non-sequitur style/logic that will either compel or repel audiences.

A little of Sunlight, which she directs and co-wrote with Allen, goes a long way. But there’s still something to seeing a performer go for broke, purging a character’s shame and despair through a screwy, confessional sense of humor.

Uneven but not without its charming, touching and even kinky moments, the film salutes the oddballs lucky enough to find like-minded souls – but the story’s invitingly bizarre vibe isn’t captivating enough to overcome some clear narrative flaws.