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The Sweet East

  • 2023
  • 1 घं 44 मि
IMDb रेटिंग
6.4/10
3.5 हज़ार
आपकी रेटिंग
Talia Ryder in The Sweet East (2023)
A picaresque journey through the cities and woods of the Eastern seaboard of the U.S undertaken by Lillian, a high school senior from South Carolina. She gets her first glimpse of the wider world on a class trip to Washington, D.C.
trailer प्ले करें1:39
1 वीडियो
63 फ़ोटो
Coming-of-AgeComedyCrimeDrama

दक्षिण केरोलाइना की एक वरिष्ठ छात्रा लिलियन कक्षा यात्रा पर वाशिंगटन डीसी जाते हुए पूर्वी तटीय क्षेत्र की यात्रा करती है, वहां उसे विस्तृत दुनिया का पहला अनुभव मिलता है.दक्षिण केरोलाइना की एक वरिष्ठ छात्रा लिलियन कक्षा यात्रा पर वाशिंगटन डीसी जाते हुए पूर्वी तटीय क्षेत्र की यात्रा करती है, वहां उसे विस्तृत दुनिया का पहला अनुभव मिलता है.दक्षिण केरोलाइना की एक वरिष्ठ छात्रा लिलियन कक्षा यात्रा पर वाशिंगटन डीसी जाते हुए पूर्वी तटीय क्षेत्र की यात्रा करती है, वहां उसे विस्तृत दुनिया का पहला अनुभव मिलता है.

  • निर्देशक
    • Sean Price Williams
  • लेखक
    • Nick Pinkerton
  • स्टार
    • Jack Irv
    • Talia Ryder
    • Ella Rubin
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    3.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Sean Price Williams
    • लेखक
      • Nick Pinkerton
    • स्टार
      • Jack Irv
      • Talia Ryder
      • Ella Rubin
    • 16यूज़र समीक्षाएं
    • 63आलोचक समीक्षाएं
    • 62मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 10 जीत और कुल 12 नामांकन

    वीडियो1

    Official Trailer
    Trailer 1:39
    Official Trailer

    फ़ोटो62

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 58
    पोस्टर देखें

    टॉप कलाकार52

    बदलाव करें
    Jack Irv
    Jack Irv
    • Troy
    Talia Ryder
    Talia Ryder
    • Lillian
    Ella Rubin
    Ella Rubin
    • Annabel
    Tess McMillan
    • Tessa
    Jamie Granato
    Jamie Granato
    • Tour Guide
    Jonathan Daniel Brown
    Jonathan Daniel Brown
    • Mr. Franks
    Peter Vack
    Peter Vack
    • George Washington Boy
    Betsey Brown
    Betsey Brown
    • Betsy Ross Girl
    Earl Cave
    Earl Cave
    • Caleb
    Andy Milonakis
    Andy Milonakis
    • Jeff
    J. Patrick McElroy
    • Manager
    Kaili Corcoran
    • Becky
    Cameron Andre
    • Adam
    Adam Friedland
    • Eric
    Simon Rex
    Simon Rex
    • Lawrence
    Thomas Helm
    • Timmy
    Ayo Edebiri
    Ayo Edebiri
    • Molly
    Jeremy O. Harris
    Jeremy O. Harris
    • Matthew
    • निर्देशक
      • Sean Price Williams
    • लेखक
      • Nick Pinkerton
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं16

    6.43.5K
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    10

    फ़ीचर्ड समीक्षाएं

    5stevelivesey-37183

    A schoolgirls fever dream.

    This happened and then this happened and after that this happened.

    In 1973, a British movie called O Lucky Man was released with a similar story structure. Namely, a protagonist falls from one improbable situation to another whilst passing commentary on the world around us.

    In this movie, all sorts of 'thrilling' adventures befall Taila Ryder as she is led from one implausible situation to the next. An activist, ingenue, actress, thief, prisoner, etc. Until its disappointing climax.

    Ryder is good as the nonplussed main character, the script seems largely improvised, the plot doesn't exist and the poor quality film stock and directing style made me want to shower after watching it.

    It quite good with some reservations.
    5Stay_away_from_the_Metropol

    A muse is not enough

    This is exactly the TYPE of movie I feel we need more of now, so I really wanted to like it, but sometimes that is not enough. I was originally drawn to this film by mere way of its casting and a few blurbs I'd read about it, making it out to be some indie wonder. The tastefully selected cast is primarily made up of actors who have broken through more recently like Ayo Edebiri and Jacob Elordi, obscure pseudo-celebs like Gibby Haynes and Andy Milonakis, transgressive underground NYC filmmakers like Betsey Brown and her brother Peter Vack, and no-names, and that alone spoke volumes to me.

    When I started watching the movie, I discovered that it was directed by the DP of Good Time, one of my favorite movies of this entire century. With the tone and pacing of the first 15 minutes, I really thought I was going to love this movie. It moves quickly, barreling through people and places, almost faster than you can keep up with as a first-time viewer. The style of cinematography has a certain raw value reminiscent of 90's/2000's stalwarts like Harmony Korine or Larry Clark, or more modern films that also channel that energy like the wonderful American Honey. There is value in the believability of youth that is portrayed in this film's early segments - the true energy of college age kids going wild together is captured. Then, we hit the opening credits, which are also mystifying in their own way. Lead actress Talia Ryder lip syncs to a whimsical fairy-tale esque ballad while gazing at herself in the mirror - it is then that it becomes clear that Ryder will be the focus of the film, and it doesn't seem like a bad thing as she is gorgeous.

    However, things change after the title card. The pace slows down to more of a butter churn for most of the remainder of the film, and the structure shifts into a rather familiar, and in this case, somewhat redundant, and aimless one. "She's on an aimless adventure and everyone wants her", would be the easiest way of summing it up. This is a structure I've seen so many times before, but most of the other ones I've consumed had a lot more meat on their bones. Talia Ryder is angelic, looks like a model in the most traditional sense, and is totally likable, but her character has more arc and depth in the first 15 minutes then she does throughout the entire rest of the movie, so sadly, eventually, fixating on her SO MUCH does lose its steam in this case. There's not enough character depth in the writing to justify the infatuation that the camera seems to have with her. More humor really would have helped give this movie wings to fly, but I rarely found it to conjure chuckles or leave you with any memorably witty dialogue. On top of this, half of the male characters who appear all seem to have the exact same personality - they all want to flex obscure historical tales and philosophies endlessly - this is funny for a few minutes but after some time, it's like "ok, yeah, we get it...what else?". Simon Rex is actually the king of this energy in this film, and leaves one of the most lasting impressions, almost returning to the vibe of his most recent celebrated role, Red Rocket, in which he portrays characters with arguably pedophilic tendencies. The rest of the male characters simply portray danger or un-trust, one-dimensionally.

    As you could assume based off of the rest of this review, the journey goes nowhere. It only feels more aimless as it goes, and ends extremely abruptly. I really like what they were GOING for with this movie, but I just don't think it adds up to anything at all. Even as a tribute to the east coast in general, as it presents itself to be, it doesn't seem to hold much merit for viewers. It has flashes of brilliance but never more than flashes. Even some of the music choices are especially delightful, like putting a choice Minimal Man song over the ending credits, but those count as flashes.

    Of course, I could be wrong, but this feels like the EPITOME of a case where the filmmaker chose Talia Ryder as a muse, and just wanted to make a film revolving around her (hence the "camera's obsession" with her throughout the entire film), yet struggled to find a story with any real purpose, inspiration, or cohesion, and maybe even knew that, but had an opportunity to make a movie with this cast, and did it any way. They also used this as a vehicle to have Ryder say "retarded" as many times as possible - the R-WORD is back, baby! Maybe this will be some magical experience for some teenagers or college-age kids, but as a 40-year-old artist, it left me wanting a lot more.
    5arborealsea

    Should have been a T.V Show

    The movie follows a girl named Lillian, who, on a whim, decides to run away and embarks on a journey across America. Along the way, she encounters a series of extreme characters, each representing different facets of society.

    Lillian to written to be as apathetic, opinionated, and jaded and for most the movie she remains this way. So I think Lillian serves as a lens through which we observe these encounters, not an actual driver of the plot simply there.

    Interestingly, she remains largely unchanged by the experiences she goes through, which for me raises questions about her character's depth. While the diverse individuals she meets have profound stories and perspectives, Lillian's lack of development can make it feel like we're missing out on deeper reflections on these interactions.

    This is why the story might have benefited from being a series rather than a standalone film. In a show format, Lillian could have had the space to reflect on her experiences, allowing her character to evolve in response to the people she meets. She doesn't have to change as a person because I think how she was written is also central to the message of the movie but there simply isn't enough breathing room in the movie, and there would have been some wonderfully emotional scenes if there was just the chance to.
    10vthsfggyd

    One of a kind - 10/10!

    The whole movie feels like a magical fever dream, but in a positive way. There is so much happening during the whole movie that you probably need to watch it a few times in order to identify all the metaphors that were used to create this gem. Alice in Wonderland meets American Girl from the 90s meets kafkaesk Sarcasm and Randomness. I loved it, for me it's a one of a kind movie. Talia Ryder is the absolut perfect choice for Lillian, I don't think anyone else could have pulled off that role as much as she did.

    If you are open to something special - give it a try :) You get to know a lot of interesting characters and aspects about what they stand for. 10/10 for me!
    5thalassafischer

    Main Character is Insufferable, Unrelatable, Unrealistic

    The 17-18 year old high school senior who is the supposedly "picaresque" main character in this flick is utterly obnoxious in her vacant, empty, amoral approach to life. In many ways she seems younger, more like a 13 or 14 year old perhaps who is worried about being seen as "cool" so she constantly degrades absolutely everything as boring. Furthermore, I recall at that age having ethics and even budding political beliefs, while Lillian blankly moves between anarchist, far right, and vaguely leftist groups with zero feeling or development of intellect.

    A terrible incident occurs about 3/4 of the way through the film that is almost entirely her own fault. She is much too old to feign ignorance that the people whom she stole from were dangerous or that her bad behavior would result in significant consequences - in this case, death for innocent people whom she's lied to.

    I don't find this film amusing, and the character isn't even believable as a young woman in her late teens. I have seen reviews comparing the effect of her character passing through American current events to Forrest Gump unwittingly witnessing 20th century history unfold in front of his naive face. However, Gump was a well-written, expertly acted, and ultimately sweet film about a kind but intellectually disabled man. The Sweet East is just is pretentious nonsense. Not even sure what the director was trying to say, the flick seems to hint that the film makers are guilty of pseudo-intellectual false equivalence comparing disparate 21st century American political views.

    इस तरह के और

    La bête
    6.5
    La bête
    Sometimes I Think About Dying
    6.6
    Sometimes I Think About Dying
    La chimera
    7.3
    La chimera
    Aku wa sonzai shinai
    7.0
    Aku wa sonzai shinai
    Kinds of Kindness
    6.5
    Kinds of Kindness
    Love Lies Bleeding
    6.6
    Love Lies Bleeding
    Emma Zander: Bad Dream
    4.2
    Emma Zander: Bad Dream
    Bird
    7.0
    Bird
    He Went That Way
    5.1
    He Went That Way
    Nu astepta prea mult de la sfârsitul lumii
    7.4
    Nu astepta prea mult de la sfârsitul lumii
    I Used to Be Funny
    6.4
    I Used to Be Funny
    Max & Iosefa
    8.1
    Max & Iosefa

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Directorial debut of cinematographer Sean Price Williams, who's known for shooting films by the Safdie brothers and Alex Ross Perry. Perry is also a producer on the film.
    • भाव

      Lillian: I'm just in like, a shitty situation right now and I don't really know what I'm going to do. The clothes I'm wearing are like, the only clothes I have, and I don't know where I'm gonna stay and stuff. I'm down from Baltimore.

      Lawrence: Up from Baltimore. It's south of here. Sorry, I'm being a pedant.

      Lillian: What?

      Lawrence: No, it's okay. I apologize. What were you saying?

    • कनेक्शन
      Featured in Amanda the Jedi Show: Never Trust the Standing Ovations | CANNES 2023 Indiana Jones, Killers of the Flower Moon (2023)
    • साउंडट्रैक
      Evening Mirror
      Written by Paul Grimstad

      Performed by Talia Ryder

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Sweet East?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 जनवरी 2024 (नॉर्वे)
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      • यूनाइटेड स्टेट्स
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      • Marathon Films
      • Base 12 Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $3,37,152
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $30,969
      • 3 दिस॰ 2023
    • दुनिया भर में सकल
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 44 मिनट
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      • 1.78 : 1

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    Talia Ryder in The Sweet East (2023)
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    What is the Canadian French language plot outline for The Sweet East (2023)?
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