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I don't believe I've ever seen a Georgian film before watching In Bloom, but it was a great place to start and I'll certainly be looking more into Georgian cinema.

Like many coming of age stories the film focuses on two young teenage girls, but unlike most typical American or European films, the background for this film involves a country that has recently overcome one violent coup and is in the middle of a civil war. Screenwriter and co-director Nana Ekvtimishvili handles these details with lovely subtlety never making them feel heavy handed or overt. The camera- work for the film is also a knock out. The cinematographer, Oleg Mutu, is the same one responsible for the Romanian masterpiece 4 Months, 3 Weeks, 2 Days, and he flawlessly employs the steady hand and long takes he used in that movie to great effect here. There is a beautiful 5 minute scene that is a one shot take of one of the girls dancing and it is the perfect meld of technical camera-work and physical performance.

I would be remiss of course not to mention the acting of the two lead girls who are simply fantastic. And while they are both strong actresses, it's Lika Babluani, in a much quieter performance, who is devastating. She has a face made for cinema and she can carry those long takes and fill them up with her presence without feeling laboured or strained.

"In Bloom" is a first-rate coming-of-age drama from ex-Soviet Georgia, set in the capital, Tbilisi, in 1992, when the newly independent country is on the verge of coming apart. Russian-backed insurgents are fighting on the coast, bread is rationed, lawless customs from the bad old days —bride kidnapping, settling romantic rivalries with knives—are making a strong comeback.

The two leads, both first-time actresses, are amazing. Natia, already a beauty at 14, is being courted by two older guys—an unsavory tough, Kote, and the more appealing Lado. Before Lado goes off on an inopportune trip to Moscow, he gives Natia a revolver to protect herself. The stage seems to be set for an operatic climax until hard-headed Eka takes matters in hand.

The establishing scenes of squabbling families and menacing streets are quite well done, but it's the strong plot and the two lead actresses' sensitive performances that save this film from art-house miserabilism. Surprisingly, the real highlights are both musical numbers—Natia, Eka and their friends gather around the piano to sing a world-weary lovesong (something about "life is hard, and it will crush your dreams"), and Eka performs an amazing solo dance at a traditional wedding party. "In Bloom" is one of the better unheralded foreign films we've seen on Netflix lately.

The story revolves around two 14 year old girls, best friends growing up together in Georgia.

Although it's set in 1992, the time-line and history is merely a canvas for a tale of friendship and difficulties in a flawed culture and society.

We witness the hardships the two girls have to go through and negative or positive emotional bonds they have with friends/schoolmates/family.

There's not much dramatization or cheesy drama going on, since the narrative is documentary-style realism à-la "A Separation". I have to applaud the two young actresses for more-or-less carrying the whole story on their shoulders, with success. Not that the other actors are bad, they all contribute to the authentic atmosphere.

It's also hard to ignore the setting, the homes and streets that reek of post communist decay. This felt personal to me, having grown up in an "fresh" democratic Romania, where the circumstances were similar, even if not the same.

I can totally recommend "In Bloom" to anyone interested in a good story. This is no Hollywood moneymaker, but I also disagree with another reviewer writing that it's hard to understand for non-Georgians. Cinema is universal.

The new Georgina film ''In bloom'' makes Deep impression onlooker, great performance by Lika Babluani and Mariam Bokeria, - a classic story about the transition to adulthood and its attendant difficulties, where the great camera work and acting of spaces were completely wiped out in the story, rather odd mounting solutions, and, most importantly, the only female view of the world.

The film is full of tragic scenes, typical of the Georgina, ''in bloom'' - talking about everyday life, it is often very cruel to us, on the abnormal situation in the families of the strong friendship and mutual assistance, first love ... yes, of love, of course, he said. And again about his childhood.

I think This film is actually In Top 5 made In Georgia During last 20-25 Year.

After the fall of USSR, Georgia finds itself in anarchy, degeneration, decay and depression. All of this is reflected in behavior of its people. The movie paints a bleak landscape at every level: widespread crime, dog-eat-dog atmosphere expressed in bread lines (survival of the fittest); domestic violence - resulted from economic woes + accepted culture of excessive male dominance and drinking; decline in schools (teacher judges and makes fun of students in front of the class, making unpatriotic comments about a student's father fighting in a war with Abghazia). Atmosphere of hopelessness prevails in Georgia except for beautiful, little 14 yo Eka with very sad face. She is the light in this land of darkness, representing Georgian hope and possibly a better future some day. She is not afraid to stand up to societal wrongs, question, support and protect her friends, speak out and shame others for their indifference toward their own society i.e. their country. Eka is the hidden goodness of Georgia, characterized by her mesmerizing dance at the wedding. She is a "uniter, not a divider", able to lift spirits and make her countrymen smile, cry and feel some kind of pride and emotion for their lost and forgotten Georgian-ness.