Swing Bout

We have all seen poorly made boxing films where the action is spoiled by unconvincing fight scenes. This is not one of those movies.

A boxing themed film where you never once see the ring? Never see the combatants following the Queensbury rules? Shouldn't work. Absolutely does work. Beautifully

The story is the double dealing backstage antics and rivalry of many different threads and not the fights themselves. And it is far, far more interesting because of this.

There's humour a plenty from O'Riordan and cast, drama and high stakes. But there is also sensitivity and real gut wrenching emotion from Berkeley and Cronin in particular, wonderfully driven by O'Riordan.

Not what you expect. But all the better because of this.

Well done in all aspects.

I was lucky enough to see Swing Bout at a sold out full house at the Dublin International Film Festival. Simply put, the film is excellent. It lit a fire in me, a need to make another film. The passion of everyone involved eminates from the screen.

The writing and directing is sharp and energetic. The performances are captivating and nuanced. The production is extremely polished. Camera, lighting, sound, makeup, all the departments excel at their roles.

The story is universal, making it accessible to all, no matter your background or where you are from. I will be watching this film again and have no doubt the team behind it will continue to thrive and make more and more hits.

Great independent Irish cinema with no agendas, just great storytelling and great characters on a roller coaster of adrenaline. I loved the characters, they felt real and relatable. The plot and sub-plot interweved perfectly and the comedy and drama balance was perfect. Well done to all involved.

When you consider the rubbish that Hollywood is churning out with massive budgets and then when you see what talented passionate people can produce with tiny budgets without the interference of studios and agendas it's clear that allowing directors and producers to be their authentic selves and tell stories they believe in leads to far superior work. It's a pity the industry is so upside down like this, but its refreshing to know that great cinema still exists. Highly recommend.

Two young women boxers await their chance to shine in a competitive, brutal sport, the real stories happening outside the ring. Dealing with her ruthless coach (Sinead O'Riordan), Toni (Ciara Berkeley) paces backstage with an unspoken anxiety that hints at her troubled backstory, while her opponent Vicki (Chrissie Cronin) is pushed to her limits by her father (Johnny Elliot) with a subtle manipulation that hints perhaps at the unfulfillment of his own broken dreams. Accomplished performances bring authenticity to the claustrophobia of the backstage areas where several, interconnecting narratives entwine with growing tension. Shots of dramedy spiral darkly into violent and deceitful actions of opposing brothers in crime (Ben Condron and Frank Prendergast) as ruthless coach Emma plays her own game of manipulation and dishonesty. A visceral exploration by the director (Maurice O'Carroll), SWING BOUT portrays the murkier and male-dominated side of the business, and I was left wanting more from the female characters of Toni and Vicki who both shine from the screen with trajectories of light and dark, bravery and fear, their ambitions at the mercy of the influencers whom control their fates.

A gripping film with a big heart and a captivating collection of characters. The story unfolds in the locker-room, offices, toilets and corridors, and cleverly manages to keep up the exhilarating tension without ever bringing us into the ring, and the fact that we never see the ring makes the story all the more powerful. The very relatable characters are brought to life by brilliant performances and sharply written and authentic dialogue. All the above along with a great soundscape, rich cinematography and thoughtful visual design make this a refreshing treat of a film. I'll look forward to the team's next creation.