न्यूजीलैंड के रॉबर्ट रॉब एडविन हॉल की कहानी, जिन्होंने 10 मई, 1996 को स्कॉट फिशर के साथ मिलकर माउंट एवरेस्ट पर चढ़ने के लिए एक संयुक्त अभियान शुरू किया.न्यूजीलैंड के रॉबर्ट रॉब एडविन हॉल की कहानी, जिन्होंने 10 मई, 1996 को स्कॉट फिशर के साथ मिलकर माउंट एवरेस्ट पर चढ़ने के लिए एक संयुक्त अभियान शुरू किया.न्यूजीलैंड के रॉबर्ट रॉब एडविन हॉल की कहानी, जिन्होंने 10 मई, 1996 को स्कॉट फिशर के साथ मिलकर माउंट एवरेस्ट पर चढ़ने के लिए एक संयुक्त अभियान शुरू किया.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
I always find my viewing experience of the retelling of historical events ruined when I come across scenes which I know have been added for dramatic effect or when someone is played as a bad guy just to let us know who to root for.
The King's Speech was particularly guilty of the former, the portrayal of other teams in Glory Road had the latter, and The Imitation Game was shamelessly guilty of both. I'm not saying this made them bad films, but it certainly made me feel like the experience had strayed away from a retelling of the facts as known.
Everest is everything that is good in such a film. There is no needless good v evil addition and no leading the viewer to conclusions. It tells the story and I have since spent three or four days thinking about the hows, whys and wherefores... whilst knowing I will never find an answer.
The other touch that really elevates this film is that there are no added action sequences that have been added to make Everest more of an action move. The film makers have been intelligent enough to realise that climbing Everest does not need any exaggeration, the characters involved were three dimensional people, and the story was interesting enough not to need embellishment.
I expected an action film but left pleasantly surprised by a biopic with a light touch.
The one mark deduction is for the totally unnecessary 3D. The film absolutely didn't need me wearing dumb glasses to be three dimensional.
The King's Speech was particularly guilty of the former, the portrayal of other teams in Glory Road had the latter, and The Imitation Game was shamelessly guilty of both. I'm not saying this made them bad films, but it certainly made me feel like the experience had strayed away from a retelling of the facts as known.
Everest is everything that is good in such a film. There is no needless good v evil addition and no leading the viewer to conclusions. It tells the story and I have since spent three or four days thinking about the hows, whys and wherefores... whilst knowing I will never find an answer.
The other touch that really elevates this film is that there are no added action sequences that have been added to make Everest more of an action move. The film makers have been intelligent enough to realise that climbing Everest does not need any exaggeration, the characters involved were three dimensional people, and the story was interesting enough not to need embellishment.
I expected an action film but left pleasantly surprised by a biopic with a light touch.
The one mark deduction is for the totally unnecessary 3D. The film absolutely didn't need me wearing dumb glasses to be three dimensional.
This is an excellent movie. Good acting, great script and terrifying plot. Honestly, it is difficult for me to find any sympathy for any of the characters tho. At no stage does the movie give any appearance of professionalism or low risk. Anybody who ventures up on this crazed escapade does so with full knowledge that he or she is putting his own life and that of others at extreme risk. Zero sympathy when that eventuates. Choice! And ego!!
I managed to watch this on an HBO channel while hanging out in the Colorado Rockies for a few days. It is a pretty well filmed story of the tragedy on the Everest climb in May 1996. Several people died, including some experienced guides, when the weather turned mean. Perhaps the best part of the movie is the first half, showing the people and what it takes to train and pay for such an adventure.
I remember it because Beck Weathers, a Dallas area physician, was one of the men in the expedition. He had some grave difficulties and was left for dead on the mountain. However he stumbled down the mountain in the morning, badly frostbitten, eventually losing part of his right arm plus all the fingers on his left hand, parts of both feet, and part of his nose. But he survived in what turned out to be a most expensive and life-changing experience.
I believe I'll stay on my comfortable couch and watch it.
I remember it because Beck Weathers, a Dallas area physician, was one of the men in the expedition. He had some grave difficulties and was left for dead on the mountain. However he stumbled down the mountain in the morning, badly frostbitten, eventually losing part of his right arm plus all the fingers on his left hand, parts of both feet, and part of his nose. But he survived in what turned out to be a most expensive and life-changing experience.
I believe I'll stay on my comfortable couch and watch it.
I think the main problem with this movie is a loose focus. It seems like they tried to make a disaster, drama and documentary stories at the same time but failed to develop any of that properly. But the good things first: stunning scenery, overall tension and a few really great scenes make this movie worth watching without a doubt. It is just somehow not working as a single piece. With a fast start you expect some eventful action to follow but there's nothing like that. The characters developing is limited to a couple of sentences excluding Rob Hall and Beck Weathers what makes others a little more than forgettable 'guys who die first'. For some reason, Scott Fisher, being a smart capable mountaineer is shown as a careless hippie-like person, Anatoli Boukreev as a cliché tough Russian playing garmon in a tent, Beck Weathers as a hardly-realistic guy from Texas. But it doesn't matter anyways as when the masks put on it's really hard to follow who is who and and their position on the mountain, especially on descending. The whole day of May 11 is clumsy and hardly could be learned from the movie, on the summit the story switches to Rob completely and gets distractingly touchy-feely then slowly turning into the aftermath. The drama feels a bit out of place when other participants dying with little or no attention. I was disappointed. The most vivid scene of the movie turned out to be shown in the trailer (crevasse ladder). Another Beck Weathers scene was really powerful too, but otherwise I didn't feel the pressure of surviving, the height itself (the stormy clouds could be seen from 2000 as well), an incredible effort to even try to step on that track.
Andre Bredenkamp writes about Everest climb: "You get completely disorientated. I had to keep reminding myself I was climbing a mountain. Every step of the way I had to try to motivate myself. At that altitude I took at least 10 to 15 breaths each time I moved one foot."
So if you really want to feel the height I would rather recommend to read the books about that night as this movie failed to show it properly.
Andre Bredenkamp writes about Everest climb: "You get completely disorientated. I had to keep reminding myself I was climbing a mountain. Every step of the way I had to try to motivate myself. At that altitude I took at least 10 to 15 breaths each time I moved one foot."
So if you really want to feel the height I would rather recommend to read the books about that night as this movie failed to show it properly.
Got the chance to see Everest early in IMAX 3D. I'll start off by saying this, if you get the chance, definitely see this movie in IMAX. It adds to the experience and you feel like your on the mountain. That aside, let's dive into one of my most anticipated films of the year.
Everest is chalk full of star power. Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, the list goes on. Everyone is believable in this hostile environment, going from optimistic and adventurous to mortified and forced to fight for their lives. Each character is given a back story, some more drawn out and centered than others, and you get attached to most but not all of them. When the emotional blows hit, they hit hard for some, but not as much for others.
The visuals are, as you might have guessed, stunning. The shots they get of climbers and the way the camera gives you an an idea of how dangerous this is are breath taking. The cinematography is definitely award worthy. IMAX only added to it, putting you in this environment and taking you along for the ride.
This film really did it for me because I have always been fascinated by Everest and the journey it is to make it up to the top and back. If there is a Netflix documentary about Everest, I've watched it. I even watched the one about the story told in this movie. What this film does so well is it immerses you into the environment as well as gives you characters to care about. It's all tied in well together.
At times, the pace is a bit slower than expected and the tones shifts from serious to light hearted are a bit messy. But that stuff doesn't bother you in the moment, your just wrapped up in the intensity of the story.
Overall, Everest gave me exactly what I wanted. It was intense, emotionally powerful, and the visuals were beautiful. It's not perfectly structured, but it sure is engaging. As someone who has studied the mountain, this offers a brutal look into how much time and energy is out into a trip to Everest, and how quickly things can go wrong. Definitely worth a trip to the theatre.
Everest is chalk full of star power. Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, the list goes on. Everyone is believable in this hostile environment, going from optimistic and adventurous to mortified and forced to fight for their lives. Each character is given a back story, some more drawn out and centered than others, and you get attached to most but not all of them. When the emotional blows hit, they hit hard for some, but not as much for others.
The visuals are, as you might have guessed, stunning. The shots they get of climbers and the way the camera gives you an an idea of how dangerous this is are breath taking. The cinematography is definitely award worthy. IMAX only added to it, putting you in this environment and taking you along for the ride.
This film really did it for me because I have always been fascinated by Everest and the journey it is to make it up to the top and back. If there is a Netflix documentary about Everest, I've watched it. I even watched the one about the story told in this movie. What this film does so well is it immerses you into the environment as well as gives you characters to care about. It's all tied in well together.
At times, the pace is a bit slower than expected and the tones shifts from serious to light hearted are a bit messy. But that stuff doesn't bother you in the moment, your just wrapped up in the intensity of the story.
Overall, Everest gave me exactly what I wanted. It was intense, emotionally powerful, and the visuals were beautiful. It's not perfectly structured, but it sure is engaging. As someone who has studied the mountain, this offers a brutal look into how much time and energy is out into a trip to Everest, and how quickly things can go wrong. Definitely worth a trip to the theatre.
क्या आपको पता है
- ट्रिवियाWhen Rob Hall (Jason Clarke)'s team is asked why they are climbing Mount Everest, everyone answers "because it's there," a motto of mountain-climbers worldwide. In a 1924 interview, George Mallory, an English mountaineer who took part in the first three British expeditions to Mount Everest, responded with the same answer when asked why he would risk his life to become the first person to summit Everest. Mallory disappeared during a summit attempt in June 1924. His body was found in May 1999, just under 700 meters from the top.
- गूफ़When the helicopter picks up Beck, the pilot is not wearing an oxygen mask. As he flew up from Kathmandu, Col. Madan KC was not acclimatized at all and had to be on oxygen continuously to survive at the 20,000 ft altitude at Camp I. Without it he would have passed out in minutes.
- भाव
Anatoli Boukreev: We don't need competition between people. There is competition between every person and this mountain. The last word always belongs to the mountain.
- कनेक्शनFeatured in Celebrated: Jake Gyllenhaal (2015)
- साउंडट्रैकHypersomnia
Written and produced by Christopher Benstead (as Chris Benstead)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Everest?Alexa द्वारा संचालित
- In the restaurant scene prior to the beginning of the Adventure Consultants team trek to base camp, Rob references the climbing experience of several of his team members. When mentioning John Taske, Rob says, "John Taske, 1,192 meters of Mt. Kosciuszko," and the whole group laughs. What is the joke Rob is making that has everyone laughing?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Thảm Họa Đỉnh Everest
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,34,82,270
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $72,22,035
- 20 सित॰ 2015
- दुनिया भर में सकल
- $20,34,27,584
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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