IMDb रेटिंग
5.8/10
11 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंSet in the future when water is hard to find, a teenage boy sets out to protect his family and survive.Set in the future when water is hard to find, a teenage boy sets out to protect his family and survive.Set in the future when water is hard to find, a teenage boy sets out to protect his family and survive.
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
I just watched this movie (yes a bit late to the game) and was amazed at the, well everything. It was a minimalist movie for the genre but did so much with what they had it seemed like a big budget film. The story is compelling and you actually come to feel emotions for the characters. The direction was outstanding with shots that brought you into the action while at the same time made you feel alone in the desert. Lastly the actors how this movie escaped the Academy is beyond me. Each one brought an element unique to their part of the story from Michael Shannon who was outstanding as the farmer who struggled to keep thing as sane as possible for his children and who hoped for better days with such devotion as to be palpable. To Nicholas Hoult who showed more range than any young actor has a right to. But the rest of the cast each added an element that together make this film amazing.
If you love the artistic and non-mainstream risks taken by art-house films, then Young Ones belongs on your watch list with other indie Sci-Fis such as Lars von Trier's Melancholia, Juan Solanas' Upside Down, and Terry Gilliam's The Zero Theorem.
A gritty film about pioneers in a drought ridden landscape, it's a futuristic dust bowl tale as grim as Grapes of Wrath. It's memorable and keeps your attention, while portraying Sci-Fi in a very believable way. The mix of poverty and high technology, the extremes of the haves and have-nots, and water shortages in the US, amplifies the current state of a society as all good sci-fi films do.
Good actors and acting, and gorgeous to watch. What's not to like?
A gritty film about pioneers in a drought ridden landscape, it's a futuristic dust bowl tale as grim as Grapes of Wrath. It's memorable and keeps your attention, while portraying Sci-Fi in a very believable way. The mix of poverty and high technology, the extremes of the haves and have-nots, and water shortages in the US, amplifies the current state of a society as all good sci-fi films do.
Good actors and acting, and gorgeous to watch. What's not to like?
Set in the future when water is hard to find a teenage boy sets out to protect his family and survive.
In a small way, this works as a companion piece to "Interstellar". Both are futuristic, science fiction movies that address a world consumed by drought. And both were released in 2014. That may be just about the only overlap, but it makes them a nice pair, and also makes me want to watch "Dune".
Somehow, though, this film never really grabs your attention. Elle Fanning is decent, and Kodi Smit-McPhee is a good actor (and a nice guy). Maybe this needed more Michael Shannon? He is, of course, among the best actors in the business today.
In a small way, this works as a companion piece to "Interstellar". Both are futuristic, science fiction movies that address a world consumed by drought. And both were released in 2014. That may be just about the only overlap, but it makes them a nice pair, and also makes me want to watch "Dune".
Somehow, though, this film never really grabs your attention. Elle Fanning is decent, and Kodi Smit-McPhee is a good actor (and a nice guy). Maybe this needed more Michael Shannon? He is, of course, among the best actors in the business today.
The plot: After a catastrophic drought, a man and his two teenaged children attempt to survive in a post-apocalyptic society.
I wanted to like this more than I did. Everything about it seems like it would appeal to me. The problem is that I got a bit bored during a few slower parts of the film as I waited for the predictable plot to catch up to where I knew it was going. That's not a deal-breaker, but the scenes were telegraphed rather overtly early on, and anyone who's familiar with this sort of story can probably predict most of the film after twenty minutes. That said, it successfully avoided several annoying clichés in post-apocalyptic films: cannibals, biker gangs, raping all the female characters, and characters who do more yelling than talking. I was glad to see a post-apocalyptic film that was more concerned with characters than gratuitous elements such as these. Don't get me wrong: I love gratuitous exploitation films, but it's nice to have something a bit more restrained every now and then.
I would hesitate to truly recommend this film to fans of post-apocalyptic science fiction. There's certainly much to enjoy if you're starved for good entries in that genre, but it's nowhere near as good as The Road, which was a near-masterpiece. Certainly, the mood and atmosphere of that film was missing, and if you're looking for a truly bleak and depressing story, you won't find it here. This is a more traditional Western story in which a family survives in a near-lawless frontier. If you're more a fan of Westerns than post-apocalyptic films, then I can see how you might enjoy this more than I did. Even so, I think that you'd be better served by watching old Sergio Leone films. You won't get robotic mules, but you'll get much better cinematography and pacing. I can't remember a time when I was ever bored in a Leone film.
I wanted to like this more than I did. Everything about it seems like it would appeal to me. The problem is that I got a bit bored during a few slower parts of the film as I waited for the predictable plot to catch up to where I knew it was going. That's not a deal-breaker, but the scenes were telegraphed rather overtly early on, and anyone who's familiar with this sort of story can probably predict most of the film after twenty minutes. That said, it successfully avoided several annoying clichés in post-apocalyptic films: cannibals, biker gangs, raping all the female characters, and characters who do more yelling than talking. I was glad to see a post-apocalyptic film that was more concerned with characters than gratuitous elements such as these. Don't get me wrong: I love gratuitous exploitation films, but it's nice to have something a bit more restrained every now and then.
I would hesitate to truly recommend this film to fans of post-apocalyptic science fiction. There's certainly much to enjoy if you're starved for good entries in that genre, but it's nowhere near as good as The Road, which was a near-masterpiece. Certainly, the mood and atmosphere of that film was missing, and if you're looking for a truly bleak and depressing story, you won't find it here. This is a more traditional Western story in which a family survives in a near-lawless frontier. If you're more a fan of Westerns than post-apocalyptic films, then I can see how you might enjoy this more than I did. Even so, I think that you'd be better served by watching old Sergio Leone films. You won't get robotic mules, but you'll get much better cinematography and pacing. I can't remember a time when I was ever bored in a Leone film.
I am always on the look out for anything where people are trying to survive a world that is clearly screwed. This came up on some forums as fitting the bill. It isn't. In this world people are a bit thirsty, well some of them are anyway.
This is more like a western in look, feel and in plot.
A struggling farm owner is trying to get the water company to put a main into his farm. The main character is an interesting chap with high morals, including a healthy obligation to his fellow man. He does however have some drinking demons.
What plays out is story of struggle, conflict, betrayal and absolution. Pretty much like a western then.
Performances are great, scenery and production are excellent. The story is grounded and interesting - but not particularly exciting.
A well made film with a good story - just not what I was looking for on the night.
This is more like a western in look, feel and in plot.
A struggling farm owner is trying to get the water company to put a main into his farm. The main character is an interesting chap with high morals, including a healthy obligation to his fellow man. He does however have some drinking demons.
What plays out is story of struggle, conflict, betrayal and absolution. Pretty much like a western then.
Performances are great, scenery and production are excellent. The story is grounded and interesting - but not particularly exciting.
A well made film with a good story - just not what I was looking for on the night.
क्या आपको पता है
- ट्रिवियाThe robot donkey is a Boston Dynamics 'Big Dog'. The company was owned by Google when the movie was made.
- गूफ़The movie focuses on them needing a robot to transport water, but the main character is later seen driving around in a pickup truck much larger than the robot.
The robot, and the donkey before it, was apparently needed to reach camps in the mountains where vehicles couldn't go, and they were transporting alcohol and supplies, not water.
- भाव
Ernest Holm: Yeah, that is all I am saying. You do not gotta marry her. You don't wanna wait around thinking something is gonna come. Waitin' is a fucking disease. Think something? Feel something? You should *do* something. Alright?
- साउंडट्रैकLost Her Love On Our Last Date
Written by Conway Twitty & Floyd Cramer © 1972
Performed by Floyd Cramer
Published by Sony/ATV Music Publishing Ltd.
Courtesy of Sony Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Young Ones?Alexa द्वारा संचालित
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बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $7,740
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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