Until I Kill You

This short series left me speechless, just blew me away! Not only because of the great actors and performance but also because of how well the story is told, realistic, very strong and at times uncomfortable and frustrating. Once you start watching it you won't be able to stop it!

The first two episodes are the most intense and brutal. The actress Anna Maxwell, in the role of Delia, is simply magnificent! She acts with great strength, power and realism, I can't imagine anyone better, it is simply perfection!

The series reflects on the protection systems that are established around victims of abuse, and she holds responsible those who should contribute to guaranteeing their safety.

The plot is very well structured, marking each of the episodes as outstanding stages in the development of events, and they look very deep into personal obsessions.

Don't miss this one! It is an extremely solid British true crime production that will get under your skin thanks to the excellent performances.

Agency nurse Delia Bulmer meets and falls for John Sweeney on a night out. Delia quickly falls for John, he moves in a relationship begins. It begins evident quickly that John is controlling and violent, and worse, confesses to a murder.

It's been a while since we've had a real life crime drama, the likes of Des and Pembrokeshire Murders, Until I kill you continues the remarkable standard, I wasn't aware of Delia's Incredible, but tragic story, it's fascinating.

It's very realistic, it shows John's horrendous cruelty and barbarity, and the way that poor Delia was failed by that criminal justice. It doesn't pull its punches, it shows what Delia suffered in graphic detail, appalling violence.

The production is great, I recognise so much of my birthplace Swansea, including the wonderful La Braseria restaurant in episode 3. The period detail is great, and you'll be rescuing for Spotify for the likes of The Charlatans.

The acting is remarkable, Shaun Evans and co are excellent, but Anna Maxwell Martin will surely win an award for her incredible performance as Delia, she has phenomenal talent.

9/10.

As a story, 'Before I Kill You' is rather depressing: a true tale of a psychopath who murdered two women, and nearly killed a third. In fact, what makes it more interesting is even more depressing: it shows us how abusers identify victims who are vulnerable and how badly those who survive can be damaged by their experience. What makes it worth watching is the excellent performance by Anna Maxwell-Martin, who plays a woman who is something of a misfit even before the murderer targets her. We're all to dramas where all sympathetic characters are cuddly and "nice"; the protagonist here is much harder to love, although of course she deserves none of what she has to go through. I hope that the real Delia Balmer has finally managed to rebuild her life, and is happy with her portrayal on screen (if it is accurate, I reckon she will be).

This is an excellent series. Great acting from the leads; superbly cast.

Definitely a binge set, you won't be able to push the pause button.

All the settings are very authentic looking and time adjusted extremely well.

Shaun Evans just continues to improve in his acting ability (Male lead). In this series he is unbelievably good. At times, the hairs on the back of your neck will stand up and shiver.

Anna Maxwell Martin continues to impress immensely (Female lead). She is incredibly convincing in her role.

I'm certainly not going to add any spoilers, I think that is the worse thing you can do, especially if the series or movie is a good one. If you want to find out what happens, watch it.

Tremendous! Thoroughly recommended 8/10.

Not only is this a compelling, uncomfortable drama, one almost unique in not seeking to exploit misogynistic violence for kicks, but also an indictment of a judicial system where everyone involved is clearly compromised by seeing the victim as a means to their end career-wise. The police want a conviction and the criminal is the target and the victim is merely the enabling ammunition to achieve this; a passive cipher best forgotten afterwards unless they become useful again.

The viewer is also forced to confront their expectations of a true-crime victim. Typically these are vulnerable and quite passive individuals lacking confidence and not infrequently conventionally attractive as film and television producers seek to manipulate empathy from their audiences by all means at their disposal. Delia Balmer/Anna Maxwell Martin does not bow to this convention and the syrup-free drama is all the better for presenting a victim in the round.