Fences

I didn't like this movie as much as I expected to. Sorry. The movie centers around Troy Maxon (Denzel Washington), a father to two boys of different mothers, a husband to Rose (played wonderfully by Viola Davis) for the past 18 years, an ex-con, a garbage man, and above all, an ordinary black man in the 1950's.

No doubt it was a powerful script that most likely created an incredible play but it was not meant for the screen. It was obvious that it was a play, in the way they spoke and entered a room and carried themselves in a scene. I, of course, have not seen the play so I cannot speak with 100% certainty but I feel like the script wasn't adapted for the screen at all. It's not like it needed any major changes, just a few here and there to improve clarity. The passage of time confused me throughout. A scene would end and it would be the next day, then a minute passes and it abruptly jumps to six months later with no indication. This could be a statement on how his life passed quickly and routinely, but it felt like a swing and a miss for me.

Viola Davis was wonderful. She deserves every award coming her way. I could sing songs of praise about how magnificent she was. 10/10 for her. Beautiful.

Denzel Washington was certainly egging for an Oscar as he did what he did, but that's not degrading his performance. He did do good, but it was a bit distracting when he stole the show and didn't really let the other actors bounce off each other and him as much. It was all about him.

Even though I constantly found myself criticizing this movie, I did like it. It had a magnitude that I cannot explain, otherwise I would've given it a much lower rating. I recommend this if you are willing to. I will warn you, it is tough to sit through a movie with no one to root for. Washington's character is not a good person and very unlikable, you don't really want to cheer him on.

A very strong emotional performance by the great Denzel Washington, not his best per say but it gives us everything we love about this great actor. A well driven vehicle for Washington as well as well made by Washington who also directed the film.

Denzel and Viola Davis were a pretty outstanding combination. It seems like a no brainier that one day these two would work together on this level and here it is. It was worth seeing just to see these two as a couple going through their hard times.

It's a very basic movie, despite putting some money into the CGI to make it look like the 1950s, it all takes place in one area and relies a lot on the experience actors and the performances they give, so little is done to change the tone. It really feels like the movie is giving us a Broadway production.

It was also very gritty. Denzel and Viola gave some real life to these characters. It's very rare that you get the movie star whose also an actor and he's unafraid to open up, but that's what Denzel does and so did Viola, just not afraid to let it all hang out for the role.

Worth seeing to see some real craftsmanship in acting. It was a great movie adaption to a great play.

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In the 50's, in Pittsburgh, the bitter and proud fifty-three year-old garbageman Troy Maxson (Denzel Washington) lives a simple life in a poor neighborhood with his wife Rose Maxson (Viola Davis), his teenage son Cory (Jovan Adepo), who is an amateur football player, and his brother Gabriel "Gabe" (Mykelti Williamson) that is an insane man after losing part of his skull in the war. His best friend is Jim Bono (Stephen McKinley Henderson), who works with him, and his estranged thirty-four year-old son Lyons (Russell Hornsby) is married and tries to survive as a musician with financial difficulties. Troy is a frustrated man since he was too old to become a professional baseball player when the leagues began to admit black athletes. He refuses to receive the recruiter of a college and consequently does not allow Cory to join college. The tension increases in his family when he confesses to Rose that he has a mistress that is pregnant. Meanwhile he has been building a fence in the limits of his real estate.

"Fences" is a heavy drama in the 50's in a black community with a black family. The lead character Troy Maxson is not a bad man; actually he is a provider that delivers his paycheck to his wife. However, he is an illiterate man that treats his son the way he was treated in the past. He tries to protect him from the disappointments he had with sports and is unable to see that times are changing. But his attitudes build a fence between his family and he and Troy ends the story alone. The performances are top-notch and Viola Davis and Denzel Washington deserve the nominations to the Oscar. My vote is six.

Title (Brazil): "Um Limite Entre Nós" ("A Limit Between Us")

Troy Maxson missed out on so many opportunities as a young man, held back for one reason alone, his colour, when it comes to his own family, he can't help but be influenced by the bitterness inside of him.

It's a solid movie, it's one of those where when it finished, I contemplated how awesome it would be seeing this on stage, I could only imagine seeing Troy ranting to a captivated audience about the injustice of it all.

I've got to be honest, at times I found this quite a frustration watch, the movie's time line seemed to randomly jump about at times, I couldn't see the purpose it served. I found Troy quite hard to connect with, definitely an angry and frustrated guy, he seemed to take his frustrations out on those closest to him, talk about tough love.

I found the visuals very pleasing, nice camera work, very easy on the eye.

Fences is definitely well acted, Washington was very good, but Viola Davies was outstanding, I thought she stole the show, as she so always does.

6/10.

This film is about a man. A man who carries the burden of generations of hardship, who couldn't fulfill his own greatest dreams because of the oppressive context in which he lived and who tries to close himself off from the world with fences. Tragically, in closing himself off he loses site of the changing times, he boxes his loved-ones in, and he creates an oppressive environment that emulates everything he tried to guard against. The timeless question lies within this story (adapted from a Pulitzer winning play) is: can we hate a man like this? Or, when we consider his circumstances and trials, is he a hero to admire?

It's worth seeing and is worthy of praise. If not from the acting (particularly Viola's), from the captivating and poetic screenplay. Every word uttered seems calculated by the mind of a genius.