WPC 56

Just as you're settling in to a series the BBC pull the plug, no reason given, no apology to the legions of fans who loved the show.

They have done it many times over the years, sometimes leaving you in suspense as to what happened next with a cliff hanger. There was a thread not tied up at the end of this serious with the obnoxious. Ass chief constable, I would have liked to see what happened to him.

This joins the likes of Survivors (2008), Tripods, Home Fires and Invasion Earth. The BBC are funded by us but never listen to what we have to say. Dr Who a case in point.

It's been gone too long now to bring it back, which is a shame.

The beautiful Jennie Jacques plays the lead role of WPC Gina Dawson. Although the series revolves around her there are many intelligently woven threads in the plot that give all the other players a good chunk of airtime, too. None of them disappoint, either. Things wind up nicely after five episodes but there's still a little wriggle room for another series and I, for one, hope that their is.

After all the time and trouble that the producers, cast and crew went to, to get this right I'm surprised that this was aired just after lunch during the week where probably not many people got the chance to see it. That was an extremely irresponsible decision by the faceless suits at the beeb who think they know something about television.

The story is well paced and intelligently laid out. The details, language and props were first rate and appropriate. The cast, photography and script were also all top notch. This is intelligent television drama... something the Americans are becoming good at and which we Brits have rather lost our way on.

Much, much better than that dreadful garbage, Prime suspect.

There are some real Drama gems hidden away on daytime TV and WPC56 is certainly one of them. Why it's not on (or at least repeated) at a later time I'll never know.

Well written and performed it tracks the career of one of the first female police officers back in the 50's.

The show certainly looks the part in terms of set and costumes and the one a day style of episode screening only makes the cliffhangers that little bit more gripping.

Maybe in their wisdom the BBC will recommission the show for a third series or even better show it in an early evening slot. It would not look out of place against some of the other,bigger name Dramas.

I've just read on WPC 56 official Social networking page, that there's no more WPC56? Yet the 3rd series was the BEST by far?! Wow BBC heads, you are not keeping up!

The new WPC Annie Taylor is amazing! Why would the BBC take this off?

The programme has improved ten fold with the new WPC & the amazing new, thrilling story lines, it so deserves/ed an evening slot!

Seasons 1 & 2 were (although good) no where near as strong as season 3. and was like starting over a brand new programme. Claudia Jessie, a much stronger actor which impacted on the character's strength! SHAME ON YOU BBC for taking off this amazing show?! I bet you are keeping Doctors though? no offence, I see that Claudia Jessie got nominated best storyline in the soap awards in Doctors? might be a clue there BBC?

Unbelievable!

Right off the bat, the show's premise presents several creative venues to pursue. You have a woman officer in a male dominant profession, allowing premise for critique of workplace sexism, assault, gender discrimination, and oppression. You can also tie with racial and socioeconomic issues and create a golden show.

This is where the first season starts, showing a lot of promise. But it quickly turns to cliches of personal relationships for the women officer. It is sad to see such a good premise being wasted in form of a one-dimensional character who is defined by her love life and the men in her life. The second season onward, this show is no different from any other gender-normative writing. I wish the writers rethink why they wanted to make the show in the first place. Personal lives are interesting, but it shouldn't define the character alone. Her ambitions, passions, inner struggles all could be explored, but weren't. Perhaps get more women writers and producers.