Candlestick

I saw this movie on a wet Sunday in a movie theater in London. The cinema was packed, not because of the weather, but to see the second movie of 'boy wonder' Chris Presswell', a twenty five year old working class boy from Enfield who has got off the dole and become one of England's brightest young directors. Is the movie good? Yes, it is surprising good and reminds me of early Soderberg. Not everyone's taste, but there is a brain at work there pushing the audience to think about the story rather than the pizza they are going to have after the show. If you are a young filmmaker then you could learn from this guy who is an obvious fan of Hitchcock, but who also has integrity. Will Hollywood come and make this kid shoot bang-bang-you're-dead stuff for them? I hope not, and anyway, Chris Presswell already has his own ideas about how to kill people on screen. A good second movie for a kid from nowhere, I can't wait to see what he'll do with some real cash to spend.

The moment this film started I should have switched off, due to the cringe-worthy acting on display. I'm surprised there wasn't a little man in a prompter's box feeding the lines to the actors, it really was that reminiscent of amateur dramatics at the village hall. I sincerely hope none of these actors will include Candlestick in his or her CV as they all deliver shocking performances, complete with 2-second pauses before the next line is due.

The premise doesn't really work either, mainly due to the fact that parts which are meant to be out of earshot of the other characters would never be out of earshot in a tiny London loft apartment like this (note to director/writer; loft apartments are ALL ONE SPACE - you can't just go upstairs and have a private conversation as the people in the living room ARE RIGHT BELOW YOU!) The behaviour of the characters is ridiculous, as is their way of talking to each other.

Written as a 30-minute TV play by people who knew what they were doing (for instance, the team behind Inside No 9), this could have worked quite well. But stretched out over 82 minutes it has little to redeem it. Even the music is so reminiscent of Psycho that it had me humming that movie's signature theme long after I forgot the misery of sitting through this pile of refuse.

As a final note, and to show how little care went into making this film, there is a tiny bit part at the end played by someone with an American accent in a role where the character would be extremely unlikely to have an American accent. It distracts the viewer from the final scene and only serves to put the final nail in the coffin of one of the worst films I've ever seen.

I'll start by saying that I may very well be partial to this films style in general. The trailer sucked me in from the very beginning. It's well shot, well acted and tightly directed. Given the genre they were playing in I was especially fond of the score as well

As i'm sure many will tell you, any Clue (or murder mystery) fans will most definitely enjoy the ride. It's smart and well crafted. I'll be curious to see what other works the filmmakers have on hand or coming up.

Give it a go and see what you think for yourself. I'm sure you'll enjoy it as well.

Candlestick by it's name alone, instantly brings to mind the game of Clue along with an old-fashioned British murder mystery and the ultimate question of "whodunnit?" Although, in this film it's more about the unfolding twists and turns than a simple classic whodunnit.

No drafty old mansions for this movie, filmed on a one set location in the style that brings to mind some of Hitchcock's oldies but goodies -- this is a contemporary murder mystery beautifully filmed in a contemporary setting.

The cast is excellent, performing in the theatrical British style required -- while the film score is outstanding!!! Writer/ Director Christopher Presswell and Co- Writer Andres Forgacs have created an extremely impressive film on an Indie budget!!! Kudos indeed!!!

We really liked this thriller. Some people might find the writing and acting a little "arch", but if you realise that the film is clearly a reference to some classics, it works very well. There are clear nods and homages to Hitchcock, such as Rope, Psycho and Vertigo, but the film also has a real Ealing/Gainsborough Studios feel to it that adds another layer of entertainment. A cinephile's gem.