Kyaputen Hârokku

There's a strange tendency in Japanese animation , it often uses cryptic and vague script to give the illusion of depth. Those who are familiar with animes or games would recognize this outdated pattern, the quirky storytelling would seem to be meaningful as the characters brood over a crisis, yet it barely tells anything relevant to the audience. In some cases it might even alienate the viewers.

This is the persisting problem with Harlock. It certainly presents good quality visual as it floats across the light show, but the vague narrative hurts the presentation. The dialogues may sound flamboyant, yet it is actually shallow and superficial. Backstory is glossed over while the interactions are deprived of enjoyment. The characters, even though looking attractive, just can't generate enough interest as they banter with foreign jargon.

It even resembles teen drama instead of space voyage at times. Development is often crude, only to give dramatic scenes without substance. The main story follows Yama as he tries to catch the titular Harlock. Both of them are not that audience friendly, they are already in lamentation with barely any introduction. It's hard to relate since they look like generic RPG cast with average mellow issue.

Then it becomes heavily convoluted as the movie tries to mix strange terms, they sound ominously impaction like dark matter or ancient race, but material is too thin. After a hefty amount of scenery changes, cool poses and starship fights, the movie can barely hold interest for characters and with relatively long runtime it turns into a plodding endeavor.

This is Final Fantasy: The Spirit Within all over again, glossy effect and drab boring story. It will be hard to either garner interest for new audience or please old fans with such lackluster narrative, but at least it works for an eye candy.

I do not know much (nothing) about the universe, it was a first. Those with more knowledge might disagree with me, might find plot-holes or flaws in the events, for me as a stand-alone movie:

I find it strange ( due to the difference in culture maybe ) but rather enjoyable. The animation is great and detailed, the story is solid (again, strange for my acquired European taste, the values there are a little different than here), voice acting is rather good as well.

There is intensity, enough action for two movies, a plot-twist or two, some tears here and there, pretty much everything one could ask for. I for one liked it, enough to re-watch it in the future.

Loved the ship and the battles but the story and the dialogues were cringe worthy.

Also Harlock here is a twisted individual not the awesome hero it is in the anime.

:/

This film started well and ended so complicated and, uff, how to say, empty. I just watched in these days the whole Evangelion and I have now this impression that Japanese people make things too complicated. At the end, this is no more an action movie, it is not a thriller, not a psychological movie, not a drama, it is just nothing. Like another reviewer said, there is this dark matter everywhere in this movie, all is dark matter, it is boring, one ship (and one man) can win against thousand powerful enemies just because of this dark matter. No plot, no fun. Then this "let's close the circle" mania of Japanese films, a bit like "luke I am your father", where all must be connected and find a meaning from itself, somehow onanistic cinematography. Just make things simple man! Good animations and good chances, but at the end, a mess.

Fans of the late 1970s Japanimation series Star Blazers will welcome Harlock: Space Pirate, an animated action feature rebooting yet another Japanese series of the same era, Space Pirate Harlock (see what they did there?).

In less than two hours of viewing, the audience receives thrilling depictions of steampunk-imagined spacecraft, visually arresting animated characters, and plenty of the action, turnabouts, and potboiling that anime is reputed to consistently supply.

This Harlock is rendered in 3D CG motion capture animation, leaving it occasionally astounding visually, occasionally off-putting in the way The Polar Express left us feeling, and occasionally looking like a coming attraction for PlayStation 5.

The backstory is interesting, but not much running time is given to fleshing it out.

After a brief expository sequence to open, followed by an election scene that puts the young leading man, Yama, onto the (badass) ship of the dread "space" "pirate" "Harlock," we're off and running into action sequences and (non) relationships as simple as a Chow Yun Fat crime film (the ones where Chow carries not one but two guns).

And it all works, because everything looks cool. Well, maybe not the bird resting on the pirate captain's shoulder, which to my tastes looks a little too Seussy to be acquainted with pirates.

The dialogue, more or less pedestrian, is the film's weak point. Perhaps after spending a reported $30 million on the 3D CG animation, the studio decided there weren't any doubloons left for rewrites or line polishing.