IMDb रेटिंग
6.1/10
21 हज़ार
आपकी रेटिंग
खोए हुए प्यार, युवा प्रेम, एक पौराणिक तलवार और मोचन पर एक आखिरी अवसर की कहानी।खोए हुए प्यार, युवा प्रेम, एक पौराणिक तलवार और मोचन पर एक आखिरी अवसर की कहानी।खोए हुए प्यार, युवा प्रेम, एक पौराणिक तलवार और मोचन पर एक आखिरी अवसर की कहानी।
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
JuJu Chan Szeto
- Silver Dart Shi
- (as JuJu Chan)
Veronica Ngo
- Mantis
- (as Thanh Van Ngo)
फ़ीचर्ड समीक्षाएं
Crouching Tiger, Hidden Dragon remains one of the greatest martial arts films ever made. The breath-taking cinematography and graceful fighting sequences led it to become the highest grossing film in a foreign language in North America, helped open up the west to Asian cinema and is quite simply a masterpiece. But sadly The Sword of Destiny seems to capture very little of the beauty that made Crouching Tiger so incredible and instead feels more like an attempt to cash in on the legacy of Ang Lee's original film.
Taking place 18 years after the original film, Shu Lien (Michelle Yeoh) returns to defend the sword Green Destiny once again, this time from the evil Lord Hades (Jason Scott Lee). She is assisted by Silent Wolf (Donnie Yen), her ex fiancé who she believed was dead. Meanwhile a young woman known as Snow Vase (Natasha Liu Bordizzo) who is training under Shu Lien begins to fall for Wei Fang (Harry Shun Jr), a young thief who attempted to steal the sword for Hades. The film rehashes several story beats from the original film but recreates them with far weaker characterisation and lacks the same depth of its predecessor.
The only returning cast member from the first film is Michelle Yeoh, who does deliver a good performance by bringing the same wisdom and nobility that she bought to the first film. However every other character suffers from a screenplay that is incapable of doing anything other than filling up time until the next action sequence. The main romance in the film between the two young lovers is never able to create any real chemistry. Even Donnie Yen, one of the greatest Chinese action stars, is unable to do anything with his little screen time and the incredibly bland script other than fight and look stoic.
The cinematography mixed with the vast landscapes looks nice at times, but at others the film suffered heavily from an overuse of CGI that feels like a very misguided departure from the natural beauty of the original film. Also instead of being filmed in Mandarin like the original film, the actors instead all speak English. Obviously this is done to appeal to a wider demographic, but it ends up distancing itself even further from the tone of the original film.
Out of everyone who could direct a sequel to Crouching Tiger, Woo- Ping Yuen could at first seem like a good choice. He's directed some of the greatest action films from China (including Drunken Master and Iron Monkey) and was even the action choreographer for the original Crouching Tiger, Hidden Dragon. And he is able to pull of some great fight sequences throughout the film, including one creative sequence battling along a frozen lake. But as impressive as the fight choreography is, it never recaptures the tone of the original Crouching Tiger, Hidden Dragon. Whereas the fights in Crouching Tiger played out like a delicate dance through which two warriors communicated, Sword of Destiny is an impressive display of fighting skill and stunt work, but nothing much else.
Also whilst Woo-Ping Yuen is quite possibly one of the greatest action directors of all time, his style just wasn't suited here. Crouching Tiger, Hidden Dragon wasn't really an action movie. It was a romantic drama cleverly disguised as a martial arts flick. But Sword of Destiny is instead just an action movie with a weak romantic sub-plot tacked on.
Taking place 18 years after the original film, Shu Lien (Michelle Yeoh) returns to defend the sword Green Destiny once again, this time from the evil Lord Hades (Jason Scott Lee). She is assisted by Silent Wolf (Donnie Yen), her ex fiancé who she believed was dead. Meanwhile a young woman known as Snow Vase (Natasha Liu Bordizzo) who is training under Shu Lien begins to fall for Wei Fang (Harry Shun Jr), a young thief who attempted to steal the sword for Hades. The film rehashes several story beats from the original film but recreates them with far weaker characterisation and lacks the same depth of its predecessor.
The only returning cast member from the first film is Michelle Yeoh, who does deliver a good performance by bringing the same wisdom and nobility that she bought to the first film. However every other character suffers from a screenplay that is incapable of doing anything other than filling up time until the next action sequence. The main romance in the film between the two young lovers is never able to create any real chemistry. Even Donnie Yen, one of the greatest Chinese action stars, is unable to do anything with his little screen time and the incredibly bland script other than fight and look stoic.
The cinematography mixed with the vast landscapes looks nice at times, but at others the film suffered heavily from an overuse of CGI that feels like a very misguided departure from the natural beauty of the original film. Also instead of being filmed in Mandarin like the original film, the actors instead all speak English. Obviously this is done to appeal to a wider demographic, but it ends up distancing itself even further from the tone of the original film.
Out of everyone who could direct a sequel to Crouching Tiger, Woo- Ping Yuen could at first seem like a good choice. He's directed some of the greatest action films from China (including Drunken Master and Iron Monkey) and was even the action choreographer for the original Crouching Tiger, Hidden Dragon. And he is able to pull of some great fight sequences throughout the film, including one creative sequence battling along a frozen lake. But as impressive as the fight choreography is, it never recaptures the tone of the original Crouching Tiger, Hidden Dragon. Whereas the fights in Crouching Tiger played out like a delicate dance through which two warriors communicated, Sword of Destiny is an impressive display of fighting skill and stunt work, but nothing much else.
Also whilst Woo-Ping Yuen is quite possibly one of the greatest action directors of all time, his style just wasn't suited here. Crouching Tiger, Hidden Dragon wasn't really an action movie. It was a romantic drama cleverly disguised as a martial arts flick. But Sword of Destiny is instead just an action movie with a weak romantic sub-plot tacked on.
Note: Check me out as the "Asian Movie Enthusiast" on YouTube, where I review tons of Asian movies.
The first Crouching Tiger Hidden Dragon was released 16 years ago. I think it's a solid film and I enjoyed it quite a bit. There are other swordplay films that I enjoy more than that one, but overall I think it's deserving of its accolades. Now, after watching the trailers for Sword of Destiny, I gathered the impression that this would be a more generic period action movie that's less dramatically effective than its predecessor . . . and that's basically what I got. Over the past few days I've noticed that it has become instantly fashionable to bash on this flick, but I don't think it's as bad as its initial reputation suggests. It has its flaws, but I found it watchable.
For example, it actually looks quite lovely. It's nicely shot and has some impressive locations. The natural environments are captured well and have a bit of a variety; there are pretty forests, mountains, snowy locales, bodies of water, etc. It's nice to look at and looks professionally made. I feel like I need to say this because some people think that Netflix produced this film. I don't think that's true at all, actually. Unless I'm missing something, Netflix is just distributing it in conjunction with its theatrical release.
Unfortunately, the scriptwriting is significantly weak element here. The characters and the story are very generic, which makes this feel like a "by-the-book" genre movie. I almost feel like it's pointless to even discuss the plot in any detail. You have some martial arts masters who take in younger trainees with questionable morals, and some bad guy (who's bad . . . just because) tries to steal a special sword. If you've seen a number of wuxia films, there's nothing new that you're going to see here. The conflicts do not have a lasting dramatic impact, which means that you're basically just waiting for the next action sequence.
But fortunately, there are a number of good fights that are peppered throughout. The director here is Yuen-Woo Ping, who previously directed a bunch of entertaining action films in Hong Kong – a few of which include Iron Monkey (1993), In the Line of Duty 4 (1989), Tiger Cage (1988), and Drunken Master (1978). More recently he's been known for his action choreography in films such as The Matrix trilogy, Kill Bill, and the first Crouching Tiger Hidden Dragon film. In terms of action, this guy knows what he's doing. Also, Sword of Destiny has some legitimate action movie stars with Donnie Yen and Michelle Yeoh. So you have some serious talent both in front of and behind the camera here, so the fights are generally good. The best of which involve Donnie Yen on an iced-over pond and Michelle Yeoh in a dark room (fighting a witch). There is use of wires (as expected) and some use of CGI (but not too much). Sometimes it does look a bit cartoony. There's nothing here that will rival the Ip Man films or The Raid films in terms of sheer awesomeness, but I found the action to be generally entertaining. And there was enough of it to make up for its dramatic flaws.
The first Crouching Tiger Hidden Dragon was released 16 years ago. I think it's a solid film and I enjoyed it quite a bit. There are other swordplay films that I enjoy more than that one, but overall I think it's deserving of its accolades. Now, after watching the trailers for Sword of Destiny, I gathered the impression that this would be a more generic period action movie that's less dramatically effective than its predecessor . . . and that's basically what I got. Over the past few days I've noticed that it has become instantly fashionable to bash on this flick, but I don't think it's as bad as its initial reputation suggests. It has its flaws, but I found it watchable.
For example, it actually looks quite lovely. It's nicely shot and has some impressive locations. The natural environments are captured well and have a bit of a variety; there are pretty forests, mountains, snowy locales, bodies of water, etc. It's nice to look at and looks professionally made. I feel like I need to say this because some people think that Netflix produced this film. I don't think that's true at all, actually. Unless I'm missing something, Netflix is just distributing it in conjunction with its theatrical release.
Unfortunately, the scriptwriting is significantly weak element here. The characters and the story are very generic, which makes this feel like a "by-the-book" genre movie. I almost feel like it's pointless to even discuss the plot in any detail. You have some martial arts masters who take in younger trainees with questionable morals, and some bad guy (who's bad . . . just because) tries to steal a special sword. If you've seen a number of wuxia films, there's nothing new that you're going to see here. The conflicts do not have a lasting dramatic impact, which means that you're basically just waiting for the next action sequence.
But fortunately, there are a number of good fights that are peppered throughout. The director here is Yuen-Woo Ping, who previously directed a bunch of entertaining action films in Hong Kong – a few of which include Iron Monkey (1993), In the Line of Duty 4 (1989), Tiger Cage (1988), and Drunken Master (1978). More recently he's been known for his action choreography in films such as The Matrix trilogy, Kill Bill, and the first Crouching Tiger Hidden Dragon film. In terms of action, this guy knows what he's doing. Also, Sword of Destiny has some legitimate action movie stars with Donnie Yen and Michelle Yeoh. So you have some serious talent both in front of and behind the camera here, so the fights are generally good. The best of which involve Donnie Yen on an iced-over pond and Michelle Yeoh in a dark room (fighting a witch). There is use of wires (as expected) and some use of CGI (but not too much). Sometimes it does look a bit cartoony. There's nothing here that will rival the Ip Man films or The Raid films in terms of sheer awesomeness, but I found the action to be generally entertaining. And there was enough of it to make up for its dramatic flaws.
Obviously their was a decent production budget and energy spend on this martial arts movie set in ancient China. Much effort went into (re)creating sets, costumes and choreography. That's the good part...
However, it's out of place to go through all the effort to evoke a historical time period, only to let all Chinese characters speak English (in a time period where only very few Chinese intellectuals would be able to speak any other other language than Chinese). Either the producers didn't have faith in a movie audience to read subtitles or to accept a movie with any other spoken language than English. The original movie did manage to do that however: to appeal as well to a mainstream audience AND lovers of exotic foreign language martial arts movies.
Sword of Destiny doesn't do anything which hasn't been done much better before. Martial Arts in itself as a genre, having being so popular mainly in the 70s and 80s has explored about any camera angle, fast montage and special effect. Tarantino already directed the ultimate homage in Kill Bill.
Sword of Destiny, although with some credits to the production in itself never amazes, unless you've never seen a martial arts movie before. Like in the previous Crouching Tiger, Hidden Dragon there is a lot of cable work and floating going on. As if fast paced and shot martial arts scenes weren't enough, in this series the fighting characters are elevated to near super heroes, resulting in choreography and fighting scenes which aren't credible anymore.
This is exactly where for instance Bruce Lee-flicks were far superior: as a viewer you saw incredible sequences but yet they remained credible. In Sword of Destiny the character has seized to be human and becomes a fantasy.
Sword of Destiny finally ends up being neither: too slick to be accepted by a die hard audience of authentic martial arts movies, too Americanized to appeal to lovers of historical art house costume movies.
Going through all the effort to evoke an ancient Chinese period and let all Chinese characters speak English is simply foolish.
Sword of Destiny is exactly where American mainstream cinema has gone wrong: in a cash-in attempt to 'Americanize' classics in other countries, they end up with would-be blockbusters without soul or authenticity what so ever. You watch it, you forget it: it's not good, not super bad either, it ends up being a movie you hardly remember the next day, unlike the original.
However, it's out of place to go through all the effort to evoke a historical time period, only to let all Chinese characters speak English (in a time period where only very few Chinese intellectuals would be able to speak any other other language than Chinese). Either the producers didn't have faith in a movie audience to read subtitles or to accept a movie with any other spoken language than English. The original movie did manage to do that however: to appeal as well to a mainstream audience AND lovers of exotic foreign language martial arts movies.
Sword of Destiny doesn't do anything which hasn't been done much better before. Martial Arts in itself as a genre, having being so popular mainly in the 70s and 80s has explored about any camera angle, fast montage and special effect. Tarantino already directed the ultimate homage in Kill Bill.
Sword of Destiny, although with some credits to the production in itself never amazes, unless you've never seen a martial arts movie before. Like in the previous Crouching Tiger, Hidden Dragon there is a lot of cable work and floating going on. As if fast paced and shot martial arts scenes weren't enough, in this series the fighting characters are elevated to near super heroes, resulting in choreography and fighting scenes which aren't credible anymore.
This is exactly where for instance Bruce Lee-flicks were far superior: as a viewer you saw incredible sequences but yet they remained credible. In Sword of Destiny the character has seized to be human and becomes a fantasy.
Sword of Destiny finally ends up being neither: too slick to be accepted by a die hard audience of authentic martial arts movies, too Americanized to appeal to lovers of historical art house costume movies.
Going through all the effort to evoke an ancient Chinese period and let all Chinese characters speak English is simply foolish.
Sword of Destiny is exactly where American mainstream cinema has gone wrong: in a cash-in attempt to 'Americanize' classics in other countries, they end up with would-be blockbusters without soul or authenticity what so ever. You watch it, you forget it: it's not good, not super bad either, it ends up being a movie you hardly remember the next day, unlike the original.
A kind of a throwback with characters that may remind you of Shaw Brothers movies. So it tries to combine the old with some new stuff. Especially the fact that this was filmed in English may alienate some people. But overall I do believe it works. It does have a returning Michelle Yeoh (ageless) who is great in this too. In addition we get Donnie Yen and his craftsmanship.
The action choreography is good and there is flying again (so if you didn't like the first one or thought it was ridiculous and "unreal", don't watch this either). The story is simple and while Yeoh's character admits that at one point, she almost redacts her point entirely at the end. Some may say she changed her mind. Whatever it is, the movie is more than decent enough, while never reaching the heights of the original (no pun intended).
The action choreography is good and there is flying again (so if you didn't like the first one or thought it was ridiculous and "unreal", don't watch this either). The story is simple and while Yeoh's character admits that at one point, she almost redacts her point entirely at the end. Some may say she changed her mind. Whatever it is, the movie is more than decent enough, while never reaching the heights of the original (no pun intended).
Amazing action scenes and beautiful cinematography. The fights are choreographed beautifully and even had the added benefit of a little cinema magic to get the superhuman agility of the samurai.
The plot was easy to follow and I didn't feel like it relied to heavily on the first crouching tiger so that you could follow along even without having seen it.
Enjoyed watching.
क्या आपको पता है
- ट्रिवियाA different prop was used for the Green Destiny than the first film's.
- भाव
Yu Shu Lien: Honor, duty, excuses for bloodshed. That is why I left it behind, all those years ago.
- कनेक्शनFollows Crouching tiger, hidden dragon (2000)
- साउंडट्रैकThe Eternal Vow
from the feature film Crouching tiger, hidden dragon (2000)
Composed by Dun Tan
Published by Sony/ATV Tunes LLC
Produced and Arranged by Christopher Tin
Featured piano soloist Láng Lang
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Crouching Tiger, Hidden Dragon: Sword of Destiny?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Crouching Tiger, Hidden Dragon: Sword of Destiny
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,50,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,86,59,039
- चलने की अवधि
- 1 घं 36 मि(96 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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