Wo hu cang long: Qing ming bao jian

It was a decently enjoyable movie, i probably would have enjoyed it more if it didn't have the crouching tiger, hidden dragon tag to it (as it raised expectations)

Problems i had with it were that it was rather short, there was almost no character development, the story line was quite clichéd and the fight scenes didn't seem as fluid as the original, the musical score wasn't nearly as impressive as the original either.

I am struggling to find anything about the film that is better than average.

Overall not a bad film, just not something i will watch again, A generous 6/10

Amazing action scenes and beautiful cinematography. The fights are choreographed beautifully and even had the added benefit of a little cinema magic to get the superhuman agility of the samurai. The plot was easy to follow and I didn't feel like it relied to heavily on the first crouching tiger so that you could follow along even without having seen it. Enjoyed watching.

Obviously their was a decent production budget and energy spend on this martial arts movie set in ancient China. Much effort went into (re)creating sets, costumes and choreography. That's the good part...

However, it's out of place to go through all the effort to evoke a historical time period, only to let all Chinese characters speak English (in a time period where only very few Chinese intellectuals would be able to speak any other other language than Chinese). Either the producers didn't have faith in a movie audience to read subtitles or to accept a movie with any other spoken language than English. The original movie did manage to do that however: to appeal as well to a mainstream audience AND lovers of exotic foreign language martial arts movies.

Sword of Destiny doesn't do anything which hasn't been done much better before. Martial Arts in itself as a genre, having being so popular mainly in the 70s and 80s has explored about any camera angle, fast montage and special effect. Tarantino already directed the ultimate homage in Kill Bill.

Sword of Destiny, although with some credits to the production in itself never amazes, unless you've never seen a martial arts movie before. Like in the previous Crouching Tiger, Hidden Dragon there is a lot of cable work and floating going on. As if fast paced and shot martial arts scenes weren't enough, in this series the fighting characters are elevated to near super heroes, resulting in choreography and fighting scenes which aren't credible anymore.

This is exactly where for instance Bruce Lee-flicks were far superior: as a viewer you saw incredible sequences but yet they remained credible. In Sword of Destiny the character has seized to be human and becomes a fantasy.

Sword of Destiny finally ends up being neither: too slick to be accepted by a die hard audience of authentic martial arts movies, too Americanized to appeal to lovers of historical art house costume movies.

Going through all the effort to evoke an ancient Chinese period and let all Chinese characters speak English is simply foolish.

Sword of Destiny is exactly where American mainstream cinema has gone wrong: in a cash-in attempt to 'Americanize' classics in other countries, they end up with would-be blockbusters without soul or authenticity what so ever. You watch it, you forget it: it's not good, not super bad either, it ends up being a movie you hardly remember the next day, unlike the original.

Crouching Tiger, Hidden Dragon remains one of the greatest martial arts films ever made. The breath-taking cinematography and graceful fighting sequences led it to become the highest grossing film in a foreign language in North America, helped open up the west to Asian cinema and is quite simply a masterpiece. But sadly The Sword of Destiny seems to capture very little of the beauty that made Crouching Tiger so incredible and instead feels more like an attempt to cash in on the legacy of Ang Lee's original film.

Taking place 18 years after the original film, Shu Lien (Michelle Yeoh) returns to defend the sword Green Destiny once again, this time from the evil Lord Hades (Jason Scott Lee). She is assisted by Silent Wolf (Donnie Yen), her ex fiancé who she believed was dead. Meanwhile a young woman known as Snow Vase (Natasha Liu Bordizzo) who is training under Shu Lien begins to fall for Wei Fang (Harry Shun Jr), a young thief who attempted to steal the sword for Hades. The film rehashes several story beats from the original film but recreates them with far weaker characterisation and lacks the same depth of its predecessor.

The only returning cast member from the first film is Michelle Yeoh, who does deliver a good performance by bringing the same wisdom and nobility that she bought to the first film. However every other character suffers from a screenplay that is incapable of doing anything other than filling up time until the next action sequence. The main romance in the film between the two young lovers is never able to create any real chemistry. Even Donnie Yen, one of the greatest Chinese action stars, is unable to do anything with his little screen time and the incredibly bland script other than fight and look stoic.

The cinematography mixed with the vast landscapes looks nice at times, but at others the film suffered heavily from an overuse of CGI that feels like a very misguided departure from the natural beauty of the original film. Also instead of being filmed in Mandarin like the original film, the actors instead all speak English. Obviously this is done to appeal to a wider demographic, but it ends up distancing itself even further from the tone of the original film.

Out of everyone who could direct a sequel to Crouching Tiger, Woo- Ping Yuen could at first seem like a good choice. He's directed some of the greatest action films from China (including Drunken Master and Iron Monkey) and was even the action choreographer for the original Crouching Tiger, Hidden Dragon. And he is able to pull of some great fight sequences throughout the film, including one creative sequence battling along a frozen lake. But as impressive as the fight choreography is, it never recaptures the tone of the original Crouching Tiger, Hidden Dragon. Whereas the fights in Crouching Tiger played out like a delicate dance through which two warriors communicated, Sword of Destiny is an impressive display of fighting skill and stunt work, but nothing much else.

Also whilst Woo-Ping Yuen is quite possibly one of the greatest action directors of all time, his style just wasn't suited here. Crouching Tiger, Hidden Dragon wasn't really an action movie. It was a romantic drama cleverly disguised as a martial arts flick. But Sword of Destiny is instead just an action movie with a weak romantic sub-plot tacked on.

I definitely expected this to be weaker, more superficial and more action-obsessed than the original just judging by its trailer, but it was actually worse in many more ways than I had thought of.

First ugly thing that hits you is the ruined color gamut, with all colors squeezed into two narrow bands around red and green (like the "teal and orange" madness that has gripped Hollywood this past decade, but shifted to the side toward red and green). Why must you do this to our eyes, movie studios, why? What have we done to deserve this? What's next, having to buy premium versions of the movie just to get the rest of the color spectrum?

Next comes the complete lack of originality of whatever crumbs of a story there are in there, the entirely boring and soulless dialogue, the cardboard-thin characters that couldn't make you care about them if their lives depended on it, and ending with the mediocre fight scenes. The whole thing was centered around the fighting and they couldn't even get that part at the level of grace and artistry and impact of the fights in the original film.

And to top it all off, they reversed the languages and wrote the original dialogue in English and added Chinese as a dub. This isn't catastrophic - at least the dub is there so you can make the experience reasonably similar to the original -, but it's still somewhat annoying and a bad production choice.

This was a very poor use of Yeoh's potential. All in all, my favourite character ended up being the girl fighter from the villain's crew, who just did her job and did it well, without wasting our time with too much meaningless dialogue or with any other hopeless attempts at gaining a depth the screenwriters never gave her in the first place.