A Semente do Mal

After the crazy "Diamantino," Gabriel Abrantes opted for a conventional horror film. Kind of. As a horror fan, I can only thank him. And for a first work... it's not bad at all to start with one of the best works of the genre in the Portuguese language.

In the story, in New York, Edward (Carloto Cotta) lives peacefully with his girlfriend, Ryley (Bridgette Lindy-Paine). In search of his biological family, Edward ends up discovering he has a brother and a mother in Portugal, but soon realizes that uncovering his origins can be quite dangerous.

There's some excellent work here in introducing the plot and creating mystery. The film begins with a strong opening scene in the past (with Alba Baptista as the young mother) and then transitions to the present, initially presenting us with the main couple in a comprehensive yet not overly expository manner. These are the two best-developed, most well-rounded characters, greatly aided by the excellent performances of Carloto Cotta (who plays two very distinct roles) and Bridgette Lindy-Paine. Lindy-Paine, in particular, carries the film more than expected, always being the character who pieces together the plot. Anabela Moreira's outstanding work should also be highlighted; even covered in makeup, she manages to shine in the role of the most enigmatic character, the mother of the brothers.

The way Abrantes handles the genre is quite interesting, adding some dashes of humour (although some of the audience seemed to think it was purely a comedy) and blending in elements of traditional Portuguese folklore, as well as incorporating social commentary related to family and romantic relationships with a good dose of madness.

The soundtrack is excellent, as is all the work on the sound effects heightening the tension of the movie. From a visual perspective, the outstanding production design stands out (the interior spaces look like works of art), and the cinematography, especially in the darker scenes, is noteworthy. At times, the film leans into some genre clichés-several characters following voices in the dark, dreams within dreams, and more dreams-but it manages to rise above them by always keeping us entertained and engaged, concluding with a very strong third act.

While filmed well enough and looking at least somewhat polished, there is one element that make Amelia's Children more unintentionally laughable than scary.... While there is great cinematography and some great effects, the main antagonist has this laughably gross look that detracts more than it gives, especially during some of the more significant scenes. The bits of blood are at least done well enough and there is some polish to how scenes look. Night scenes almost have that sense of terror, with some selectively great suspense-building shots and just enough lighting to see what's going on, except again the laughably comical looking antagonist.

Acting is more miss than hit. Performances across the board were wooden, with only a few moments of true acting range during heightened tensions. I wish there was more to say here..... The story is, likewise, barebones and all-too-familiar. Once the bits of backstory come about, you've already guessed most of it and the rest is far too easy to predict..... The soundtrack is a bit too repetitive as well, with far too many similar sounding compositions popping up. Sound effects are only around for specific bits and don't add anything to the scene either.

If you really, really, want to watch a movie with a laughably bad looking antagonist, then I guess Amelia's Children would be the one to watch. Otherwise there isn't much going for it, aside from some great visuals.

In Portugal we trust!

For fans of European psychological horror films, this film is fresh meat.

The atmosphere of the film is really uncomfortable, and we are sucked in by the mystery of the plot, which remains easily fixed until the end.

Alba Baptista had little screen time, but listen to me, this woman deserves more roles in horror films.

It succeeds in delivering deeply unsettling imagery and ideas, and effectively utilizes its runtime well despite the film's very slow pace.

While the film does feel very slow at times, I can respect the fact that its attempts to tell a very complex and disturbing story, which it manages to accomplish with great precision.

As a Portuguese, I was afraid the film wouldn't be what I expected, but this is what we needed and what our COUNTRY needs.

For some reason, I was really excited to see this, even though I had no idea what the movie was about going into it. We follow Edward, who is searching for his biological family in Portugal. Along with him is his girlfriend, Riley, and soon they arrive at Edward's long-lost mother Amelia's villa. While Edward seems to adjust to his new family, Riley starts noticing questionable things and begins digging deeper into Amelia's history.

The movie has a rather simple setup, and it chooses to stick to that path. There are no real surprises, as it's clear early on that either something is wrong with Amelia, or Riley is worrying for no reason at all. The narrative just drags on, and while the production value looks solid and the movie looks fine in a technical sense, it's simply dull. If you're a seasoned horror fan, you've likely seen movies like this a hundred times. This one doesn't do much to stand out in the pile of average horror films, which is disappointing because I was expecting more.

There's not much else to say, except that the result turned out average at best. While it's not a complete disaster, you could easily skip this one. [4.8/10]

I mean, what can I even say about this movie that I absolutely despised? Can I talk about the good elements of it, the parts I enjoyed, the parts that worked to create an interesting narrative? I wish I could, but I honestly can't think of a single redeemable quality in this entire film. The characters were unlikable, the story wanted to be grotesque but wouldn't show you anything to actually induce fear, and even the cinematography was basic and had no passion. The times the movie wanted to be creepy were so few and far between, that the only thing that ended up being truly nightmare inducing was Amelia's face after years of cosmetic surgery.

It's truly incredible how you have a movie about a witch that has children with her own sons and then eats them to regain her youth, a horrifying premise in and of itself, and you end up making the most mundane and least scary movie possible. I just don't understand how this even happened. It's like the creative team read the premise and then decided to not ruffle any feathers, not offend anyone, and not really create anything truly horrific, instead opting to alude to the witch and use dream sequences to sometimes show what she does, but never having the cojones to actually do it.

This is the worst kind of horror movie to me. A movie that uses a great premise but ends up yielding a tame, inoffensive movie where nothing really scary happens, everything is suggested and not actually shown, and the conclusion ties nothing together, leaving the viewer to wonder why he even wasted and hour and a half of his life on this movie. I really wish I would have read reviews for this film beforehand, as I would have wanted to be warned before investing my precious time on a film that wouldn't enrich my life in any way.

This is why I'm writing this review, to save as many of you from watching this movie as possible. Do not make the same mistake as I did, as life is way too short to spend it watching these types of movies that contribute nothing of value to your life. Read a book, take a walk, listen to your favorite album on repeat. Anything is preferable to watching this film.