What Remains

DCI Len Harper, is due to retire, his last case, the death of Melissa Young, who has laid dead for two years in the too flat in a curious house.

I would suggest it feels very Ruth Rendell, this could easily have been one of her books. It's quite a bleak story, with an incredibly dark conclusion.

Not a House in would want to live in, all the residents are liars and monsters. Literally each room contains a cheat, liar or bully.

David Threlfall is terrific throughout, very strong performances from Russell Tovey, Indira Varma and David Bamber.

It deals with love, loathing, domestic abuse, and many other human ills.

A true house of horrors, it's very, very good, 9/10.

'What Remains' takes the classic Agatha Christie formula and updates it to the modern age: take a dead body, a house full of individuals all on the nasty end of normal, and a determined, dogged retired detective, and save the unveiling of the criminal to the final moments. In fact, whereas Christie's characters were generally thin, the characterisation is more convincing in this, although never truly surprising. The direction and acting are also highly competent, although the conclusion descends into (almost inevitable) silliness. Until that point, it's quite gripping, but also quite shallow: whatever remains, not that much lies beneath the surface.

At heart, What Remains is an updated version of the country-house who-dunnit, a woman is murdered in a house that's been converted into 5 flats, and it's assumed that one of the other residents did it.

There's few tangible clues as to what happened so there's little for forensics to do - this is not CSI/Silent Witness. Instead the clues lie in the psychology and relationships of the residents - it's a bit Stephen Poliakoff in the way they're all prisoners of their pasts. So it explores the relationships of the suspects in a depth that you wouldn't normally see from Miss Marple.

Then on top of that you've got a few classic horror-movie buttons being pushed (not altogether successfully) and the hangdog detective working past his retirement date on just one last case. "You've all given up on finding the murderer, we owe it to this girl to find out what happened". It's a cliché because it works.

I can see why some people find the first half a bit slow, it's deliberately meant to be "static" and a bit claustrophobic with the vast majority of the action happening within the house. It maybe helped that I recorded it and watched the whole thing in one sitting, so didn't have a week to think about how little had apparently happened in any one episode.

On the other hand there's a few sub-plots in the middle that don't move the plot forward at all, they're just there so Giedroyc can expand his theme of loneliness in the city. It feels a bit self-indulgent when some of the residents' stories are left hanging at the end, either because he didn't know where to go or 20 minutes got left on the cutting room floor, it would be more satisfying if they had been resolved. I suppose it says something that you do care enough to want to know how things work out for them.

So this is not a show for people looking for car chases and shootouts. Personally I preferred Jane Campion's Top of the Lake which the BBC aired in the same slot a few weeks before. But if you've run out of Scandinavian detective box-sets to watch then this is a decent enough way to spend an evening.

Classic who done it, but done with a modern take. Great character development, some real nasty neighbours living here. The best British show I've seen in a long time, even if it is five years old. If you like Broadchurch and similar crime shows, you won't be disappointed. AAA+++

Somehow missed this first time around but have recently watched on catch-up. Truly excellent acting and gripping story. An absolute delight to watch. This shows what the BBC could do when it had a well funded drama budget. Please watch as I guarantee very few can watch this and not be impressed and frightened. Psycho definitely comes to mind.