समाचार

Michelle Yeoh brought a special guest to L.A. this past weekend – her Labubu!

The Oscar-winning actress brought her plush toy to the Hollywood Bowl to catch Wicked co-star Cynthia Erivo perform in the musical Jesus Christ Superstar over the weekend.

“Celebrating Hong Kong born Panda Twins first birthday (and my birthday too...

Su From So Box Office Day 10: Becomes Most Profitable Indian Film Of 2024-25! (Photo Credit – YouTube)

Kannada horror comedy Su From So has achieved an unthinkable status at the box office. The film has managed to earn net collection of 35.7 crore in India and is now the highest grossing Kannada film of the year. It has now nailed a milestone none imagined!

Most Profitable Indian Film Of 2024-25!

Earlier, the horror comedy surpassed every single Indian film of the year to become the most profitable Indian film of 2025. Now, with the second weekend roaring at the box office, it has surpassed the profit of every single film of 2024-25!

Su From So Box Office Day 10

On the tenth day, the second Sunday, August 3, Su From So earned 6.35 crore at the box office. This was much higher than the second Friday, which brought 3.8 crore followed by 5.4 crore.

Trending Dhadak 2...

Kingdom Box Office Collection Day 4 Update!(Photo Credit –Instagram)

Kingdom was expected to end the bad spell of Vijay Deverakonda at the box office. Unfortunately, our Rowdy is in for another disappointment as the graph continued its downward trend throughout the extended first weekend. Scroll below for the day 4 report!

How much did Kingdom earn in its opening weekend?

The opening day set new milestones for Vijay Deverakonda as he recorded his biggest opening day in history. This was followed by an unexpected 58% crash on Friday. As per Sacnilk, Kingdom minted 7.06 crores on day 4, witnessing another 12% dip compared to 8 crores on Saturday.

The net earnings in India come to 40.56 crores. Including taxes, the opening weekend of Kingdom concludes at 47.86 crores gross. Given the trend during the last four days, it looks like the Vijay Deverakonda starrer will witness a bigger crash on Monday. If it does not hold the momentum during the first week,...

José María Cravioto’s “Wheels, Weed & Rock n’ Roll: The Legend of the Mexican Woodstock” and Victoria Franco’s “Twelve Moons” feature in the Mezcal Mexican competition at this year’s Guadalajara Film Festival.

Its other main competition, focusing on Ibero-American fiction movies and doc features, takes in two of the biggest hits this year from Spain, Portugal and Latin America: Brazilian Gabriel Mascaró’s “The Blue Trail” and Spaniard Eva Libertad’s “Deaf,” both big hits at Berlin.

As importantly, the Ibero-American Competition also highlights tales which deserve far more attention: a highly thoughtful first feature from Gerard Oms, “Away” (“Molt Lluny”), with a career-high turn by star Mario Casas; “Martina’s Search,” led by the frequently magnificent Argentinian player Mercedes Morán, and Puerto Rico’s “This Island,” part of a new Caribbean cinema which is ever more frequently scoring top fest berths.

Taken together, Guadalajara’s biggest two festival...

Now on its 14th edition, the Guadalajara Film Festival’s (Ficg) Premio Maguey sidebar celebrates LGBTQ+ cinema with the addition of series and an animated feature for the first time.

“If we’re talking about inclusion, then we have to practice it ourselves, right? So naturally, it’s also about creating space for diverse content — stories and perspectives that enrich our program in meaningful ways,” said Premio Maguey programming director Pavel Cortés.

10 core films in competition are joined by six others from the other competitive sections, as in the case of toon “Lesbian Space Princess,” which also competes in the animation sidebar.

The series debuting at Premio Maguey are “Amor de papel,” “La Engañada,” shot in Jalisco, and Gabriel Ripstein’s crime dramedy “Mentiras,” which will be honored with a Gala, said Cortés.

“Amor de papel,” directed by Edu Cortés, turns on Christian, a man immersed in his books and fantasies,...

The Guadalajara International Film Festival (Ficg) is proudly celebrating its 40th edition with a milestone: Mexico’s first-ever stop-motion animated feature, “I Am Frankelda” (“Soy Frankelda”), which opens the festival.

Running June 6-14, the country’s most prominent film festival launches a new genre section that features five pics led by Pablo Stoll’s zombie dramedy “Summer Hit” (“El tema del verano”) and Emilio Portes’ “Don’t Leave the Kids Alone.” This new by invitation only sidebar would be the 10th competitive section of the fest.

“It’s never been easy to put on a festival in Mexico – there are a lot of people who don’t really understand the work that goes into it. But what truly matters is that, for 40 years, through changing tides, shifting governments and opposition from both inside and out, we’ve kept the festival alive. And what we’ve come to realize is that...

Dos ex aequos marcan un palmarés que refleja el alto nivel de esta edición.

© Festival de Málaga

El Festival de Málaga 2025 cierra una edición ambiciosa y de alto nivel con un palmarés que perfila a Sorda, de Eva Libertad, como una de las grandes contendientes de la temporada de premios española (y quien sabe si acabará representando a España en los próximos Óscar). La cinta, que ya recibió en la Berlinale el premio del Público, se alza con la Biznaga de Oro y también se llevan Biznagas de Plata Miriam Garlo y Álvaro Cervantes en las categorías interpretativas, además del Premio del Público, el Premio Asecan, el Premio Feroz y el Premio Gignis.

La otra gran triunfadora de una edición marcada por una fuerte presencia femenina ha sido Los tortuga, de Belén Funes, que se ha llevado el Premio Especial del Jurado, Mejor Dirección y Mejor Guion. Y La furia,...

The world premiere of Spanish social drama La Deuda, thethird feature from actor-director Daniel Guzmán, will open the Malaga International Film Festival (Miff) on March 14.

Guzmán stars as a man living with an elderly woman, plaayed by Itziar Ituño, in a city apartment, while she struggles with her health and he has to confront a precarious job situation. The film is produced by Spain’s Acqu y Alli Films.La Deudatranslates as ‘The Debt’ but no English-language title has been confirmed.

Scroll down for the full line up

Miff showcases Spanish and Ibero-American films to the local and international industry...