Leaving D.C.

One of those micro budget, one man movies that actually works as a found footage and its spooky from beginning to end. Shows that if you have a good idea, you can make a fun little movie that overall its better and more enjoyable than some bigger budget flops.

I was very impressed by this "one man band" version of found footage horror films.

Josh Criss does a great job of keeping you engaged and slowly building suspense. It all feels real, which is key to a successful found footage film.

This is essentially a story about a troubled man, who moves out to the middle of nowhere to escape the hustle and bustle of city living, but becomes obsessed with the odd happenings occuring late at night in the woods surrounding his new home.

It's an intriguing film, mostly for its simplicity, but also for its understanding that less is often more when it comes to building suspense, and budget is not much of a factor or excuse anymore, when rating a film's quality. If Josh Criss can do it with a camcorder and no dough, why can't hollywood?

Solid found-footage horror. A man who desires to leave the hustle and bustle of city life for a peaceful life in an isolated house in the woods finds that life is not as peaceful as he'd hoped.

Pretty well-executed for what it is, but also hits the typical tropes of the genre. As things escalate, the principal character refuses to accept the apparent danger he's in, leaving this viewer rolling his eyes. It's necessary for the character to stick around in order for the film to continue, but his unrealistic naivete and stubbornness takes you out of the film a bit.

The creepy parts are tantalising enough to keep you interested, and at a runtime of only 75 minutes it's not a huge investment of time and the scenario does not get overplayed. Keeps things mysterious enough to form your own theories. Worth a watch if you enjoy this sub-genre of horror.

I'm frequently antagonized by found footage films that tend to follow no logic and interrupt any significant action with electronic video interference. Leaving D.C. doesn't fall into any of those traps and presents a straightforward but interesting narrative about an average guy who moves out to the woods, where he's beset by what just may be supernatural phenomena. The film's mystery builds slowly and much of the interest involves simply observing star/director/writer Josh Criss doing his logical best to rise to the occasion of confronting a wave of spookiness. It's entirely watchable and Criss does a creditable job carrying the film as its primary on-camera presence, explaining the reasonable steps he's taking to identify and deflect the bizarre intrusions. While the conclusion could have used a little more oomph, the film is a good ride and an excellent example of what can be achieved with limited resources.

The actor gives a good, solid performance of someone who, you (a little too quickly) realize was not wound all that tight to begin with, then thrusts himself into an unfamiliar territory thinking it will be good for him. His possible issues come more and more to the forefront in subtle and not-so-subtle ways. Unfortunately the lack of a budget means the ending will make you think the time spent wasn't worth it ( the end of the original Paranormal Activity was a showstopping extravaganza by contrast) but then you think, maybe it was--just to see one guy pull something like this off all by himself.