Moonflower Murders

I don't agree with the couple of negative reviews here. I found the story and writing very good (Anthony Horowitz adapting his own novel). The plot was twisty and engaging, and the 'story in a story' keeps you on your toes.

If you liked Magpie Murders, you'll very probably like Moonflower Murders. It's once again a well-written recreation of the 'golden age' whodunnit.

The interaction between Susan and Pünd is always enjoyable. Susan's personal drama does not get too much in the way of the murder mystery, and the mingling of the two feels relevant.

I hear the third Susan Ryeland novel is coming out in March 2025 and I'm hoping it will also be adapted to TV. This is very competent and enjoyable television and a treat for murder mystery fans.

I agree with other reviewers. This series was good but the Magpie Murders was top notch. It just seemed to flow a little better than this series.

I found myself getting really confused with the characters. Like the actresses' husband looked just like her doctor (not sure of the names). It was just not as smooth and easy to follow as Magpie series.

The string of possible suspects was endless. Everyone was so unlikeable in their own way. This made for an interesting whodoneit.

Atticus was wonderful as usual. A great detective. I'm not sure if I really like Susan but perhaps she is not meant to be that likeable. Even her own sister did not want to confide in her. It was also nice to see Mr. Beard. I really enjoyed his character from the Magpie series as Allen's boy toy. He ended up being a great contributor.

One case had a big twist but the other case was rather obvious, really.

I do hope the series, or ones similar continues.

In Magpie Murders viewers enjoyed the clever conceit of present day editor Susan Ryeland receiving help from author Alan Conway's 1950's fictional detective Herr Pund to solve a mystery. Anthony Horowitz created a delightful TV series adaptation from this book.

The second book, Moonflower Murders, is more of the same, except Susan is now hired to solve a mystery as a result of a book she edited for Alan Conway. Herr Pund is still present, guiding her in her quest. In fact, the fun double timeline and doubling of actors in the timeline roles is still present in this second adaptation. However, due to the complexity of the book's plot Horowitz made some tweaks to the TV storyline which streamlines the story, and unfortunately takes some of the punch out of the impact. This isn't a distraction unless the book was read first before watching the series which proves the saying of "The book is the book and the movie is the movie." Both the book and the movie showcase the talented writing of Horowitz.

A pleasant, albeit complicated, murder mystery that juggles three timelines, three murders, and unnecessary personal drama of the protagonist, "Moonflower Murders" is a show that lays the plot(s) on thick, to the detriment of developing characters that are fleshed out, dimensional, or likeable. The plot drags halfway through the season, and I found myself forgetting what the characters' motivations were (and, frankly, who everybody was) thanks to excessive time jumping and the sheer amount of characters we're supposed to keep track of. Susan's personal drama was annoying this time around. And I found the Atticus Pund storyline much more interesting than the present day one. Wish they had time to develop that world a bit more. Great acting, but I expect nothing less from the Brits (and why I enjoy consuming so much British television even though I'm American). I hear Horowitz is releasing a third Ryland/Pund novel this spring, so we'll surely get another one of these seasons in due course. Let's just hope it's less overwrought than this one.

I really enjoyed this, but I'm glad I watched it on BBC iPlayer, as it meant I could stop, start and go back a bit to check things I might have missed. You really need your wits about you with the different timelines and actors playing two roles. That was a fun aspect of the series. What wasn't so much fun was Susan's private life and her completely irrelevant sister and nephew. Crete provided some pretty pictures and it meant they got some funding from the Greek government, but it was also unnecessary. This should really have been a four-part serial. There was no need for six episodes. Horowitz is a clever man and the plot - while not totally convincing (others have spotted holes) is full of interesting touches. On a more mundane level, there are some anachronisms, such as "gotten" in the mouth of an 1950s' character. Also the fact that Ireland was used to stand in for England shows through at times - most crassly in the form of a bright yellow "road narrows" sign (Ireland has American-style road signs). The fact that it was Ireland was probably the reason that Susan was mostly seen driving down unmarked single-track roads. Other roads would have had markings and street furniture that gave away the true location.