New World

A highly gripping portrait of Korean crime syndicate, New World is arguably the best mob film to come out from South Korea since Kim Jee-woon's A Bittersweet Life & is an ingeniously structured, stylishly filmed, firmly composed & violently told cinema that shares a similar thematic structure with Francis Ford Coppola's The Godfather. Opening with a bloodied face of a person being tortured as he is suspected of being the mole in the gang, this crime-drama sets the tone for what's to come & as the film progresses, becomes more & more engrossing until it all culminates on a rousing high with an expertly executed finale.

The plot covers the conflicts between the police & the mob through the eyes of an undercover cop who has worked his way up over the past 8 years to become the right hand man of the second-in-command for the throne of Goldmoon; the biggest crime syndicate in Korea. When its leader is killed in a car accident, the crime ring is thrown into a succession struggle of which both the police & the mob wants to make the most of and which in the end comes down to our undercover cop, who must finally make a choice that'll decide the fate of this crime organization.

Outstanding well written & directed by Park Hoon-jung who does a superb job in shaping the story & even better at illustrating it on the screen, skilfully photographed too with fine use of close-ups & camera angles, tightly edited as the film flies through its 134 minutes of runtime, spectacularly scored with music making its way in or out of scenes at the right moments & strongly performed by its stellar cast, New World works because of a combination of many things it does right & is one of the best films of last year plus one of the most impressive mob films in a long time. Do not miss it.

Korean cinema has matured immensely over the past decade and 2013 has already seen The Berlin File which I believe would show quite well overseas. New World is perhaps a more domestically oriented movie that would be enjoyed more by those who understand Korean culture, however the casual movie-goer will definitely not be let down.

Take The Departed (Infernal Affairs) and Godfather, mix it in a blender, add a dash of Korean gangster and you've got a slick thriller that offers a bit of the brutal violence Korean cinema is known for as well as some humor. While not as polished as the Berlin File, it's arguably a better movie when it comes to plot.

All in all, it looks like a great start to the year for Korean movies.

what a great Korean movie! the screenplay is shockingly and amazingly good. the scenario, the twists of the plots...OMG, just like a Russian artifact egg, so many smaller eggs one after another hidden inside another; a perfect onion, so many layers inside one after another, so subtly and so purposely wrapped each other. this is by far the most fantastic undercover film ever made after 'the infernal affair' and the adaptation 'the departed'. the special effects and the stunt of this film are also top notched. thank god there's no disgusting overly used visual effects done by computer, but more convincing stunts. the performances of all the actors, female or male, are also did great jobs. pay attention to the guy who played with the plant leaves, broken it, then sneakly turned the vase around a little bit to hide the broken leaf, that scene, well, was so good. the twists of the plot would make you sit up a bit straighter to the edge of your sofa or chair, 'cause it's that thrilling and suspenseful. love this movie and Hollywood, just give me a break, will you guys, don't adapt it into an inferior film again.

Maybe it's a little excessive to give this movie a 10/10 rating, but GOD it is so amazing.

1. Fantastic cast of top-notch Korean actors who DELIVER it hot n' ready in under 30 minutes.

2. Cinematography, excellent.

3. Script, wow. Never a line delivered that I cringed at how corny it was, which I find tends to happen more often for me watching a foreign film. Unlike so many American films, there's real character development and the story may be filled with some of the best actions scenes and Korea mafia tension you'd expect, but the greatest moments are the intimacies between the characters in the film. You think you're getting an action flick, but it is so much more.

I cannot recommend this movie more than I already have, I saw this almost by accident and went in with little to no expectations of quality or anything of the like. I really went because I recognize the actor from Oldboy, who is in his own right amazing in every role I've seen him in.

'New World' is an epic gangster film from South Korean director, Park Hoon-jung. With actors such as Choi Min-sik (probably most well known for his role as Dae-su in 'Oldboy'), I was expecting this film to deliver something spectacular. And, well, it did. For the duration of the narrative, I could not tear my eyes away from the screen. While the pace of most films of this length tends to slow, or get a little dull, 'New World' kept a steady rhythm, full of political intrigue.

Undercover cop, Ja-seong (played by Lee Jeong-jae), leads a dual life. He has his job as a policeman, and the role of a gangster in a large crime syndicate that goes under the name of 'Goldmoon.' When the boss of the syndicate is killed in a car accident, Chief Kang (Choi Min- sik) puts a new project into effect called 'Operation New World'. The purpose of this operation is to ensure that one of the undercover cops in the syndicate will rise to a position of power. The ultimate aim is for the syndicate to be in the hands of, or at least easily manipulated by, a trusted law enforcer.

Ja-seong finds himself torn between his duties as a cop, and his loyalties to 'brother,' and gang member, Jung Chung (Hwang Jung-min). Putting more hours, and more effort into his work, Ja-seong finds less time at home with his pregnant wife, and more into the syndicate 'family'. Acting as a bridge between the law, and the underworld, the loyalty of Ja-seong is rarely questioned by his acquaintances. Yet, it is apparent that Ja-seong beings to question the nature of loyalty, and of betrayal. As he prepares to dive further into the syndicate, his confusion becomes ever more apparent.

Some of the conversations in 'New World' were gripping, and the portrayal of violent acts was just spectacular. The use of blood in these instances, paired with close ups, were some of the most aesthetically pleasing moments in the film. While not extremely violent, 'New World' uses violence in a manner that complements the pace of the film. The ruthless nature of the law, and the syndicate, was highlighted in these instances, and it is apparent that both sides can be as manipulative, and as corrupt, as one other. All the while, in the midst of this corruption, Ja-seong must find a place of power to call his own; he must create a whole new world.