IMDb रेटिंग
7.4/10
59 हज़ार
आपकी रेटिंग
शिंजुकु ग्योन नेशनल गार्डन में एक 15 वर्षीय लड़के और 27 वर्षीय महिला को एक बरसात के दिन एक अप्रत्याशित दोस्ती मिलती है।शिंजुकु ग्योन नेशनल गार्डन में एक 15 वर्षीय लड़के और 27 वर्षीय महिला को एक बरसात के दिन एक अप्रत्याशित दोस्ती मिलती है।शिंजुकु ग्योन नेशनल गार्डन में एक 15 वर्षीय लड़के और 27 वर्षीय महिला को एक बरसात के दिन एक अप्रत्याशित दोस्ती मिलती है।
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Miyu Irino
- Takao Akizuki
- (वॉइस)
Gou Maeda
- Takao no ani
- (वॉइस)
Suguru Inoue
- Matsumoto
- (वॉइस)
Megumi Han
- Satou
- (वॉइस)
Mikako Komatsu
- Aizawa
- (वॉइस)
Yûki Hayashi
- Moriyama
- (वॉइस)
- (as Yuki Hayashi)
Wataru Sekine
- Young Takao
- (वॉइस)
Taishi Murata
- Student B
- (वॉइस)
- …
Crash Buist
- Takao's Brother
- (voice: English version)
फ़ीचर्ड समीक्षाएं
Promoted as a feature-length film, Shinkai Makoto's Garden of Words surprisingly only lasts 46 minutes. However, it was enough for the director to portray human emotions as well as understand the purpose of relationships.
The word "love" in modern Japanese is "ai", but in the ancient language, it was actually written as "koi", which is a compound of two other Kanji means "solitude" and "sad". Though Garden of Words is set in modern times, "love" in this film will be portrayed in its original meaning, which leads to a story about longing and loneliness, as well as suggesting an unhappy ending for love.
At the center, there is Takao, a 15-year-old student who wants to become a shoe-maker. On rainy days, he often plays truant in a Japanese-style garden and learns to make shoes there. By chance he meets Yukino, a mysterious woman much older than him, and whenever it rains, the two of them meet each other in the garden. Over time, their relationship deepens and the mystery surrounding Yukino finally reveals itself on a dry day.
Similar to Shnkai's previous films The Place Promised in Our Early Days, 5 Centimeters Per Second, Children Who Chase Lost Voices, the most impressive thing about Garden of Words are the vibrant & unique visual elements. In this latest film, he continues to develop his own unique style. Clean and cute, a little bit cheesy even, Shinkai uses excessive glare and light pink tones, and the result is a bombastic impressive 46- minute picture.
The park's natural setting, with green trees drooping into the water, the wind stirring the small rocks, creates a space ripe with romance and poetry, which helps ease anxiety. Although the scenes in the school, Yukino's house, train station etc were beautifully drawn, the brightest points in the painting of Garden of Words are the natural moments when two people sit in the park together and enjoy the stillness of emotion.
Garden of Words delivers a simple, soft love story, though many would argue that it is taboo. The director knows how to manipulate love, make it as natural as rain, by arranging the meeting at a far away location from where they work/study, only meeting on rainy days to make their feelings vibrate. Eventually, when the truth of their fate is revealed, the audience completely accepts it, because their love for each other is full of sincerity and cultivated diligently through the rainy days.
Garden of Words is a triumph of visual style over substance. It can be very predictable, can be very cheesy when two people are hugging and crying at the end. But the movie creates honest and fresh emotions, accompanied by an impressive visual expression. Garden of Words is not simply the binding of the last two people through some lines of Japanese poetry that they read to each other, It is also the shining of unique storytelling style with images.
And with the blink of an eye, a small gesture is enough to say everything about human emotion, words probably are not needed anymore. Garden of Words gives you a unique experience, exploring the visual and aesthetic language of love.
Trung Rwo
The word "love" in modern Japanese is "ai", but in the ancient language, it was actually written as "koi", which is a compound of two other Kanji means "solitude" and "sad". Though Garden of Words is set in modern times, "love" in this film will be portrayed in its original meaning, which leads to a story about longing and loneliness, as well as suggesting an unhappy ending for love.
At the center, there is Takao, a 15-year-old student who wants to become a shoe-maker. On rainy days, he often plays truant in a Japanese-style garden and learns to make shoes there. By chance he meets Yukino, a mysterious woman much older than him, and whenever it rains, the two of them meet each other in the garden. Over time, their relationship deepens and the mystery surrounding Yukino finally reveals itself on a dry day.
Similar to Shnkai's previous films The Place Promised in Our Early Days, 5 Centimeters Per Second, Children Who Chase Lost Voices, the most impressive thing about Garden of Words are the vibrant & unique visual elements. In this latest film, he continues to develop his own unique style. Clean and cute, a little bit cheesy even, Shinkai uses excessive glare and light pink tones, and the result is a bombastic impressive 46- minute picture.
The park's natural setting, with green trees drooping into the water, the wind stirring the small rocks, creates a space ripe with romance and poetry, which helps ease anxiety. Although the scenes in the school, Yukino's house, train station etc were beautifully drawn, the brightest points in the painting of Garden of Words are the natural moments when two people sit in the park together and enjoy the stillness of emotion.
Garden of Words delivers a simple, soft love story, though many would argue that it is taboo. The director knows how to manipulate love, make it as natural as rain, by arranging the meeting at a far away location from where they work/study, only meeting on rainy days to make their feelings vibrate. Eventually, when the truth of their fate is revealed, the audience completely accepts it, because their love for each other is full of sincerity and cultivated diligently through the rainy days.
Garden of Words is a triumph of visual style over substance. It can be very predictable, can be very cheesy when two people are hugging and crying at the end. But the movie creates honest and fresh emotions, accompanied by an impressive visual expression. Garden of Words is not simply the binding of the last two people through some lines of Japanese poetry that they read to each other, It is also the shining of unique storytelling style with images.
And with the blink of an eye, a small gesture is enough to say everything about human emotion, words probably are not needed anymore. Garden of Words gives you a unique experience, exploring the visual and aesthetic language of love.
Trung Rwo
I have no words that can describe how in love I am with this movie. I stumbled upon it randomly, thought the art looked lovely, and decided to give it a view. I'm so glad I did. The artwork and animation is just breathtaking. The landscapes and city scenes are almost photo realistic, attention being given to the tiniest of details. I would consider it on par with Studio Ghibli at least. I consider myself very critical when it comes to animations, and it takes a lot to really wow me, but this took the cake. I came with no expectations, and left wondering why this movie isn't more widespread and the need to tell everyone I know to watch it. Though the film is only 46 minutes long, it feels like a feature length film. I was captivated for every second of it, and will be watching it many times in the future.
Too long, didn't read? Watch this movie.
Too long, didn't read? Watch this movie.
I've seen most of Makoto Shinkai's anime. When I first saw 5cm per second, I was amazed at how well the emotions of the characters dwell in the environment around them.
Garden of words is no exception. The refined use of environment and ambient effects (sound, music, weather etc) contribute greatly to the film's story. There isn't much to say about how Makoto does it and if you're going to like the style but give it a watch and you'll know.
Overall, Garden of words is a really good piece of art. It's definitely filled with Makoto's signature style and a definite recommendation to watch.
Garden of words is no exception. The refined use of environment and ambient effects (sound, music, weather etc) contribute greatly to the film's story. There isn't much to say about how Makoto does it and if you're going to like the style but give it a watch and you'll know.
Overall, Garden of words is a really good piece of art. It's definitely filled with Makoto's signature style and a definite recommendation to watch.
"A faint clap of thunder. Even if the rain comes not, I will stay here, together with you". Walking the path of life is no easy feat. The appropriate metaphysical footwear must be utilised for every type of emotional terrain we encounter. Sandals for joy. Wellies for sadness. Sneakers for rage. Yearning to overcome our rational, or irrational, fears so that we can "walk" again. Teenage student Takao, an aspiring shoemaker, attempted to perform such a generous offer for Yukari. A mysterious woman he socialises with in the dense thickened foliage of a Japanese garden experiencing torrential downpour. Two souls of differing youth encompassing an identical level of maturity. Yukari avoiding her career to snack of delicious chocolate and consume canned beer, whilst Takao solidly working throughout his summer break.
The two share a common trait. Seclusion. The melancholy of isolation is one that evokes a rainfall of sympathy, and director/writer Shinkai embodies all of nature's complexities to portray these wandering individuals. The ferocity of rain portraying both the characters' sadness whilst shielding them from the rest of society. The pale green shading of the summery foliage producing a reassuring aura of tranquility within the garden. Yet it's Shinkai's usage of Man'yoshu poetry that truly captivates, adding a traditional authenticity to the Japanese central romantic narrative. With "love" being traditionally written as "lonely sadness", Shinkai honed in on the deprivation of companionship. When both characters see each other as salvational assets as opposed to romantic interests, it provides a subtle layer of maturity that is commonly found in Shinkai's writing. Love is never simple, yet nature finds a way to pull people together. The Garden of Words itself is that motif.
As expected, the animation was gorgeous. Faultless. Combining hand-drawn animation with rotoscoping to create meticulously constructed scenery, assisting in the world building of their blossoming friendship. Less detail is given to facial expressions, with much of the attentive focus towards the environmental backdrop, which occasionally leaves a vacuous emotional complexion. Almost expressionless on occasion. Not enough to deter from the character building, but worth noting.
Shinkai's unfortunate issue here is with the runtime. It's short. Absurdly short. At only forty six minutes in length, the character development between Takao and Yukari is often rushed with no emotional simmering. This became drastically noticeable during the climax when Takao discovers the reasoning behind Yukari's work avoidance. The exquisitely mature metaphors and symbolic imagery were somewhat diminished for a typical "anime ending". What I mean by that, is the sole purpose in attempting to make the viewers shed a tear. The erratic framing, the J-pop music and the explosion of emotion is typical work from Shinkai, yet it never suited the preceding scenario. Whilst it nearly, oh so nearly, worked for me (I held back that tear!), it fell short due to the complacent storytelling. Motohiro Hata's vocal talent behind the theme song "Rain" was exceptional though, almost replicating Takao's personality. So I'll give some leniency...
The Garden of Words is poetry. Visually and literarily. With gorgeously vibrant animation and themes of maturity, Shinkai has crafted a wonderfully organic story that depicts loneliness with a hint of empathy. If only he was able to stretch it out for another half an hour, we could've witnessed a masterpiece in the making.
The two share a common trait. Seclusion. The melancholy of isolation is one that evokes a rainfall of sympathy, and director/writer Shinkai embodies all of nature's complexities to portray these wandering individuals. The ferocity of rain portraying both the characters' sadness whilst shielding them from the rest of society. The pale green shading of the summery foliage producing a reassuring aura of tranquility within the garden. Yet it's Shinkai's usage of Man'yoshu poetry that truly captivates, adding a traditional authenticity to the Japanese central romantic narrative. With "love" being traditionally written as "lonely sadness", Shinkai honed in on the deprivation of companionship. When both characters see each other as salvational assets as opposed to romantic interests, it provides a subtle layer of maturity that is commonly found in Shinkai's writing. Love is never simple, yet nature finds a way to pull people together. The Garden of Words itself is that motif.
As expected, the animation was gorgeous. Faultless. Combining hand-drawn animation with rotoscoping to create meticulously constructed scenery, assisting in the world building of their blossoming friendship. Less detail is given to facial expressions, with much of the attentive focus towards the environmental backdrop, which occasionally leaves a vacuous emotional complexion. Almost expressionless on occasion. Not enough to deter from the character building, but worth noting.
Shinkai's unfortunate issue here is with the runtime. It's short. Absurdly short. At only forty six minutes in length, the character development between Takao and Yukari is often rushed with no emotional simmering. This became drastically noticeable during the climax when Takao discovers the reasoning behind Yukari's work avoidance. The exquisitely mature metaphors and symbolic imagery were somewhat diminished for a typical "anime ending". What I mean by that, is the sole purpose in attempting to make the viewers shed a tear. The erratic framing, the J-pop music and the explosion of emotion is typical work from Shinkai, yet it never suited the preceding scenario. Whilst it nearly, oh so nearly, worked for me (I held back that tear!), it fell short due to the complacent storytelling. Motohiro Hata's vocal talent behind the theme song "Rain" was exceptional though, almost replicating Takao's personality. So I'll give some leniency...
The Garden of Words is poetry. Visually and literarily. With gorgeously vibrant animation and themes of maturity, Shinkai has crafted a wonderfully organic story that depicts loneliness with a hint of empathy. If only he was able to stretch it out for another half an hour, we could've witnessed a masterpiece in the making.
this movie has such a nice mellow story to it very true to life, it does motivate you and shows you how real life is , it is truly a beautiful film that i would love to see more of similar to 5 cm per second.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
क्या आपको पता है
- ट्रिवियाAccording to Makoto Shinkai, the film's central theme is loneliness. This was inspired by the Man'yoshu, Japan's oldest collection of poems; in that volume, love was represented by the word "koi", or "lonely sadness"; more accurately, a longing for someone in solitude. Shinkai described the film as a love story towards people who feel lonely or incomplete in their social relations, but who don't feel that they need to fix this loneliness.
- गूफ़During the last scene after the credits, especially 45:35, there are no footprints from outside towards the sunshade.
- भाव
Takao Akizuki: A faint clap of thunder / Even if rain comes or not / I will stay here / Together with you.
- क्रेज़ी क्रेडिटThere is a final scene after the credits.
- कनेक्शनFeatured in MsMojo: Top 10 Most Beautiful Animated Movies (2022)
- साउंडट्रैकRain
Lyrics and Music by Senri Ôe
Performed by Motohiro Hata
Arrangement: Makoto Minagawa & Akifumi Tada
© 1988 by Sony Music Artists Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Garden of Words?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Koto No Ha No Niwa
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $8,52,788
- चलने की अवधि
- 46 मि
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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