Hell or High Water

'Hell or High Water' is a bit of an odd duck. Mainly because it got a wide release. This is the only great film that has released in 2016 that got a wide release. I mean, there are only four or five films that I thought have been really great and all of them have either got basically no theater release or a limited viewing. I truly hope that this spurs more films like it though. More well crafted movies that actually have characters you can get invested in. There have been so many films this year that have completely failed due to poor character writing. Now, this film isn't perfect. So lets just get the negatives out of the way before we get into what makes this great.

There aren't many problems here. The only big issue for me lies in the films story. It's really not that good. Once you step back to examine it, it's actually pretty by the numbers. If you've seen any heist movie ever than you probably know where this film is going. It follows a very standard formula that rarely deviates from it's by the numbers approach.

But it wasn't until I took a step back that I noticed it. That's due to how well executed it is. It's one of those films that's so finely crafted that you don't really notice it's issues. That's what I loved about the film. It has such great characters that the familiar beats it hits actually feel genuine. Because you get to know these people and you feel like their choices matter to what's happening on screen.

Which came as a breath of fresh air in a time when films have become so predictable and convenient. Our three main characters are played by Jeff Bridges, Chris Pine, and Ben Foster. Who were all at their very best for this movie. Foster was the weakest of all but when acting across from Bridges, is hard to really stand out. Yet, that is exactly what Chris Pine does. I have never seen him give this kind of performance.

I'm glad to see him taking on nuanced roles that legitimately show his range. It felt almost like his performance in 'Z for Zachariah' but he's far more compelling to watch here. Which really adds to his character. He is the one that you have to feel for most. And his sad yet determined personality really pushed you through the film.

On the other end, Ben fosters character introduced the most conflict to the film. To avoid spoilers, I won't go into his character much but the film respected him enough to not make him the bad guy. It's so easy to make a character like that the films bad guy but he never becomes that person. It respects its characters enough to make them humans with problems instead of saying this guys the bad one and this guy is the good one.

And it's all shot and directed with the utter most care and effort. With nearly every shot you can feel the attention to detail and the work put into making this the way it is. It may not be Alejandro Inarritu levels of ingenuity but I loved seeing effort being put into making the film. It's very rare to see great directing and inventive cinematography in wide release films like this.

'Hell or High Water' is rare breed. It's a great film that got a wide release. There is a lot of love and care put into this and it shows. It's well shot, directed nicely, has a solid score, is brilliantly acted, and offers excellent characters. This is definitely worth going out and seeing. That being said, It falls just short of being amazing. The story is pretty by the numbers and it's ending doesn't really seem to know what it wants to do. However, it remains a great film and is definitely worth supporting in theaters.

This is definitely the type of simple film that many might dismiss when first hearing about it or seeing the promotional footage of it. What's really surprising about it is the amount of emotional and dramatic weight that it carries. It's not primarily interested in gun fights or car chases. Instead, it's interested in exploring the dynamics of race and culture, and in depicting everyone as flawed individuals who you still feel empathy for. It gives you a portrayal of what poverty and the economy can do, even when never attempting to justify the horrible behavior on display or trying to make excuses for its characters. It's filled with wonderful, thoughtful dialogue while also playing out like a realistic morality tale. The three leads are also fantastic, especially Ben Foster, who deserves to get more roles as the talented character-actor he is. This is highly recommended.

Look at Chris Pine trying to prove he's not just a pretty face doing these small films that show his range, and show how he can do accents, but seriously, Pine was totally in his element here.

Jeff bridges gave a great performance that matches his cowboy ethics in True Grit, playing a very old school Texas Ranger hunting down Pine and Ben Foster who play brothers robbing banks. A little in the Archie Bunker Territory when dealing with his Mexican, Native American partner, but all the way likable.

Ben Foster was fantastic as well,as the bad apple big brother looking for redemption. Very dynamic acting, by all three main actors.

The music really adds to the cool western feel, putting me in the cowboy mode. I thought it was interesting that they had one scene in the movie in which real life cowboys herding cattle appear, in a movie about the movie style cowboys, and it's some real cowboy stuff going on here.

It's very macho without turning off the indi crowd that would love this film. There's a scene in the movie when Jeff Daniels Character confronts one of the bank robbers and it was like Eastwood and Wayne back in the day, man. It just wraps up the whole vibe of the movie in one swoop. I feel like it's the type of movie everyone in Texas should love.

And it's very Texas (or rather what I expect from Texas): every dinner only sells streak, It's hard to be a armed bank robber because at least two people in the bank carry a gun. The film does use Texas as a perfect pocket for all American life with the bank robbers having a bigger agenda to save the land they own and secure a future for their family, screwing over the bank that's screwing them.

It has the same appeal of the Timber when it comes to today's Westerns, but it's setting in contemporary times but with that old fashion tone gives it an edge.

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Jeff Bridges and Chris Pine put on an acting clinic.

Bridges at 66 has enough swagger, 'tude and testosterone to be an action figure.

Pine, always reliable as a A-lister, takes his craft to a whole new level. He is as far from Captain Kirk as the earth is from the moon. Superb work. And unforgettable.

The script is to die for. Intelligent to a degree that makes you wonder aloud how the constant stream of B and C movies out of Hollywood ever get funded. Solid from the first line of dialog to the last.

West Texas is the unbilled co-star. You feel like you are there.

One of the best releases of the year.

((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

With Taylor Sheridan as the writer and David MacKenzie at the helm, I had high hopes for this movie. Both of their last respective projects (Sheridan - Sicario, MacKenzie - Starred Up) were gritty, violent, and engaging. All of those hold true for Hell or High Water.

The main characters, Chris Pine and Ben Foster turn in great performances. Ben Foster plays the ex-con brother. And as usual, he turns in what I think was the best performance of the movie. He has a knack for playing a top notch supporting role, and often times gets overlooked. Chris Pine also nails it as the more straight laced brother. For a pretty boy of Hollywood, his portrayal is authentic. Jeff Bridges also compliments these two well as the older, sort of jaded officer. Both him and Foster even provide a good amount of laughs, but neither overdo it.

The setting of the movie really sets it above others in the genre. I would say this movie is more crime/drama or heist film than Western, but it definitely has a Western vibe due to its northwest Texas setting. The area has been hit hard by the recession, a failing farm industry, and big oil. It all makes the recklessness and danger Foster and Pine engage in that much more enjoyable, and even sort of relatable. The audience can at least sympathize with them as they do what they think is right.

Overall, this film is well worth a watch. It can be put in a league with more recent films like The Town, Drive, and The Place Beyond the Pines.