Hinterland

Excellent. Intriguing. Haunting. Beautiful and bleak. Strong characters and performances. So different than the shoot 'em up, soft core ridiculousness of US cop shows.

Perfect to binge. I'm having a tough time turning it off. I want to see what happens next and why. Interesting that they shoot in Welsh and English, takes a moment to get attuned to the accents and cadence.

Check it out! It really is good.

PS if you like this, take a peek at "Shetland". … another BBCgem.

Many crime stories show police / detective work as something exciting, the cops are on a quest to solve a puzzle, and with guns, technology, intellect or even superpowers, they manage to find the culprit, point a finger at the guilty, and pat themselves on the back for doing a great job. There's none of that here.

Police work as shown in Hinderland is a mix of frustrating conversations that get you nowhere and hours of research (done by supporting leads) coupled with some lucky breakthroughs. If you are nit-picky about police procedures or a fan of CSI-type of story telling, you might be bored and annoyed by this show.

If you like shows about detectives unraveling the master plans of highly intelligent super-villains you might be a bit disappointed as well - the crime in this show is very down-to-earth and true to statistics (no Hanibal Lecter type of stuff).

Even if initially the series seems slow, and not your usual cup of tea, it's worth to give it a closer look, as it just might make you a better person.

Each episode (the length of a standalone film) tells a different story of 'who's done it', yet the finger never seems to be pointed at a particular person. The show offers a fuller picture and helps you understand the motivations and circumstances that lead to the crimes.

The show is really compassionate, there are no bad guys and good guys, like many of the cop-stories out there would have you believe, everyone is broken and suffering, and oh so human. A true lesson in empathy.

I love how Tom Mathias (the main character) treats the people he arrests - even when tackling them to the ground he still sees them as people, seems to understand their pain and even (gasp!) tries to comfort them.

When the stories come to an end, there is no patting on the back, solving of a case does not feel like a victory of justice, there are no moral lessons to learn, other than "suffering creates more suffering".

It's a slow, beautifully shot show which by offering you an escape from reality throws you knee-deep in it's slimy gutter instead.

Hinderland is brilliant- many American murder shows pale in comparison. But you have to like beautiful moody landscapes that mirror the people in them. Too many American shows are all about sex,shooting and cute chummy buddy scenes and pretty tourist places. If you don't want to think or be engaged you won't like it. But I find the series viscerally moving and thought provoking-so I love it and can't wait for the next one. The layers of personal history the series unravel and peel back, reveal truths about humanity we sometimes like to forget. The series does not trivialize the flaws and broken parts of the characters, rather the story line uncovers where things went wrong in the first place. True to life, it shows you how easy it can be to go off the rails.

I just binge-watched the first season of the show. Not because it was gripping, or exceptional. Mostly because the episodes (mind you, all have proper movie length) have a drilling undertone to them,that grows on you like the moss on those Welsh rocks you see all over the place.

The set-up is, I would guess, the new neo-noir (at least I would place them there). It kinda sombre, somewhat depressing, especially when you look at the bleak landscape and the crap weather. And it seems all the 'movies' take place in autumn or even winter. The Welsh title is "Y gwyll", the dusk. So, even the colours are kinda dim and gone. That is a real plus.

What really bugs me (and at the same time kept me watching it) are the hints given concerning the characters, both the protagonists, as well as the antagonists, but mostly the protagonists. Little will be told about their motives or the background, and much (much TOO much) will be left to the imagination. However, the characters that suppose to drive the show are, as is the land around them, somewhat bleak and dull, too. Tom Mathias strikes me as a fully-functional, yet utterly depressed. In terms of acting all characters look very real, it's almost like talking to you neighbour.

The movies lack action and purely draw their power from the fact that all involved are somewhat 'broken'. So, if it's some gloomy and depressing real-life crime-drama you want, watch this. And since it's winter in the northern hemisphere, they fit in quite nicely. It's like listening to Norwegian Black Metal, whilst driving through the snowy and desolate peaks of northern Scandinavia. Then you know how this music came about or what kind of mood it is supposed transport. The movies work employing the same tactic, IMO.

One big plus is the slow pace, paired up with nice suspense. Something most movies (or shows) seek to avoid by bright colours, action and flashy detectives. All in all it kind of reminds me of a rural, Welsh/British "True Detective". And the use of Welsh yields some credibility. I am hoping for a second season, and I hope for some more insight into the minds of the protagonists. I'd also like to see some more character development (towards bad or good, I do not care).

(S2 update)

So I finished the second series and I am rather taken with it. The character development is still rather slow, but there is enough to work with in order to get a good read on the characters. Also, I am rather surprised that there is so much crime in such a small community. By now the population of the region it is set in should have dropped significantly ;) We're talking some 70k in the region surrounding Aberystwyth. The filming and directing has improved slightly, IMO. There are, however, some plot strands that feel a bit 'forced'. But it's not terribly bad or outlandish. Especially the tie-ins with older cases. I would have expected something like that much earlier (and on a greater scale) considering the small community (see above). All in all a good and worthy continuation of the series- still dark and depressing. And I've found myself enjoying the Welsh parts; a very interesting language.

(S3 update)

The good news is that the pace of the series has not been changed. Pretty much everything that made it great is still there. The writers did a really good job of both coming up with new cases, as well as weaving those past cases and some new plot twists into the overall arc. I also liked the steady, yet moderate, progression of the character development. It might be just me, but I would say that overall acting has slightly improved - maybe because the supporting roles were fleshed out a bit, not sure though and it just might be a gut feeling. The landscape is still dreary, desolate and depressing - like most people who inhabit it. I really like this about Hinterland!

I have actually increased my rating after season 3 and I hope that I will be able to see more of this. Bravo, BBC Cymru!

I am in Wales, so get this as standard. It is too good to be shown in Wales only and on i-player. Hinterland is one of the best dramas to come out of the BBC for many years. If you love the wave of scandi dramas you will absolutely love Hinterland, filmed in the same way, it is naturally dark and moody, with gritty story lines, and a level of acting that will surprise you and make you want to come back for more. Richard Harrington is massively charismatic as lead character DCI Mathias, and the supporting cast are always equally as good. A word on the filming, it is top notch, beautifully done, but then they were never going to fail with the glorious mid Wales setting.