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Writer-director Paul Leyden does a decent job holding our interest as well as providing a few intriguing twists and reveals. But make no mistake, this is exceedingly far-fetched stuff.

There are a few scares in Come Back to Me. They would be a lot scarier if we either hadn't seen them coming, or hadn't seen them before.

There’s a terrific central idea at the core of the film, but it’s lost amid the endlessly repeated nightmare episodes, the banal subplot concerning the couple’s domestic problems and the clunky exposition and visuals.

The film's clumsy script elicits groans, but it's the plot that infuriates.

Come Back to Me has seamier goals, employing a quasi-religious conceit to justify its shocks of gore and sexual assault. In that regard, at least, it is grotesquely predictable.