The Tower

The Tower: A 2012 Korean disaster movie.

SPOILERS AHEAD!

Story Summary: It's a Korean movie about a high rise tower going up in flames. What more do you really need to know?

This movie hearkens back to the days when Hollywood made self contained disaster flicks on a regular basis; i.e. "Poseidon Adventure", the "Airport" (not "Airplane") movies, and the like, and, of course, the obvious comparison being "Towering Inferno". There's not a whole lot of variances afforded when you make a film like this. After all, it's a disaster film in a ship, building, plane, or what have you, so, it's basically just try to mitigate the damage, save as many people as you can, and see who (if anybody) makes it out alive. What you can do though, is try to have the viewers invest in some of the characters, provide an engrossing film with a decent enough story, some nice pacing & action, and, not make your stunts & effects look like crap. Does this film succeed on those fronts?...Yeah, pretty much.

Everything centers around the buildup to the Christmas celebration at the fabulous Sky Towers buildings. The first 30 minutes of the film or so are devoted to introducing the people who'll be the integral players in the disaster to come, they include; various hotel & building employees, some guests and love interests, the firemen who show up on the scene, some side groups, and the kid (gotta have a kid involved; this is a mandatory disaster movie rule). There's some ominous foreshadowing about high winds and a busted sprinkler system along the way, but screw it; let's send in the helicopters to drop fake snow on the buildings to appease our VIP guests as planned. What could possibly go wrong here?

OK, it's holiday party time! Where are those snow dropping helicopters?...Oh, here comes one now! Uh-oh!...What was that about the strong winds and a bad sprinkler system again?...From there, this is Disaster Movie 101, and, it's pretty entertaining for the most part.

This movie is what it is, meaning it's basically a popcorn action flick with little room for much else. The entire cast does a fine enough job, but there's not much for them to do past the ¼ mark other than run for their lives. There are some decent action set pieces where the characters have to escape the flames while traversing various floors & elevator shafts, navigate sky walks & scaffolding before they collapse, etc...This is all done with a fairly solid mix of live action, stunt work, and CGI. You also get your standard dose of Korean melodrama along the way (of course), but, it's not really any more melodramatic than those old American disaster flicks mentioned above; this movie really does play just like those films, except it's more modern and from a different country.

Bottom Line: It works well enough overall!...If you're looking for a fantastic story & dialogue driven Korean film, then, this ain't for you!...But, if you want to just chill and watch a decent action/disaster flick from Korea, then, this will probably fit the bill!

I think it's in the 6-7 out of a 10 star range!...Ehhhh! I'll give it 7 stars!

I found it really good, always love watching foreign movies, and it made me cry so much at the end!!

You can't help but to think of and compare this to the 1974 movie The Towering Inferno, given the many similarities between the two films. One of my favourite big budgeted spectacle of a disaster type movie from the 70s, this Korean version written by Kim Sang-Don settles for similar set action pieces, from the parties, to the incidents, to some of the solutions, while adding some of the inherent melodrama from Korea, coupled with a very stark, and rather there for laughs, portrayal of those with religious faith. It is a decent attempt, but one that wasn't out there first.

Director Kim Ji-Hoon had crafted a decent film that's paced right for a disaster epic of this scale, balancing the ensemble characters with scenes for each to shine in, while priming caricatures for certain death, as you would expect for the body count to rise. Set action pieces were commendably designed, from massive fire fighting, to rescue missions, and moments where characters find themselves in dead end situations, given the set up from early on within the first ten minutes outlining areas where challenges would be dished out, from non- working sprinklers to weather advice that goes defiantly unheeded. Naturally, there's the usual karma and retribution elements being weaved in, with room to showcase heroism and sacrifice. And given the subject matter there's also the educational element when criticizing mass panic that leads people to do the most irrational things, rather than what's right in the various scenario presented.

And this film is no less star-studded than its Hollywood counterpart too, spearheaded by Song Ye-Jin as Yun-Hee the restaurant manager making her rounds in preparation for a Christmas Eve party, as does the single dad and tower operations manager Dae-Ho (Kim Sang-Kyung), who also forms the complimentary beau for Yun Yee, with daughter Ha-Na (Jo Min-Ah) in tow that lends that father-daughter angle especially when the two loves of his life get stuck in the building, leading to a sort of rescue objective of sorts. Then there's the play up of the fire department, from courageous captain Kang Young-Ki (Sol Kyung-Gu), to Do Ji- Han playing a rookie fire fighter and Kim In-Kwon as another unlikely fire fighter here to provide some light comic relief.

But while this film has a number of characters rotating through the scenes for their individual spotlight moments, the characterization's much left to be desired, and ultimately you don't really feel nor connect with their plight that much. Unlike the Hollywood version where you really feel for the various characters, and get your adrenaline pumping with each death- defying situation they have to face and overcome in order to survive, Kim Ji-Hoon didn't manage to elicit the same genuine feelings. You hardly root for the characters nor feel a tinge of sadness to those who had to fall, and for those who deserve some just desserts, they get largely forgotten in the thick of things. Lee Han-Wi who plays a church elder celebrating Christmas with his mini congregation was also a character played for laughs, where every moment of prayer becomes answered not by divine intervention, but intervention through coincidence nonetheless.

In order to differentiate itself and pose a larger challenge, the tower here refers to the fictional Tower Sky buildings, with two massive skyscrapers reaching for the sky, reflecting on the obsession of architects who pander to the competition of having the tallest building in whichever modern city, and linked together through a glass bridge that you know is nothing more than a set up for something later on in the movie. Even though it's fictional, with reliance on CG to provide the illusion of scale and mass, the tower does become a character in itself, though in less successful terms if compared against the Hollywood original. CG was also obviously used in many of the disaster scenes, such as having choppers crash onto the facade and through into the building to become the catalyst. But CG cannot be used to replace solid story-telling, which is that little trip up that The Tower had suffered at various points where scenes felt disparate and transitions didn't gel too well.

But The Tower has its moments and would thrill the new film goer who hasn't seen The Towering Inferno, but to those who have, this Korean version hardly throws up something new nor surprising, coming off as a shallower knock off that could have done a lot better with the material and resources at its disposal. Still, it did good business at the Korean box office, and

I went in to this expecting a fun and cheesy disaster flick, and I got that. I just wish it had been done a little better. The first 30 minutes is all character development, which I didn't mind that much. My only issue would be the cheesy comedic relief characters, which continue to attempt to be funny in a film containing lots of drama and disaster, which I felt is not good for a film like this. I appreciate black comedy, but this just felt like it was trying to make us laugh for the sake of laughing, and it didn't mix well with the rest of the serious events in the film. There was some melodrama for sure, as there is with a lot of Korean movies, but it felt like it had it's place in this movie. I must mention the CGI, because generally with Asian films I think the CGI is lacking, but this one actually did quite a good job. I think the film could have been shortened, because I found myself losing interest at some points even though there was action occurring, and that is due to the length. I think if these little flaws were fixed, it could have been a really fun and enjoyable flick, but I just felt that the flaws weighed it down and made me enjoy it less than I would like to have.

THE TOWER is nothing more than a modern-day remake of the Irwin Allen disaster classic THE TOWERING INFERNO, updating the storyline with modern technology and modern effects but dealing with exactly the same type of logistical intrigue and scared survivors drama. It's slightly melodramatic, as is the case with a lot of Asian cinema, but it's also highly efficient with it. It may not be up there with the best of the genre, but it's better than the comparable likes of AFTERSHOCK and THE SINKING OF JAPAN.

The narrative takes on a familiar construction with the first half hour building the characters before letting rip with a major accident, then working its way through a series of alternative disaster scenarios. Survivors are fried, dropped, blown up and put into various perilous situations, and it's all handled with more than a modicum of efficiency by director Kim Ji-hoon. It's also well paced and technically efficient, with decent CGI adding to the peril and some well-placed comic relief offsetting the more dramatic moments.

Is THE TOWER original? Not a jot. Is it as good as the original? Not by a long shot. Is it entertaining? Oh yes. It may be no classic, but as modern disaster cinema goes this is one of the better ones you'll find out there.