The Harvest

The girl Maryann (Natasha Calis) has just moved to the house of her Grandfather (Peter Fonda) and Grandmother (Leslie Lyles) in the countryside after losing her parents. She is lonely and misses her former friends and decides to wander around the area. She finds the secluded boy Andy (Charlie Tahan), who lives alone with his mother, the surgeon Dr. Katherine Young (Samantha Morton), and his father, the nurse Richard Young (Michael Shannon), in an isolated house. They immediately befriend each other and she enters in his room through the window to play video game with him since Andy depends on a wheelchair to locomote. On the next day, Maryann visits her new friend again and Richard let her in to play with Andy. On the next day, Katherine does not allow Maryann to visit her son and she goes to the house of her grandparents to forbid Maryann to visit her son. However Maryann insists on visiting Andy when his parents are absent; out of the blue, they return and Maryann is trapped inside the house. She goes to the basement expecting to find a way out and stumbles with a dark secret. What has Maryann discovered about Andy's creepy parents?

"The Harvest" is a great low-budget thriller with top-notch performances, highlighting Samantha Morton. The immediate impression is that there is a flaw when Maryann finds the truth and does not call the police. However, if she is not able to convince her grandparents, imagine the police department of a small town. The plot becomes predictable in a certain moment after the first plot point, but keeps the tension until the very end. My vote is seven.

Title (Brazil): "A Ameaça" ("The Menace")

Adventurous girl befriends a dying boy and uncovers a dark secret.

This is carefully put together and well acted by the girl and boy. The obsessive mother looked like she was heading for Kathy Bates intensity, but I think the punches were pulled in the end.

Problem I had with this was it starts as a conventional family drama and only ups the stakes halfway through, and even then it never develops a sense of menace. It's as if they thought the plot reveal alone would elevate the story beyond the Nancy Drew level.

Also the pace is pedestrian. The director gets the technicals spot on, but I guess the screenplay didn't give enough to allow the tension to mount.

The director won't really care what you think of this movie. That much he made clear in his Q&A at the Frightfest Festvial this movie played at. Whatever you think of an attitude like that, it shouldn't matter on your opinion of this movie. Which is really good. It's the script, but also the performances. There are a lot of gray areas that are filled with life here.

There is also a twist here, that you might see coming early on, or be surprised when you see it. Whatever the case, it is very powerful. So it's not when you know, but what you discover that will certainly leave a mark. In a very good way. And though it goes completely over the top towards the end, it still works ...

This is a brillant film with aa good story. About family and A mother love of her child. How sometimes there more doing unthink and unforgiving thing. The writing is on point and with a brillaint cast. Charlie Tahan in this were good. Samantha Morton and Michael Shannon are brilliant in this film!!

I have watched this one a couple of times to make sure I felt about it the way I did the first time I watched it, and I do. It's a slow-building drama with a lot of quiet dialog, but that makes Samantha Morton's outbursts that much more jarring and intense. Michael Shannon is able to convey a lot of emotion with very little action, and the child actors in the film do a good job holding their own. I won't give away any plot, as to talk about any of it would lead me down the spoiler path, but if you like a good thriller with a disturbing concept, this is worth a watch (or three).

It's not a "lights off" type of movie, and I wouldn't classify it as horror, but it's a tense thriller in the vein of Fatal Attraction or The Gift. And, it's worth mentioning Samantha Morton again - she plays her role with utter abandon. You believe that she is her character and she's utterly captivating. While she does have shouting and drooling to get her point across, her subtle changes in facial expression and the scariness of her smile is awesome too.