IMDb रेटिंग
7.2/10
62 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat.A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat.A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 19 नामांकन
फ़ीचर्ड समीक्षाएं
The Light Between Oceans starts Michael Fassbender, Alicia Vikander and Rachel Weisz. And its the story of a couple living in a lighthouse and in the ocean they find a baby. And that's all I am going to say since the trailer again ruined some important plot points of the film. This movie is very slow but is the kind of movie in which almost everything is on point and it never goes to a route in which derails the movie, I was pleasantly surprised! I loved this film! The cinematography is amazing with a lot of shots of the ocean and the wind, it was truly jaw-dropping. The acting was also great, Michael Fassbender as always gives a brilliant performance. But the actress who surprised me a lot is Alicia Vikander. She is fantastic as this lady who has lost a lot and has a lot of regret. She was truly Oscar-worthy. The story was great as it is not only about the relationship between Tom and Isabel, but it's also about guilt, sadness, loss, etc. The ending floured me, I absolutely loved it. The only issue I have is that Toms and Isabels relationship is a bit rushed and with no real sense of direction, and the beginning is kind-off slow but then it picks it right back up the next 5 minutes. I had a great time with this film and i would recommend it to everybody who wants to experience a heart-breaking story that is actually realistic and authentic.
In December 1918, the traumatized military Tom Sherbourne (Michael Fassbender) is temporarily hired as lightkeeper to work alone for six months at a lighthouse at Janus Rock, Australia. He meets the joyful local girl Isabel Graysmark (Alicia Vikander) and they fall in love with each other. Soon they marry each other and Isabel moves to Janus Rock with Tom. Along the next years, Isabel has two miscarriages and while traumatized with her second loss, Tom rescues a rowboat on the shore with a dead man and a baby girl. When he is ready to report the incident, Isabel persuades Tom to keep the baby as if she were their child. The reluctant Tom has difficulties to agree, but keep the baby named Lisa. In Lisa´s baptism, Tom sees the local Hannah Roennfeldt (Rachel Weisz) praying at a grave and he learns that she is the real mother of Lisa. He writes an anonymous note to Hannah telling that her missing daughter is safe and sound. When Tom meets Hannah again four years late, he takes an attitude that will change the lives of many persons.
"The Light Between Oceans" is a beautiful film with a heartbreaking story and magnificent performances. It is easy to understand why Tom has difficulties to live a lie based on his rigid military principles but it is difficult to understand why the revelation four years after meeting Lisa´s real mother since he should be aware that his attitude would affect the lives of many people mainly Lisa and his wife. My vote is eight.
Title (Brazil): "A Luz Entre Oceanos" ("The Light Between Oceans")
"The Light Between Oceans" is a beautiful film with a heartbreaking story and magnificent performances. It is easy to understand why Tom has difficulties to live a lie based on his rigid military principles but it is difficult to understand why the revelation four years after meeting Lisa´s real mother since he should be aware that his attitude would affect the lives of many people mainly Lisa and his wife. My vote is eight.
Title (Brazil): "A Luz Entre Oceanos" ("The Light Between Oceans")
"She doesn't belong to us. We can't keep her." Tom (Michael Fassbender)
I was ready to witness a Nicholas Sparks imitator with The Light Between Oceans; rather I enjoyed a whiff of Thomas Hardy. A newly-married couple, Tom and Isabel (Alicia Vikander), living on a remote lighthouse island off the west coast of Australia in the second decade of the twentieth century, find a baby washed ashore in a rowboat. The tension comes not from storms at sea but the ramifications of their keeping the child a secret.
Notwithstanding the absurd good fortune that they find a baby after her two miscarriages, the story becomes increasingly complex with intersecting themes of passionate love and doing the right thing. Where this does not become a maudlin, sentimental romance is in a few realistic details. Most of us would question whether we would keep the child, given that we may never have one ourselves, just as this couple does.
Along the way, the accomplished acting throws a powerful cast over the proceedings so that as outrageously melodramatic as it may seem, the film relentlessly shows at each turn how conscience does indeed make cowards of us all. Just as what he has done preys on Tom's conscience, the needs of his wife to have a child overcome this otherwise beacon of upright manhood and good sense.
The end of WWI brings survivors like Tom an overpowering guilt that he survived while so many others didn't. With the presence of a child who belongs to someone else, he is tortured by thoughts of taking a loved one away as the war did for so many families.
Fassbender is the Oscar contender he was meant to be. His every facial muscle works to show immense joy at his marriage and deep sorrow at his crime. Vikander is equally convincing as a youthful bride with grit and joy who convinces her husband, sworn to save lives in the lighthouse, to endanger himself and her by his foolish act.
The cinematography is frequently gorgeous, and the romantic Andre Desplat music lovely but manipulative. While writer and director Derek Cianfrance navigates occasionally successfully through some choppy tear-jerking scenes (the close-ups of Vikander's tears are too many), it's still also a melodrama with too many fateful turns.
Besides, what handsome, sensitive war veteran would exile himself to a lighthouse? Only if he knew Alicia Vikander would join him!
I was ready to witness a Nicholas Sparks imitator with The Light Between Oceans; rather I enjoyed a whiff of Thomas Hardy. A newly-married couple, Tom and Isabel (Alicia Vikander), living on a remote lighthouse island off the west coast of Australia in the second decade of the twentieth century, find a baby washed ashore in a rowboat. The tension comes not from storms at sea but the ramifications of their keeping the child a secret.
Notwithstanding the absurd good fortune that they find a baby after her two miscarriages, the story becomes increasingly complex with intersecting themes of passionate love and doing the right thing. Where this does not become a maudlin, sentimental romance is in a few realistic details. Most of us would question whether we would keep the child, given that we may never have one ourselves, just as this couple does.
Along the way, the accomplished acting throws a powerful cast over the proceedings so that as outrageously melodramatic as it may seem, the film relentlessly shows at each turn how conscience does indeed make cowards of us all. Just as what he has done preys on Tom's conscience, the needs of his wife to have a child overcome this otherwise beacon of upright manhood and good sense.
The end of WWI brings survivors like Tom an overpowering guilt that he survived while so many others didn't. With the presence of a child who belongs to someone else, he is tortured by thoughts of taking a loved one away as the war did for so many families.
Fassbender is the Oscar contender he was meant to be. His every facial muscle works to show immense joy at his marriage and deep sorrow at his crime. Vikander is equally convincing as a youthful bride with grit and joy who convinces her husband, sworn to save lives in the lighthouse, to endanger himself and her by his foolish act.
The cinematography is frequently gorgeous, and the romantic Andre Desplat music lovely but manipulative. While writer and director Derek Cianfrance navigates occasionally successfully through some choppy tear-jerking scenes (the close-ups of Vikander's tears are too many), it's still also a melodrama with too many fateful turns.
Besides, what handsome, sensitive war veteran would exile himself to a lighthouse? Only if he knew Alicia Vikander would join him!
For those who were fans of the book, it was a great adaptation. It was slow, but that was certainly true to the book.
The acting was excellent, and I loved the cast. Fassbender and Weisz are always winners, of course - Vikander I have enjoyed in the three movies I've seen her in. She was great when she needed to be great in this movie - there were some very dramatic and poignant scenes, and she pulled them off.
I loved the cinematography – especially the scenes filmed on the island – the constant wind! That was something which was conveyed in the book, but it's hard to keep "constant ferocious screaming wind" in your head while reading, because it would be awful if it were mentioned every paragraph, yet it's easy to forget that crucial detail while reading – the movie definitely conveyed that. Very atmospheric.
Yes, it was on the slow side - so don't watch it while drowsy, and you should be fine!
The acting was excellent, and I loved the cast. Fassbender and Weisz are always winners, of course - Vikander I have enjoyed in the three movies I've seen her in. She was great when she needed to be great in this movie - there were some very dramatic and poignant scenes, and she pulled them off.
I loved the cinematography – especially the scenes filmed on the island – the constant wind! That was something which was conveyed in the book, but it's hard to keep "constant ferocious screaming wind" in your head while reading, because it would be awful if it were mentioned every paragraph, yet it's easy to forget that crucial detail while reading – the movie definitely conveyed that. Very atmospheric.
Yes, it was on the slow side - so don't watch it while drowsy, and you should be fine!
This film tells the story of a married couple living in a remote lighthouse, who finds a drifting boat in the sea with a healthy baby and a dead man inside. They raise the baby as their own, but soon moral challenges arise and they find themselves at an important crossroad.
I'm impressed by how beautiful "The Light Between Oceans" is. The scenery is so beautiful that it makes me want to visit that place and feel its serenity. The pain of the couple and their reasons for making such a decision is well portrayed in the film, and I do feel for them for having live with the consequences of their wrongs. The story is really beautiful because it is a story of love, and paradoxically tells that sometimes the right thing to do may not be the right thing to do. It is so hard to determine what is right and what is wrong in this situation, thereby creating a conflict which keeps the film captivating. I'm deeply moved by both Michael Fassbender and Alicia Vikander's performances. The film haunts me after it finishes, and I'm still affected by it and ruminating about it.
I'm impressed by how beautiful "The Light Between Oceans" is. The scenery is so beautiful that it makes me want to visit that place and feel its serenity. The pain of the couple and their reasons for making such a decision is well portrayed in the film, and I do feel for them for having live with the consequences of their wrongs. The story is really beautiful because it is a story of love, and paradoxically tells that sometimes the right thing to do may not be the right thing to do. It is so hard to determine what is right and what is wrong in this situation, thereby creating a conflict which keeps the film captivating. I'm deeply moved by both Michael Fassbender and Alicia Vikander's performances. The film haunts me after it finishes, and I'm still affected by it and ruminating about it.
क्या आपको पता है
- ट्रिवियाThe movie was filmed in Stanley, a quiet seaside town in north-west Tasmania. Local spokespersons hoped the film would enhance the amount of tourists in the area.
- गूफ़A framed photograph of Frank and Grace is shown on a shelf at approximately 1:08 in the movie. It appears that Frank is holding the baby in his right arm. This is a reversed image as evidenced by the direction his vest is buttoned. The same framed photo is shown twice later in the movie: at 1:35 sitting on what looks to be the same shelf and again at 1:57 being held in Hannah's hands. These show the correct orientation of the image with the child being held in his left arm.
- भाव
Frank Roennfeldt: You only have to forgive once. To resent, you have to do it all day, every day, all the time. You have to keep remembering the bad things. It's too much work.
- इसके अलावा अन्य वर्जनIn Singapore, the film was edited in order to obtain a PG classification. The distributor removed an entire sex scene from the film (between Tom and Isabel, in which some sexual movements and brief breast nudity is shown). The film was later passed M18 uncut for it's video release.
- साउंडट्रैकAll Things Bright and Beautiful
Music by William H. Monk (uncredited) and lyrics by Cecil F. Alexander (uncredited)
[Incorrectly credited as 'Traditional']
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Light Between Oceans?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- La luz entre los océanos
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,25,45,979
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $47,65,838
- 4 सित॰ 2016
- दुनिया भर में सकल
- $2,59,75,621
- चलने की अवधि
- 2 घं 13 मि(133 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें