Welcome to Valentine

Those of us that are Hallmark fans and viewers appreciate a good story, decent acting, and likeable characters. Most of the movies fit the bill. But once in a while there is a movie that has a weak story, unlikeable leads, no chemistry, confusing plot points, and not much to like. This movie definitely falls into that category, and it didn't even have some lovely scenery to add to the story. The lead female had such odd facial expressions and way of speaking. She might want to consider a few more acting lessons. I have seen the male lead in other movies and quite liked him, but he missed the mark in this one. The last few minutes wrapped up several story lines, but left us wondering how all of that could happen in such a short time. All in all it was just a disappointing effort from Hallmark. This year has not been their best.

Boy, I hated to give a movie like this a 5 rating. I'm usually a little more generous. This movie tried hard - too hard! At a certain point, it struck me: "WHY is there so much overacting in this movie?" Except for the fairly appealing male lead (Markian Tarasiuk) most of the actresses need to tone it down a great deal. Gestures too big, facial expressions too big, emotions too big... Then I realized several of them have a lot of stage experience, or maybe they've done a lot of emotion-fraught dramas. Whatever. In a big theatre, an actor HAS to be "big" or the audience can't see what's up. These actresses seemed not have have learned how to "bring it down" for the camera. It got to the point that I had to start skipping through the movie.

Also, the writing was just a little too self-conscious, too "New York," too "Neil Simon-esque" to be enjoyable in a small-town romance Hallmark movie. It sounded unnatural. As I said at the beginning, trying too hard - and it just didn't work. Beautiful faces, for sure, but...no.

I'm halfway through the movie, but the leads are still bickering with each other. I really want Hallmark movie writers to stop making the leads behave in such an antagonistic way. It doesn't add any drama to the plot since we know how these movies all end. It just makes it hard to buy into the couple and makes several scenes unenjoyable to watch.

It was also tough to cheer for Olivia since she was lazy producing any art, incompetent enough at her other job to get fired, mooching off her friend by sleeping on her couch for months, moving into her sister's place for free, and volunteering to work on a parade instead of actually getting (and keeping) a job to pay her own way through life. What a catch!

I'm left with any number of questions.

Why did she fall for him? Even going beyond their early antagonism, which is standard for these movies, I didn't see much to justify her liking him much less love.

Why did his dad think he would make a CEO? His personality was not decisive but it was arrogant. Unlike many movies where the rising star performs many feats that prove their competence, there was nothing in George proving competence in anything besides auto mechanics.

What happened to the float?

What next? But I will say as a positive that this movie didn't feel like it was necessary to have absolutely every little thing turn out HEA.

The acting was fair to terrible. Louise Kerr was the worst, badly overplaying Miss Hackey. I have liked Kathryn Davis in a lot of things, but best I can say about her in this is - fair. And there was no chemistry with Markian Tarasiuk. They barely had any one on one screen time.

The story wandered. It was disjointed.

In the commercials, Welcome to Valentine looks like a road trip movie, which morphs into a "let's put on a show" movie. And that's all true. But this movie seems to want to be a lot of different things.

The hero is poised to take over the family business, while the heroine wants her artistic career to begin with the help of an influential gallery owner. Within the first ten minutes, the hero causes the heroine to spill food on that gallery owner. She loses her cater-waiter job and her apartment. (Calgon, take me away!) Oh, if only she had a way to get back to Nebraska. The hero has a car, and we're off.

With all these well-worn tropes, a lot of the plot (and the dialogue) is going to be predictable. Follow your heart. The show must go on.

I liked it. The leads were attractive and they had good chemistry together. Is this the best movie ever? Of course not. But it's cute and sweet and exactly what I expected. I don't think that's a bad thing.