Wyrmwood

It's great to see not only the spirit of DIY filmmaking but Ozploitation cinema alive and well in the form of the Roache-Turner brothers (Kiah the director, Tristan his co-writer) blood filled and over the top zombie carnage horror/actioner Wyrmwood: The Road of the Dead, a film that was clearly a labour of love for these aspiring filmmakers and a film that in recent months has grown quite the reputation on the festival circuit that has seen the filmmaking duo well and truly become the next big thing in the local industry.

Filmed from my understanding over a number of years on a budget that was more than likely made up of family, friends and everyone else in between, there is no questioning that this is an unpolished film but at the same time a film that you can't help but appreciate on a level where you understand that the limitations set before the filmmakers failed to derail a film that is at its core a hugely energetic and often fantastically inventive tale. While we all know that the zombie genre of film and TV has virtually been done to (pardon the pun) death over many years Wrymwood has enough OTT ideas, violence and the Aussie humour we all know and love to keep us glued to our zombie guts covered seats for it's pretty quick fire 90 or so minute run time and in an age of films that look to cover up there budgetary flaws it's a joy to see Wyrmwood reveal in its roots.

Every part of Wyrmwood feels as though it could've been made in your backyard and in anything but a negative it gives the overall sense that this is a film that is truly its own beast. It's glorious to see the Roache-Turner brothers use the locales at their disposal to great effort from the wilderness through the "road of the dead" this is a tale that feels Australian and benefits from it while the movies performances range from impressive through to never passing acting school yet it doesn't bring the film down, it in fact brings it to a new level of enjoyable even though what your witnessing is akin to watching a friends high school media production.

With some off the wall ideas (mind controlling zombie hordes, zombie blood as a new source of fuel, just to name a few) and with an impressively constructed yet whole heartedly home grown production Wrymwood is indeed a film in a league all of its own. There are myriad problems with the film, mainly some downright lame scripting and some pretty lacklustre acting but when things click in this blood splattered ride they certainly work to a very high level. On the back of this effort you'd suggest that the Roache-Turner brothers most certainly do have a career ahead of them that hopefully sees them given a much bigger stash of play money that would no doubt see them craft some wickedly inventive and entertaining cinematic moments.

3 pieces of steak to the face out of 5

It was a thrill ride just like Mad Max Fury Road, with a team of strangers teaming up to survive the Zombie apocalypse that's going down. One of the best and craziest Zombie movies I've seen. It's exactly the roller coaster I would expect from the land down under.

Unlike Fury Road, however, the story is lacking. It's not a good ridiculous it's more of a stupid ridiculous

The filmmakers make it seem like the story is unimportant, which is true. No one needs to know why Zombies exist only that they do and Wyrmwood totally goes out there with the genre.

The weak story does not overshadow the amazing action, set designs and costumes in the movie, as well as the ensemble cast.

It was so much fun to watch.

Wow! Wyrmwood: Road of the Dead is a glorious achievement for which I send out my thanks and congratulations to all involved. Not only does it deliver 98 minutes of pure, wicked entertainment but manages to do so with uncommon pace, humour, style and energy.

With deft cinematics, competent CGI, solid acting and buckets of gore it has a stand-out quality that's rare and hard to bottle - especially on a modest budget. There are after all few genres that can boast such a catalogue of pure stinkers as can 'the zombie flick.' The storyline isn't necessarily one to explore too deeply but that doesn't really matter. This movie revels in its' own nonsensical journey. Bizarre characters and zombies are hurled at us non-stop, with a side-order of break-neck road chaos and a good few laughs - this viewer was left sated.

Somewhat in the spirit of such splatterfests as Feast (2005) or The Rage (2007), Wyrmwood doesn't take itself seriously but it's abundantly clear that the film making process was. Serious talent is on display here and I for one will be keeping an eye on the Roache-Turners to see what's next.

**geek alert**

As a working photographer myself I must mention the pleasing and somewhat unconventional style of cinematography - particularly the use of wide-angle. I thought the grading, editing and post production generally to be superb. I was surprised and overjoyed to later discover via IMDb that this was in fact shot using the Canon 5D (presumably Mk III). Amazing results. I had presumed this was shot on Reds.

I finished this movie about an hour ago and already I can't wait to see Wyrmwood 2! Great stuff! 7/10

WYRMWOOD is a high energy zombie flick from Australia that combines the road movie genre with a classic zombie apocalypse outbreak type horror yarn. It has a little of the verve of VERSUS but in the end I found it quite predictable and a little overwhelming.

What's clear from the outset is that this is one step up from being an amateur film. The look of the zombies is cheap, especially with those Halloween party contact lenses, although there's copious gore to help make up for this. The acting is of a generally poor quality, but the film goes for a semi-serious approach so that doesn't matter too much.

What WYRMWOOD does offer is action in spades. There's barely any plot, just a handful of characters battling both zombies and some sinister scientists bent on human experimentation. None of it made much sense to me, but the director works hard to infuse his film with vibrancy and momentum, and he does succeed in part.

Okay this is the best zombie action I've seen in some of time; whereas The Battery was hip and careful, this is sloppy, has verve and gleefully throws itself around, it has a carpenter's love for things you can build with your hands that I like and just an overall air of messily practical filmmaking in the best spirit of Evil Dead and Braindead that just wants to revel in blood it throws up.

And this means that it doesn't try to make too much sense. A zombie apocalypse has taken place overnight following a meteorite shower, but the mythos is schematic and unserious, we see a few soldiers roaming the countryside in a van and a deranged scientist conducting zombie experiments in the back but this is so we can have these characters roaming around. The notion of a girl who comes to control zombies and emotive moments here and there I could do without.

And New Zealand is the ideal backdrop for the appeal this aimed to have; we see no cities and no cohesive social fabric being torn, there are only roads through sparse New Zealand bush, a garage here, a tunnel there, forests, so it all adds to that feeling of a bunch of young people letting loose with no larger narrative in mind other than the adventure of making up things in the wild.

Creativity here is not intellectual or really concerned with style, or bogged down in somber atmosphere; it is practical and freewheeling, the joy of splashing blood on a floor, slipping on it and filming the goof, what Raimi and Jackson did so well once upon a time. By the end the only fault I see is that they didn't push this gory slipperiness more, that they didn't make the sparse setting more iconic (Evil Dead and Braindead, and really every horror classic, are rooted in extremely memorable space) but this is still horror I endorse.