द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.
- 4 ऑस्कर के लिए नामांकित
- 26 जीत और कुल 99 नामांकन
सारांश
Reviewers say 'Star Wars: The Last Jedi' garners varied reactions, with praise for its innovative storytelling, stunning visuals, and complex character arcs, especially Rey and Kylo Ren. It is celebrated for pushing Star Wars boundaries but criticized for plot inconsistencies and character missteps. The portrayal of Luke Skywalker and new characters sparks debate, alongside mixed opinions on humor and pacing. Despite the backlash, the film is acknowledged for its ambition and bold narrative direction within the Star Wars universe.
फ़ीचर्ड समीक्षाएं
I love the Star Wars franchise. I was so anxious to watch The Last Jedi especially how The Force Awakens ended and how good The Force Awakens was. I bought my tickets a month and a half in advance in anticipation of episode eight.
As the movie started I was dialed in for the first 15 minutes then I noticed this subtle uneasiness in me like a disturbance in the force. It began with the interaction between Poe and Princess Leia. She made a comment and made a decision regarding Poe that I found a little unsettling. "OK." I thought. I didn't like that exchange but it's not a show stopper. The subtlety was that Leia was making it seem like the Rebels were in no need of heroes. They didn't need fighters anymore, they needed thinkers (or something akin to that). I took that little shift in philosophy in stride and kept eagerly watching. A couple of other small iniquities occurred but I soldiered forth watching with an open mind because it's "Star Wars".
Then, there came the interaction between Rey and Luke Skywalker.
Luke is part of movie folklore to me. Like many people have the one celebrity they'd like to meet: the one fictional character for me has always been Luke Skywalker. Luke was the first hero I'd seen wear black. He had piloting skills, light saber skills and could do Jedi mind tricks. He was the coolest.
Fast forward nearly 40 years and now Luke is an old man. So what I'm expecting is an older, WISER Luke. If Luke is on a deserted planet then it must be for a very good reason. And if Rey found him, much like Luke found Yoda, then Luke will have so much to impart upon Rey. That's not quite what went down. They made Luke a sullen pessimistic old man that was ignorant of simple truths. He offered so little; to the movie and to Rey. He was a shell of his former self, he was only good at being the ex machina. The Luke Skywalker in this movie was NOT the Luke Skywalker I knew. The Luke Skywalker I know was killed in this movie.
After seeing my fictional hero relegated to something unrecognizable I actually became bitter while watching the movie. There was almost nothing they could do to save the movie. And they didn't . In fact, it got worse. By the end the movie was more of what I should have saw coming: rebels running from the Republic and figuring out some remote yet heroic way to ward them off. And what added to the annoyingness of this movie is that they didn't know when or how to end it. What should have been the end was followed up by another half an hour mini movie with its own beginning, middle and end.
But unlike The Last Jedi I know how to end this post. Don't waste your time.
As the movie started I was dialed in for the first 15 minutes then I noticed this subtle uneasiness in me like a disturbance in the force. It began with the interaction between Poe and Princess Leia. She made a comment and made a decision regarding Poe that I found a little unsettling. "OK." I thought. I didn't like that exchange but it's not a show stopper. The subtlety was that Leia was making it seem like the Rebels were in no need of heroes. They didn't need fighters anymore, they needed thinkers (or something akin to that). I took that little shift in philosophy in stride and kept eagerly watching. A couple of other small iniquities occurred but I soldiered forth watching with an open mind because it's "Star Wars".
Then, there came the interaction between Rey and Luke Skywalker.
Luke is part of movie folklore to me. Like many people have the one celebrity they'd like to meet: the one fictional character for me has always been Luke Skywalker. Luke was the first hero I'd seen wear black. He had piloting skills, light saber skills and could do Jedi mind tricks. He was the coolest.
Fast forward nearly 40 years and now Luke is an old man. So what I'm expecting is an older, WISER Luke. If Luke is on a deserted planet then it must be for a very good reason. And if Rey found him, much like Luke found Yoda, then Luke will have so much to impart upon Rey. That's not quite what went down. They made Luke a sullen pessimistic old man that was ignorant of simple truths. He offered so little; to the movie and to Rey. He was a shell of his former self, he was only good at being the ex machina. The Luke Skywalker in this movie was NOT the Luke Skywalker I knew. The Luke Skywalker I know was killed in this movie.
After seeing my fictional hero relegated to something unrecognizable I actually became bitter while watching the movie. There was almost nothing they could do to save the movie. And they didn't . In fact, it got worse. By the end the movie was more of what I should have saw coming: rebels running from the Republic and figuring out some remote yet heroic way to ward them off. And what added to the annoyingness of this movie is that they didn't know when or how to end it. What should have been the end was followed up by another half an hour mini movie with its own beginning, middle and end.
But unlike The Last Jedi I know how to end this post. Don't waste your time.
This cinematic catastrophe, masquerading as a continuation of the beloved Star Wars saga, is an utter disgrace to the franchise and a desecration of everything that once made it great. Director Rian Johnson's feeble attempt to leave his mark on this illustrious universe falls short in every conceivable way, leaving fans and cinephiles alike bewildered and dismayed.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
I really want to sit across from Rian Johnson and Kathleen Kennedy and ask them honest questions:
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
They spend so much money for CGI and budget.
Can someone honestly answer, why they don't hire some of the best writers in hollywood? They have the cash..
Star Wars is a joke to them. RIP star wars
The original Star Wars films ("4-6" as we're now supposed to call them) were FUN. It's that simple. They had action, surprise, and a bit of humor. They were a treat for viewers young and old.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Lilo & Stitch just reached the $1 billion mark at the worldwide box office. Take a look at the top-grossing movies of all time.
क्या आपको पता है
- ट्रिवियाMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- गूफ़When Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- भाव
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- क्रेज़ी क्रेडिटIn loving memory of our princess, Carrie Fisher.
- इसके अलावा अन्य वर्जनThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- कनेक्शनEdited into If Star Wars Wasn't Serious (2014)
- साउंडट्रैकAquarela Do Brasil
Written by Ary Barroso
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Star Wars: Episode VIII - The Last Jedi?Alexa द्वारा संचालित
- Finn needed a pilot to escape the First order in Episode VII, how did he learn to fly in this film?
- How did Kylo Ren get his helmet back when he left it on Starkiller base?
- When does this take place in the Star Wars timeline?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Star Wars: आख़री योद्धा
- फ़िल्माने की जगहें
- Salar de Uyuni, Bolivia(ending battle exterior scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $31,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $62,01,81,382
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $22,00,09,584
- 17 दिस॰ 2017
- दुनिया भर में सकल
- $1,33,44,07,706
- चलने की अवधि2 घंटे 32 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें